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Rites of Passage: A Novel (To the Ends of the Earth, 1) Paperback – October 1, 1999
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Winner of the 1980 Booker Prize
William Golding’s To the Ends of the Earth trilogy is now a BBC/PBS Masterpiece miniseries staring Benedict Cumberbatch, Jared Harris and Sam Neill.
Sailing to Australia in the early years of the nineteenth century, Edmund Talbot keeps a journal to amuse his godfather back in England. Full of wit and disdain, he records the mounting tensions on the ancient, sinking warship where officers, sailors, soldiers and emigrants jostle in the cramped spaces below decks.
Then a single passenger, the obsequious Reverend Colley, attracts the animosity of the sailors, and in the seclusion of the fo'castle something happens to bring him into a "hell of degradation," where shame is a force deadlier than the sea itself.
To the Ends of the Earth:
1. Rites of Passage
2. Close Quarters
3. Fire Down Below
- Reading age8 - 12 years
- Print length288 pages
- LanguageEnglish
- Dimensions5.5 x 0.65 x 8.5 inches
- PublisherFarrar, Straus and Giroux
- Publication dateOctober 1, 1999
- ISBN-100374526400
- ISBN-13978-0374526405
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Editorial Reviews
Review
“Beautifully poised between comedy and dread...splendidly, elegantly phrased.” - Kirkus Reviews (starred review)
“It takes a special kind of genius to be able to recreate such convincing early 19th-century prose... A bravura display of writing skill.” - The Guardian
“A first-rate historical novel that is also a novel of ideas--a taut, beautifully controlled short book with none of the windiness or costumed pageantry so often associated with fiction attempts to reanimate the past... [It is] the best of Golding’s novels since Lord of the Flies.” - The New York Review of Books
“As skillful and resonant as the best of William Golding’s other novels, which are among the best written by any Englishman these past twenty-five years.” - The New York Times Book Review
“An extraordinary tour de force that has something in common with Melville’s Billy Budd, Conrad’s Nigger of the Narcissus and even Coleridge’s The Ancient Mariner... Provides readers with still another instance of William Golding’s virtuosity and moral stamina.” - Philadelphia Inquirer
About the Author
Product details
- Publisher : Farrar, Straus and Giroux; First Edition (October 1, 1999)
- Language : English
- Paperback : 288 pages
- ISBN-10 : 0374526400
- ISBN-13 : 978-0374526405
- Reading age : 8 - 12 years
- Item Weight : 13.6 ounces
- Dimensions : 5.5 x 0.65 x 8.5 inches
- Best Sellers Rank: #311,327 in Books (See Top 100 in Books)
- #1,167 in Sea Stories
- #7,972 in Classic Literature & Fiction
- #16,949 in Literary Fiction (Books)
- Customer Reviews:
About the author
Born in Cornwall, England, William Golding started writing at the age of seven. Though he studied natural sciences at Oxford to please his parents, he also studied English and published his first book, a collection of poems, before finishing college. He served in the Royal Navy during World War II, participating in the Normandy invasion. Golding's other novels include Lord of the Flies, The Inheritors, The Free Fall, Pincher Martin, The Double Tongue, and Rites of Passage, which won the Booker Prize.
Photo by See page for author [CC BY-SA 3.0 nl (http://creativecommons.org/licenses/by-sa/3.0/nl/deed.en)], via Wikimedia Commons.
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At first, a young man on his way to a government position in Australia begins a journal at the request of his benefactor -- who also gave him the journal. At first, the information comes regularly, and while entries tended to be mundane -- e.g., the smell of ballast on an older ship -- it was still interesting. When young Talbot begins to speak about the crew, and the passengers, with him on this trip, the reader is introduced to different social customs, different concepts of what society expects of a gentleman, and how the influence a lord had to get Talbot a position had absolutely no impact on a sea captain taking what may be his last voyage. It is the introduction and development of the characters, their issues, and Talbot's reactions to them that make the book easy to read and hard to put down. To be sure, there are passages that are quickly passed because they inform the reader of heat and windless skies that lead to little movement, but these are relatively short.
A major event occurs when an aspiring minister, who does not possess the charisma to make his knowledge at all interesting to his companions or the crew, commits a social breakdown that raises difficult issues from the characters different viewpoints, and helps the reader see how the same event from these viewpoints is so starkly different. This exploration takes Rites of Passage from a book about a certain era and makes it a book relevant to the various issues we all face today.
