Good Evening, Anime Blog Tournament: Welcome to Analog Housou

Hello everyone coming in by way of the AniBlogTourney!

For all you new visitors, Analog Housou is a blog founded and written by me–wah–and co-written by my associates Seiya and Bonertown. The goal of Analog Housou is to cover a wide range of Japanese media, including anime, manga, art, movies and music. That said, given the schedules of the three of us, it’s difficult to post super regularly. When we do post, we hope it makes you seek out what we’re talking about, or at least think about the media you’re consuming a bit more deeply.

To save you newcomers the trouble of wading through archives to try and find something good to read, allow me to present you with a veritable buffet of pieces by all of our writers.

Since I’m the one writing this post, I’m going to be a bit selfish and pimp myself the most.

  • Shaft’s Edge, Part 1 and Part 2: One of the first things I set out to do when I started this blog is to articulate to the good people of the internet why I enjoy the animation studio SHAFT and their works. I used to rant about the studio a lot on my Twitter (as they don’t make a show a season anymore, I’ve stopped talking about them very often) but with these two posts I feel like I summed up more or less why I like the studio and their works.
  • Let’s Socializing! The Manga Research Society at Sophia University: My first trip to Japan was eye-opening and life changing in many ways, and attending my school’s manga club was an important part of my life that I feel changed me for the better. And you can read all about it here!
  • A Visionary Genius Takes Us Into The World of Adolescent Girls: Takamichi Love Works: In this blog’s first big artbook post (and still just one of two…) I try to understand why I enjoy the works of Comic LO illustrator Takamichi.
  • With All That Said, I’ll Probably Watch it Again on Blu-Ray: Mahou Shoujo Madoka Magica: This was one that kind of made people mad, but I’m pretty happy with how it turned out. Despite being a fan of Shaft and director Shinbou Akiyuki, I didn’t really like Madoka. While I’m admittedly a bit of a jerk in this article, I think I articulated why I don’t like the series well. The comments are pretty good, too.

Next up is Seiya!

  • The Joy of Laserdiscs: I’ve been to Seiya’s house before, and have laid eyes on his insane collection of giant silver discs with movies and TV shows on them. He’s the master when it comes to LDs, to give this article and click and take in his wisdom.
  • Level E First Impressions: Don’t be fooled! While this is indeed a first impressions post on a show which has long since stopped airing, Seiya’s commentary is steeped in historical background that gives weight to his opinions and accurately contextualizes the show in question.

And third is Bonertown!

  • Welcome to the bonertown.: Bonertown’s triumphant debut on this blog has him waxing nostalgic about his youth as a fan, and establishes him as someone way more qualified to talk about this sort of stuff than the likes of me! Great photos of and old con booklet, too!
  • Plastic Joy: Figma Hitagi Senjougahara and Figma KOS-MOS ver. 4: Bonertown pulls out all the stops for the site’s first figure review, with comprehensive criticisms, laughs, and great photos.

And there you have it! Read those posts! If you like ‘em, please vote for us! We’d really appreciate it! Maybe it’ll make us update more often!

For those of you who are regular readers of the blog… please vote for us as well! We need everything we can get to move on to the next round!

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Pizzicato Five: Triste

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Like most pop music, Pizzicato Five’s catchy tunes often told upbeat stories of love. But what kept Pizzicato Five’s music from being completely cynical and commercial was Konishi’s genuine love for the genres and songs he was copping and turning into his own, along with a love for the more honest eras from which these songs came. Pizzicato Five’s songs are infused with a kind of romanticism found in movies from the 1960s, yet at the same time they pay lip-service to the kinds of people listening to the music by dropping in lines about rare records and the like. It’s an interesting mix.

With all that said, Triste is not a happy love song, but instead one about the end of a relationship. Like most Pizzicato Five songs, the lyrics are kind of sappy, but through Nomiya Maki’s classy singing voice and Konishi Yasuharu’s lush instrumentals, one is easily lost in the song’s story, along with its honest embrace of such strong emotions.

There’s something to the instrumentals in Triste that make it so compelling. While certainly upbeat, there’s a slight melancholic tinge brought out in the heavy piano backing. But along with the melancholy is the will to move forward and let go, told through the slightly loose horn riffs that open and punctuate various parts of the song throughout.

