nascentnovelist

April 8, 2012

Words That Make You Shiver

Filed under: Uncategorized — nascentnovelist @ 10:33 am
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I am an insect that dreamt he was a man and loved it, but now that dream is over, and the insect is awake.

Some lines stay with you. They could be in a movie, a book, a song, but the mix of words and sentiment come together so well that it sends shivers down you spine.

A single grain of rice can tip the scale. One man may be the difference between victory and defeat.

It might be lighthearted, or deadly serious, but you remember it. Citations of these lines will make you smile, or tear up, or shiver. Something about these lines just stick.

God isn’t supposed to be a hack horror writer.

So what is it about these lines that force a reaction from us? I believe it has something to do with build up. It’s not so much the words themselves, but the stories they embody. The lines I remember are usually the ones that contain the story, or at least a major part of it.

Now for wrath. Now for ruin. And the red dawn!

Or, of course, the lines that define a character.

Well, my days of not taking you seriously are certainly coming to a middle.

Regardless, they are lines that stand out because they contain much more than the words themselves. They tell the story.

What words make you shiver? And can you place each quote in this post?

April 3, 2012

Writer Wednesday with Even Tømte

Filed under: Uncategorized — nascentnovelist @ 11:12 am
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Even Tømte is many things. An artist, a journalist, a writer, a father, a larper, a great friend. So it’s no surprise that he has a way with words. But this piece, which I’m honored to host on my blog, is not only well put, it tells great truths:

1. Writing leaves you exposed. Scary as hell.
2. Break all the rules.

Truer words and all that. I won’t spoil anything else. Just trust me when I say: you have to read this.

 

Break the Rules

I am a journalist in the specialized press, which means I cover a clearly defined field, for professionals and people with a special interest. I write about international economy, aid, and development for a government-owned magazine. Like most other fields, development has its own tribal language. We use words like MDGs and LDCs and the Paris agenda and good governance, or the Norwegian equivalents thereof. Like most journalists in the specialized press, I find it hard to write in a language that is at once intelligible, engaging, and precise.

The world is a strange place. If you’re anything like me, you’ll find engaging with the world to be a constant challenge, particularly the spaced-out parallel dimension that is the media. You turn the page of your newspaper, shell-shocked. You struggle to keep your breathing calm, reading Facebook, watching the news playing out its grotesque theatre, maybe even watching TV or getting turned into a neurotic by your smartphone. Screaming headlines about a politician tweeting something tounge-in-cheekish, «cultural debate» (is this art? Vote here: yes/no), some model getting «boob shocked», how to get the perfect smile (complete with a price list), cupcake recipes or those darn pictures of cute animals that people keep sharing, and it’s in some weird, fucked-up way your job to read this, ’cause you gotta keep up with the news, and you have this sinister feeling that you’re part of this too. This is how you pay your bills.

No wonder you drink.

No wonder you take up smoking at the age of thirty-one.

Pour me another one.

I recently started writing songs for my band. Stumbling a little at first, but gradually getting better at it. Embarrassed about my own texts, but encouraged by my fellow band members (who are razor-sharp writers themselves). It is great fun, and goddamn hard. No more telegraph-style news, no distant analytical musings or hiding behind sterile professional terminology. Honest, personal, hard, raw. Writing leaves you exposed. Scary as hell.

Going back to the job again was hard. Bills gotta be paid. But the feeling of alienation was stronger than ever. Hard-wired into the journalist ethic is a strong commitment to reality. But is this real? How do you present reality in a formatted, click-winning way with an hour or two of research, without bending and distorting and fucking it over? Do anyone still believe they can read the papers and learn what the world is like?

As a survival technique, I started writing parody. Portraying the absurdity around me, but in a format that is less internalized than the language of «news». Still bending and distorting, but according to different criteria. I find it to be a more honest way of describing what I see. While working, I would jot down impish comments and sentences in my notebook that were never meant to find its way into my news articles. I kept the texts stashed away on my hard drive for my own amusement.
Then one day, one of my devilish little texts started melting together with the actual news article I was supposed to write. I was a little puzzled by that at first, then I thought oh, what the hell and hit the publish button, and there it was. «The naughtiest text written in a government publication in years», one of my superiors called it. My editor loved it, and I thought, maybe I have found a way of dealing with the job after all. We’ll see.