It is a good read. More to the point, it has inspired me to obtain Close Quarters and Fire Down Below so I can finish the trilogy and learn how every issue and every person survive this voyage.
Set in the early days of the 19th century, this journal of a minor official on his way to Australia is mostly tedious posturing by a young man very pleased with himself. He writes of his superiority to the other passengers. One in particular is a Mr Colley, a clergyman. Only toward the end of the book do we find out that Mr Colley also kept a journal, and his account is very different from Mr Talbot's.
Actually nothing much happens in the book, and I didn't care very much about any of the characters.
The novel, which takes place in the first quarter of the nineteenth century on board a vessel of the Royal Navy bound for Sydney, is in the form of a journal. The writer, Edmund Talbot, writes for his noble patron, who has secured him a post as aide to the Governor of New South Wales. Very conscious of his station, he is surprised that the Captain did not greet him personally, and is aggrieved at the size of his cabin, which he calls a hutch) but he soon resolves to make the best of it:
I have resigned myself therefore, used Wheeler for some of this unpacking,
set out my books myself, and seen my chests taken away. I should be angry
if the situation were not so farcical. However, I had a certain delight in some
of the talk between the fellows who took them off, the words were so perfectly
nautical. I have laid Falconer's Marine Dictionary by my pillow; for I am
determined to speak the tarry language as perfectly as any of these rolling
fellows!
There is much to smile at in Talbot's genial superiority, his attempts to "speak Tarpaulin" as he calls it, and his inevitable petty comeuppances, as when he blithely asserts that he is a good sailor only to get sicker than all the rest. But we are more than willing to see the ship and other passengers through his eyes. There is a painter named Brocklebank and his supposed wife and daughter (the one too young and the other too old). There is a noted Rationalist named Pettiman, who patrols the decks with a blunderbuss determine to shoot the first albatross he sees, in order to prove the Tale of the Ancient Mariner mere superstition. And there is a newly-fledged parson named Colley, an obsequious creature who "not only favours me with his révérence but tops it off with a smile of such understanding and sanctity [that] he is a kind of walking invitation to mal de mer.
Yet it is with Colley that Golding first begins to show the darker side for which he is famous. For ever since Jonah, seamen have been superstitious about having priests aboard, and the terrifying Captain Anderson seems to make this superstition personal. Rev. Colley falls foul of the captain, is banished from the quarterdeck, and soon begins to feel like a pariah on board. Despite his dislike, Edmund makes some attempt to help him, but he gets distracted by the over-telegraphed charms of Zenobia Brocklebank (the so-called daughter). So Colley's fall, when it comes, is both terrible and alone.
I go back in my mind to reading LORD OF THE FLIES. There is the same repurposing of a traditional genre (there TREASURE ISLAND or a school story, here a nautical yarn), there is the same deceptive lightness of touch, and most importantly the same attention to those special conditions in which normal social conventions break down and human beings reveal the savagery never far beneath the skin; it is easy to see Colley as another Piggy. But this is a more personal book; the darkness is less atavistic, less a matter of what others do, more a question of what lurks in one's own soul.
Edmund Talbot is not the only journal writer on board. It appears that Colley has also been keeping a log, in the form of a long letter to his sister, and this takes up most of the last third of the book. What is interesting is how these two separate accounts complement each other, giving us insight into the tormented mind of the young parson, telling us more about the less-than-gentlemanly officers, and—despite the fact that Colley virtually worships him—making us reevaluate our protagonist, Edmund Talbot. You could imagine Melville writing this short novel, in terms of its moral issues and naval setting. But Golding seems that much smaller, less absolute. This one is a sordid affair, from which nobody emerges entirely clean. Not quite another LORD OF THE FLIES, still less a BILLY BUDD or HEART OF DARKNESS. But those set a high standard indeed, and this is still a very fine achievement.
4.5 stars.
Beware if you buy this kindle edition. It's unreadable due to large amounts of formatting issues, typos, and other problems. I guess there's a reason it was only $1.42. I found another kindle version for $7, maybe that version is better. I've attached a photo of one of the better pages (the one I was currently trying to read). Each page is terrible.
Reviewed in the United States on January 27, 2015
Beware if you buy this kindle edition. It's unreadable due to large amounts of formatting issues, typos, and other problems. I guess there's a reason it was only $1.42. I found another kindle version for $7, maybe that version is better. I've attached a photo of one of the better pages (the one I was currently trying to read). Each page is terrible.