Seminal folk revivalist, labor organizer, five-string banjo master, and champion-of-community Pete Seeger turns ninety years old today, May 3. In his honor, folk venues across the country are hosting singalongs and fundraisers under the umbrella concept of For Pete’s Sake, Sing, with all profits to benefit Clearwater, the educational and environmental organization which Seeger founded a few decades ago to clean up the Hudson River north of New York City. Acoustic Music Scene has a relatively comprehensive list of local hootenannies and group sings participating in the global celebration.
The “big” event is in NYC, of course, at Madison Square Garden. If you’re lucky enough to live in or around the area, there may be a seat or two left at tonight’s primary tribute concert, which will feature a veritable who’s who of folk and rock musicians with a strong sense of social justice who look to Seeger as mentor and a muse, from Bruce Springsteen, Eddie Vedder, and Dave Matthews to Dar Williams, Ani DiFranco, and Bruce Cockburn (full list of the participating artists is available here). Seats are dear, but it’s for a good cause.
Even if you can’t make it out to celebrate in sing-along style, take a few minutes on Sunday to consider the great works and impact of this world-changing musician and activist. To get you started, Muruch has links to Buffalo Gals and Oh Mary Don’t You Weep, a pair of traditional American ballads from Seeger’s back catalog, courtesy of Smithsonian Folkways, who just released American Favorite Ballads Vol. 1-5 — it’s all Seeger, and the track list is a veritable survey of his impact on the modern traditional folk canon.
The Spring 09 issue of Folkways Magazine offers a spotlight on Seeger’s career, too, from his long sufferance as a blacklisted pro-labor artist to his particpation in the civil rights movement of the sixties to his more recent environmental advocacy work.
And here? Why, we featured Pete way back in September 2008, just before Cover Lay Down moved to its own domain, and put up a few more Seeger covers and a video when he performed This Land Is Our Land at Obama’s inauguration. Rather than diminish the power of our original paean to this great revivalist of the old folkways, I’m reposting the first of those features below — but I’ve added a few more covers, just to keep regular readers happy.
Oh, and there’s no purchase links today; Seeger wouldn’t want it that way. Instead, if it moves you, why not donate to Clearwater?
Though I believe that folk, most especially in the way it functions as a channel of engagement and public discourse, is by definition an agency of cultural change, I have been reluctant to use this blog as a forum for advocating explicit change of any one type. Perpetuating the relevance of folk as an agenda in and of itself, it seems to me, precludes taking sides for any particular agenda which might be carried by folk, lest we alienate opposing values, and in doing so, diminish the potential of folk to remain dialogic.
But it’s pledge drive time at our local radio station, and the Nobel Prize selection committee does seem to have a set criteria for signatories and public outcry as an establishing principle for prize consideration. And it’s hard to imagine anyone genuinely untouched by the compassionate, tireless work in the name of human dignity, empowerment, and awareness which Pete Seeger continues to consider his life’s work after over sixty years as a recording artist and activist.
So when my mother, who once used Seeger’s songs as a vehicle for planting the seeds of peace and justice in both myself and in the inner city classrooms of New York City, became the most recent in a long series of folks to remind me of the recent petition to recognize Pete’s long-standing contribution to social, environmental, and political change, it seemed like the right time to use the soapbox to do some particular good.
Though there are parallels to be made between the community ownership of song upon which this blog is predicated, and the ways in which Pete Seeger‘s work has bridged time and space to touch and affect the rest of us, one one level, honoring this particular life’s work is made more challenging by our focus on coversong. For, though there are certainly tunes that one can point to as written by Seeger during his long career, the question of coverage and song origin is complex and unclear in much of Seeger’s catalog.
Which is to say: the son of an ethnomusicologist and a true believer in folk as a mechanism for tying past to future, perhaps more than any artist in history, Seeger has lived folk song as if it truly did belong to the community for which it speaks. As such, Seeger’s contribution to folk was one of popularization as much as songcraft; many of the songs he is best known for have their origin in the past, and much of his better-known works, like Turn, Turn, Turn, use older components to create new works. Even Seeger’s own greatest hits album combines songs written by Pete Seeger with songs popularized by Seeger. And even the better tribute albums out there mix songs which Seeger actually wrote with songs which he made his own.
None of this precludes consideration from the Nobel folks, of course; indeed, it is Seeger’s deep sense of the social and folk environment as both purposeful and shared by all of us which is perhaps the most powerful case for his recognition. As such, first and foremost, the aim of today’s post is to ask all of you to take a moment and — in the name of folk itself — sign your name to the petition asking the Nobel Prize Committee to consider Pete Seeger for this year’s Nobel Peace Prize in recognition of his tireless work sowing the seeds of peace.
But of course, you also come here for the music. And there are some great tributes out there, most notably the three sets which the activist-founded, socially conscious folklabel Appleseed Recordings has released in a scant decade of existence; I’m especially enamored of double-disk first release Where Have All The Flowers Gone: The Songs Of Pete Seeger, which in addition to the Ani DiFranco and Bruce Cockburn covers below includes a veritable who’s who of big-name inheritors of the activist folkmantle, from Richie Havens and Odetta to Springsteen and Billy Bragg.
Someday, I aspire to the time and energy it would take to approach a proper post on the central influence Pete Seeger and his family — from father Charles (the ethnomusicologist) to half-siblings Peggy and Mike to half-nephew Neill MacColl and grandson Tao Rodriguez of the Mammals — have had in defining and continuing to define folk music as a social and political engine of change for almost a century. In the meanwhile, here’s a set of personal favorites with a much simpler organizing principle: songs which other folk artists of a certain political bent have learned from or associate with Pete Seeger himself, regardless of authorship, and have recorded in deliberate tribute to this long-standing folk icon.
Folk and social consciousness go hand in hand; to support one is to support the other. If you have ever been moved by folksong, sign the petition — technically, a petition “to persuade [the] American Friends Service Committee to enter Pete Seeger as their nominee for the Nobel Peace Prize 2008 ” — and in doing so help make the case for both Seeger and the folk process itself as an agency of peace. Then, head on over to Appleseed Recordings for the opportunity to purchase Seeger’s work, the aforementioned cover albums, and a whole host of other folksongs from a growing stable of socially aware artists actively engaged in using folk music to change the world for the better.
Want more? Today’s bonus coversongs offer a tiny, tiny taste of Seeger as political song interpreter, just in case you’re still young enough to have never really encountered his own continued celebration of his folkpeers and ancestors:
Cover Lay Down posts regular features every Wednesday and Sunday. Coming soon: yet another installment of our popular Kidfolk series, and a tribute to mothers everywhere.