Is there a lesson here? I think there is. Write stuff, write different stuff than you normally do, break all the rules, and then bring something home.
Cheers.

April 2, 2012

Guest post: Writing in public

Filed under: Uncategorized — nascentnovelist @ 8:05 am
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Good morning, guys!

Today, I can be found over on A Garden of Delights, blogging about writing in public.

Let me know what you think!

March 27, 2012

Stories That Stick

Filed under: Uncategorized — nascentnovelist @ 11:56 pm
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In high school, I had to read Hanne Ørstavik‘s Kjærlighet (Love) for class. I hated every page. It was filled with oppression and an impending sense of bad things coming, and once we hit the end, my 17-year-old, hardcore gothic self couldn’t stand the thought of the end of the story. Couldn’t face it. In the class discussion, the teacher had to spend ten minutes convincing me that the story couldn’t be read in two ways, that the ending I’d imagined as too gruesome, was in fact the right one.

I hated it.

But as the years passed and I read book after book after book, Hanne Ørstavik’s Kjærlighet stuck with me. Scenes from that book are as vivid in my head now as they were ten years ago, and I can’t say that about many books I’ve read. The more I think about it, the more I respect what Ørstavik did with the story. The use of two points of view, the utter believability of both characters, the understated hints at the horror going on just under the surface, all of it came together to make a truly memorable and powerful narrative.

Sure, Kjærlighet has about as much cheer in it as Snow Angels, but there’s something impressive about a story that sticks. Even if I didn’t like what the book had to tell me, I’ve carried the tale with me for ten years. I hope someone will one day say the same about my writing.

Which books have you read that stuck with you? And did you like them?

March 25, 2012

Contemporary Art is Online

Filed under: Uncategorized — nascentnovelist @ 7:07 pm
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I used to love going to galleries. Every summer, my parents would bring our family to another part of the world and introduce us to a new sculptor, painter or performance artist. I was wowed by Antoni Gaudi, Salvador Dali and Edvard Munch, I was enticed by Ferdinan Finne, Anna Ancher and Gustav Klimt, and I was bored by a multitude of others.

I don’t know when my taste changed, but somewhere around my early twenties, I stopped going to art galleries. Not a conscious choice, life just got in the way, and I stopped earning enough to go on vacations. Somehow going to museums in my home town felt odd.

But when a friend of mine asked me to join her at the Montreal Museum of Fine Arts yesterday, I didn’t feel like I could say no. After all, I used to adore going to galleries, and the exhibition of contemporary Canadian painters was free.

As soon as I set foot inside the place, I remembered what I used to love about going to art shows. The silence of the crowd. The place was as packed as it was hushed. The tension in the air as everyone who went inside quietly committed to a vow of silence made my tummy tingle. It felt like I was part of something truly important.

But of course there’s a but. I looked at the sixty year old pieces that claimed to be contemporary, and I felt nothing. Sure, it was interesting to see how the textures of oil on canvas played with the edges of color and light, but it didn’t move me. Not like this does:

Pumped up kicks:

Look at the beauty of movement in that piece. See how he captures the spirit of our age as well as pushes the boundaries of what I thought people were able to physically do. How is that not art?

Lindsey Stirling’s Crystallize:

Listen to the beauty of that piece of music and tell me you weren’t moved.

Muto by Blu:

See how that piece of art tells a story, a story that gains momentum over time. It is beautiful.

In fact, looking at those pieces of art, hidden on the internet, I can’t help but feel that what we attribute value to has less to do with the merit of the piece, and more to do with society. The silence inside the gallery is a sign of an unspoken agreement that this is art and therefore important. That is what gives us the feeling of awe when we enter the art gallery, not so much the things that hang there.

The real contemporary art is hidden in the mess of youtube, on fan forums, inside blogs and in the shout-outs of social media. So I won’t be going back to the galleries soon. Why should I, when the most moving pieces of art I’ve seen in years aren’t there?