And Triste is indeed a song about the sadder things in life, and moving on from them. After all the talk of sad songs, sad dreams, and apologies, the song reminds us that one day, we’ll just “forget everything.”

The song then does just that: It throws out the lyrics, and sends the listener off with a string of upbeat la la las from Nomiya, reminding us that it really isn’t all that bad.

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I Guess It’s Better Than Key Anime: Eight Episodes Into Hyouka

I felt something familiar when I turned on Hyouka for the first time. Perhaps it was the snide narrator mixed with the Kyoto Animation production that brought to mind nostalgic memories of Haruhi. Or maybe it was the SHAFT-like manner in which information was presented that conjured up flashbacks of Bakemonogatari. That said, these comparisons could have just popped into my mind because all three of these works are based off of light novels, and after about eight episodes Hyouka has more or less come into its own. But between its great production values and flowery writing, it has a few issues that keep it from being as good as those two shows.

Both Haruhi and Bakemonogatari elevate themselves above being average high school stories by having some kind of out of left field twist. In Bakemonogatari it’s ghosts, in Haruhi it’s weird science fiction nonsense. Both of these works are good at slipping in these elements subtly enough so that they disturb the normality of things just enough to keep the atmosphere kind of off balance and interesting, without overpowering anything. What makes these shows good is when that off-balance atmosphere is thrown complete, and the show busts out what’s really happening behind the scenes.

My issue with Hyouka is that the actual content seems to fall short, despite all the work put into production, and presentation. Similarly, while the writing is very well put together, what’s actually going on just feels kind of empty.

When you boil it right now, it’s just another story of glorified high school life, written for junior high school students looking towards high school with eager eyes, or otaku who’d like to do it all over again. In both Haruhi and Bakemonogatari, the main focus is more on the weird supernatural and science fiction elements, while the school setting doesn’t figure too much into it. Hell, most of the cast of Bakemonogatari aren’t even in high school yet.

In Hyouka, these kids being high schoolers and the high school itself are the prominent focus, and for all the effort put into trying to make things interesting with cool presentation and verbose writing, it doesn’t feel as if the show’s cliched and narrow focus on high school life really measures up. To be fair, they have made the setting as interesting as possible between all the history dispensed in the show’s first arc, and in the way in which the show likes to explore around the school. The fact that the show does lavish so much love and detail onto its setting may well be an element that makes it a Good Show, but despite how detailed a lot of it is, it doesn’t particularly push any of my buttons all the way.

But more than the setting, the show’s biggest issue lies in the characters. The group of four the show centers around simply aren’t that interesting. They’re Anime Characters. The characters in Haruhi are Anime Characters, too, but their twist is that they are aggressively Anime Characters, and Haruhi is an excellent driving force that coaxes the most out of the rest of them. The Bakemonogatari characters are Anime Characters as well, but given the depth and length of the conversations in the show, we learn a lot more about their thoughts and feelings on random bullshit things than anime characters in most other shows, making the characters in Bakemonogatari feel more like real people.

At first I thought Oreki’s attitude towards life was kind of an interesting take on the typical unconcerned light novel protagonist, but now he’s more or less just turned into a typical unconcerned light novel protagonist. And while Chitanda is kind of a catalyst for things in the show, her personality doesn’t really have the same power as Haruhi’s. There is a lot of talking in the show, a lot of it is spent on the history of the school and decoding the mysteries, as opposed to making the characters out to be anything more than archetypes.

Which brings me my last issue with Hyouka… its mysteries. Let’s be honest: Most anime mysteries suck balls. This is a fact. That said, Hyouka’s mysteries don’t bother me so much. Aside from the silly “lowercase a looks like lowercase d” solution in that one episode, the way the mysteries have come together thus far has been entertaining, even if at times the answer is kind of obvious. My issue is that all the mysteries are kind of a bit too softball. I realize the show takes place in high school, but Edogawa Conan is an elementary school kid who solves gruesome murders, so I think Hyouka could stand to up the ante a bit.

In short, my big issue withHyoukais that despite how well put together a lot of it is, the main content just falls short. It has its moments of brilliance, but if you squint your eyes a little, you realize not much is there.

At least the ending animation is pretty.

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