A Guide to the Strip: New Year's Eve
December 26, 2007 | 10:34
am
And now it begins.
The slowest period in Las Vegas -- the days between Thanksgiving and Christmas -- ends abruptly with a swift build-up to the busiest weekend of the year.
Each day, the Strip will get more crowded as more people pour into town and occupancy for hotel rooms inches toward 99-100%. The weekend near the turn to New Year's is traditionally the busiest time of the year in Vegas.
Then nothing beats New Year's Eve, the one night a year the Strip actually closes to traffic and people walk along Las Vegas Boulevard.
The slowest period in Las Vegas -- the days between Thanksgiving and Christmas -- ends abruptly with a swift build-up to the busiest weekend of the year.
Each day, the Strip will get more crowded as more people pour into town and occupancy for hotel rooms inches toward 99-100%. The weekend near the turn to New Year's is traditionally the busiest time of the year in Vegas.
Then nothing beats New Year's Eve, the one night a year the Strip actually closes to traffic and people walk along Las Vegas Boulevard.
With road closures and drunken tourists, New Year's Eve and the days around
the event can be chaotic; and usually, unless I have to cover something (which I
usually do), I leave the resort corridor to the tourists.
A lot of locals feel the same way. But this year, I will be heading into the fray and bringing you New Year's weekend and New Year's Eve in Las Vegas as it unfolds, with regular updates on the Buffet. I could not be more excited. I don't know why I didn't do this last year.
A lot of locals feel the same way. But this year, I will be heading into the fray and bringing you New Year's weekend and New Year's Eve in Las Vegas as it unfolds, with regular updates on the Buffet. I could not be more excited. I don't know why I didn't do this last year.
On Saturday, December 29, I'll be checking into the Hard Rock, before
heading off to the Luxor for the opening of Cathouse, the new restaurant
from Kerry Simon (once of Simon's at the Hard Rock).
This particular event is being hosted by Mischa Barton, which I guess means enough of "The O.C." fans are now legal drinking age. But my favorite part of the invitation to the opening of CatHouse is the word "loungerie," used to describe the place, as in "combining a rich opulent loungerie with a world-class restaurant." No, I don't know what "loungerie" means.
This particular event is being hosted by Mischa Barton, which I guess means enough of "The O.C." fans are now legal drinking age. But my favorite part of the invitation to the opening of CatHouse is the word "loungerie," used to describe the place, as in "combining a rich opulent loungerie with a world-class restaurant." No, I don't know what "loungerie" means.
Then it is back to the Hard Rock to catch one of my favorite lounge acts:
Richard Cheese and his band Lounge Against the Machine.
I'm not sure if what Richard Cheese does is comedy or performance art, but he is brilliant at it.
His latest disc is "Dick at Night," which offers lounge versions of television themes. This is a bit of a departure from his sleazy, oozing lounge versions of metal, grunge and pop hits on earlier discs like "I'd Like a Virgin," "Aperitif for Destruction" and "Tuxicity."
I've always thought Cheese would get a regular gig in Vegas, but instead he has become something of a holiday tradition at the Hard Rock. I love the crowd, as he seems to be appealing simultaneously to lovers of camp, rockabilly revival, comedy and even music snobs.
I'm not sure if what Richard Cheese does is comedy or performance art, but he is brilliant at it.
His latest disc is "Dick at Night," which offers lounge versions of television themes. This is a bit of a departure from his sleazy, oozing lounge versions of metal, grunge and pop hits on earlier discs like "I'd Like a Virgin," "Aperitif for Destruction" and "Tuxicity."
I've always thought Cheese would get a regular gig in Vegas, but instead he has become something of a holiday tradition at the Hard Rock. I love the crowd, as he seems to be appealing simultaneously to lovers of camp, rockabilly revival, comedy and even music snobs.
On Sunday, I'll be moving to the Strip to spend two nights at the Luxor.
The first night, I am going to check out nightclubs. The big event will be the grand opening of 40/40 Club, Jay-Z's new Vegas venture at the Venetian's Palazzo expansion. I am hoping to interview him there about his recent departure as label head at Def Jam.
But more important, this will also be my first opportunity to see the Palazzo. Afterwards, I am dropping by the Bellagio to check out the new nightclub the Bank (pictured above) that has replaced Light.
From there, I am heading to Mandalay Bay to see adult film star Tera Patrick (pictured) perform burlesque at Ivan Kane's Forty Deuce.
Finally, I am going to take the exclusive elevator up 43 floors to the Foundation Room at Mandalay Bay to see the big Buddha (pictured below) and enjoy what is unarguably one of the best views in Las Vegas.
Of course, this assumes I am on the list for the Foundation Room and make dress code. I've messed up both requirements on previous visits.
Nonetheless, every time I've made it past the dark-suited guardians and onto the elevator, I leave the Foundation Room with a renewed love and appreciation of that spectacular view, which places you on an outdoor balcony adjacent to the gigantic letters atop Mandalay Bay.
The first night, I am going to check out nightclubs. The big event will be the grand opening of 40/40 Club, Jay-Z's new Vegas venture at the Venetian's Palazzo expansion. I am hoping to interview him there about his recent departure as label head at Def Jam.
But more important, this will also be my first opportunity to see the Palazzo. Afterwards, I am dropping by the Bellagio to check out the new nightclub the Bank (pictured above) that has replaced Light.
From there, I am heading to Mandalay Bay to see adult film star Tera Patrick (pictured) perform burlesque at Ivan Kane's Forty Deuce.
Finally, I am going to take the exclusive elevator up 43 floors to the Foundation Room at Mandalay Bay to see the big Buddha (pictured below) and enjoy what is unarguably one of the best views in Las Vegas.
Of course, this assumes I am on the list for the Foundation Room and make dress code. I've messed up both requirements on previous visits.
Nonetheless, every time I've made it past the dark-suited guardians and onto the elevator, I leave the Foundation Room with a renewed love and appreciation of that spectacular view, which places you on an outdoor balcony adjacent to the gigantic letters atop Mandalay Bay.