March 21, 2012

Writer Wednesday with Deborah Bryan

Filed under: Uncategorized — nascentnovelist @ 8:00 am
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Before I knew what a lovely blog Deborah Bryan has, or what a wonderful author she is, I loved her. I loved her because, when I took my first small steps onto this blogging platform, she welcomed me with open and encouraging arms. She was the first to press my “follow” button, and the first to comment. So I have to admit that I’m a bit biased about Deb. She could pretty much murder someone in front of me, and I’d still think she was all right (she’s like Kyle MacLachlan in that respect).

From her For This I Am Thankful (FTIAT) guest post series to her heartbreakingly personal posts, she always knows how to hook her reader and win their hearts. She certainly won mine.

Now if you’ll excuse me, I have to go have coffee with my main character.

Taking time for coffee with character(s)
When I wrote my Glass Ball trilogy in 2004, time was in much, much more abundant supply than money.

Writing was my escape from being broke and without internet access in Japan. As long as I was writing, my world was the fictional town of Munsen, Montana. One of Munsen’s teens, Ginny, was a friend whose nearness helped me overlook the distance of my real-life friends.

I nurtured that nearness by writing virtually non-stop over the course of a month and a half. I’d wake up at 2 or 3 a.m., boot up my laptop and write until I had exactly twelve minutes left to get ready for work. I’d rush to get everything together and fly to work, arriving (barely) in the nick of time.

After work, I’d come home and crank out words until I couldn’t keep my eyes open any longer. I’d then sleep for a few hours and repeat.

I did this daily for the month and a half it took me to write the trilogy.

Seven years later, I commute, work and take care of a dog and a toddler as well as caring for myself. I’ve edited only one of the books I wrote in Japan. I recently started editing the second, a task which seems so very much more daunting in light of my current circumstances than writing a book in six days or a trilogy in six weeks under my old ones.

When I’m away from the computer imagining what I’d like to do with my time, my answers include things like “watching Castle,” “reading,” “playing Bejeweled Blitz,” and “cleaning the toilets.” Just about anything quickly done seems better than working on a task that can’t be done except in microscopic bursts over a very long haul.

But when I do sit down at the computer, I remember how much Ginny meant to me when I really, really needed a friend nearby. As I breathe life into her story, I’m touched to remember how her strength in the face of her struggles helped me feel a little stronger in the face of my own.

I’m only able to give her 20 or 30 minutes of my time at a go these days, but when I do actually sit down to give her both my time and my attention, I discover I’m giving myself a gift, too. In those moments, I remember the old days with Ginny as if we’re sitting together and chatting over lattes. As she tells me about her troubles, I listen and give suggestions I hope she’ll heed.

Each moment I sit down to write, I invigorate a good old friend no less real for all she lacks a physical presence. She got me through loneliness more intense than any I’d endured before, or have endured since.

It may be a struggle to find the time for her, but she’s worth it. Only by giving her this time will I ever be able to learn her full, true story—not just the one she predicts is coming, but the one she’ll actually live.

I’m probably going to keep on wishing I’d decided to give her the time a few years ago, before I became a mom. But in the moments we share while the rest of my household sleeps, I’ll savor the time I do have to catch up with Ginny … and the joy of seeing, as we talk, her path become illuminated.

March 19, 2012

Five Writing Lessons I Learned at University

Filed under: Uncategorized — nascentnovelist @ 7:34 pm
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Last week, I wrote a guest post about the differences between writing fiction and academic research. Well, to be honest, it was mostly about fear of rejection, but the differences between academia and fiction writing was in there. If you don’t believe me, go read for yourself. But that wasn’t the point. The point was: today I’m going to semi-contradict myself and talk about the similarities.

You see, there are five important lessons I learned from academic writing that I readily utilize in my fiction writing:

1. Research, research, research
The only way to really know a subject is to research it extensively. This is as true for world building as it is for academic papers.

I learned that lesson during the defense of my thesis, when my opponent brought out three relatively obscure sources using a different form of language research, but overlapping source material, and asked why I didn’t reference them in my reading list. How could I have missed those?

I imagine that feet melting feeling to be somewhat similar to one you’d get after reading a forum comment by a fan who didn’t buy your universe’s quantum mechanics because you didn’t adhere to some not-wikipediable theory. And sure, you can bluff your way out of it, like I did in the defense of the thesis (it went okay), but wouldn’t you rather be on top of your game?

2. Research, then move on
The flip side of the first lesson is knowing when you’ve studied enough. How to draw the line between extensive research, and procrastination. Sure, it’s important to know your field, but you have to make it narrow enough that you can know it well. And you have to move on once you have a good enough idea about what you’re studying that you can write the story.

I’m sure we’ve all gotten stuck in endless research mode once or twice, the key is knowing when to shake ourselves loose.

3. Write the introduction last
Okay, so I know this header is a bit misleading, because I always write my introduction first. That’s how I get into any article, story or novel. But the advice stands. The only way to write a good introduction (or a great first chapter) is if you know what’s happening at the end. You need to know what to allude to.

My method: write the introduction first, then never look at it until you’re done writing the whole thing (be it article, thesis or novel). Then write the intro again, fitting the shape the story took, not the shape you thought it would take in the first few weeks.

4. Make an outline
When I moved from academia to fiction, I threw out all my outlining lessons and let my imagination run free. After finishing the first draft of a novel, I understood that the outline was key after all, so I brought it back into my work. You see, outlines structure us in a good way. A good outline helps you shape your story, and gets you past those bumpy parts where you can’t remember what you originally thought you wanted to say and maybe you’re not sure you want to be a writer after all, maybe you were really meant to be a trucker, driving along the open road, or maybe a boss at a big company or a personal trainer, they have fun, right? I hate those parts, and my outline lets me skip past the panic by letting me save the hard parts for later, because I know where the scene leads, so I can start there, and go back later.

5. Screw the outline
As with academic papers, stories evolve while we write them. That’s why I use my outline as I use my initial introduction. I write it, then I ignore furiously. Outlining is a good exercise, but never let yourself be bound by it. The goal is knowing where you want to go on the map, but if you take a detour, the outline will change to match it, not the other way around.

How about you? Any other similarities between academic and fiction writing? What was your greatest success going from academia into fiction, or the other way around?

March 14, 2012

Writer Wednesday Down

Filed under: Uncategorized — nascentnovelist @ 7:05 pm
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Due to real life pressure and deadlines at work, this week’s Writer Wednesday will be pushed until March 21st.

Sorry for the inconvenience!

March 12, 2012

Unlucky Day

Filed under: Uncategorized — nascentnovelist @ 10:54 pm
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So, I have a few tight deadlines this week, but I wanted to stop in and share my unlucky day.

Yesterday, I ordered tickets to go home for the summer. I spend about an hour looking for the cheapest possible tickets (“cheapest” here meaning <1600 dollars) and finally settled for one that was exactly 30 bucks less than the one I originally found. I proudly pressed buy, inserted my credit card info, and only on my receipt noticed that it included an extra night in London. Now, if I didn't have a job I had to be back at on that Monday, a day in London could be fun, but since I've already squeezed as much vacation time as I could out of my work place, I didn't feel I could show up late as well. Cue panic.

I contacted the travel agency and they got back to me today, fixing my flight with no problem. No problem, that is, except the nifty cancellation fee of 150 dollars on my first flight, and the extra 30 dollars I had to pay for my new flight. I begrudgingly agreed.

At least I get to go to Zumba today, I thought to myself. Sure, I'll have to go back to work after to meet my deadline, but I'll get a nice break in the middle of the evening to go do something fun, and I'll return all energized and focused (and sweaty). I packed up my stuff and headed out at a quarter past five, only to find that the place was on the other side of town. I rushed over and made it with four minutes to spare. The class was full, and I had to walk all the way back to work, annoyed and un-Zumbaed.

But you know what? I spring is in the air, I got a nice walk, I worked out in the half-empty office before I stumbled home at nine-thirty, I finally got an idea for my writing prompt, and life isn't half bad.

And I'll be in Norway in July. Look me up!

March 6, 2012

The Big Fear

Filed under: Uncategorized — nascentnovelist @ 9:56 am
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Hi guys!

Today, I’m guest posting over on Kourtney Heintz’ blog about the scariest thing I did as a writer.

Go take a look?

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