Category: Uncategorized


The Towers Fell, And Then We Were Silent:
A Remembrance, In Coverfolk and Prose

September 10th, 2012 — 10:28 pm

A repost, from last year. Because sometimes, you get it right the first time.





I was a media specialist the morning the towers began to fall: sole captain of a prep school video collection, and proprietor of the largest viewing space on campus. And so it was that the students came to me, one by one and together, by class and by cluster, as the word spread from teacher to teacher; so it was, indeed, that I ended up presiding over a grand experiment in media literacy, as the hour passed, and the cycle of not-news – that long hour of uncertain newscaster conjectures that accompanied the static, repetitive footage on every channel – took over the broadcast universe on that fated day.

As I noted last year, though we would not know until much later, we lost one of our own that morning: Chris Carstanjen, a sweet, geeky compatriot from the IT department, an almost-friend whose first drinking date we had scheduled for the following weekend, before he boarded that flight for California and never made it past downtown NYC. But what I remember most was the stunned silence of a hundred students or more, who in that moment, that sacred hour, were being born as the Terror Generation, though they would not know the deep societal scars which they would carry for a long, long time, if indeed they are still thoughtful enough to know now.

I remember, too, the Dean of Students and I deciding, finally, to turn off the screen, in the face of those somber and endless images and faces; to make a short and surely unmemorable speech about how the absence of news was not news, and commandeer the offices of librarians as impromptu counseling spaces for those who were scared, especially those who had parents and relatives in NYC and in the towers themselves, especially those who came from Muslim cultures and Muslim families, and seemed to understand, however vaguely, that they had suddenly become targets for other students’ confusion.

I remember feeling pride, for a moment, that I had managed to remember my calling in the face of disaster. And then I remember a long flash of shame, that I had somehow managed to make the day about me, thus cheapening the true scope of the disaster.

After that, I don’t remember anything at all. In my memory, it is as if turning off the television turned off the universe, too.

And ever since then, the world has been different. And I will always harbor a secret guilt, just like yours, that the world we rebuilt in the months and years that followed was not the same, even though we know, of course, that it could not have been.


Flash forward a decade, and here we are: one among a million paying tribute to the day the towers slowly fell. The world is faster, now, and more divided – two trends which spin into each other like two sides of a gyroscope, pulling at our psyches. I commute 40 minutes every morning to work with students for whom disaster is always personal and everpresent: homelessness, street violence, unemployment, the looming promise of dead-end futures. Some days it seems the only thing they own is their image, and who can fault them, then, for being so brash and sassy, peacocks with razor talons, angry at the world and taking it out on themselves without even realizing it.

I don’t know where to look for the the scars in this new generation, and I’m not sure I’d see them if I did. But their hardened hearts sadden me, sometimes.

There will be a moment of silence, come Monday’s morning announcements. And my students will speak into the air, loud against the voice of authority, unlistening and disconnected to their culture and each other, even as I am silent, and thinking of Chris, and of the moment I turned on the TV on the movie theater screen, and the smoking hole of culture flashed itself into my brain.

I can hear it, even now.


It’s been seven years, now, since I left the prep school; seven years since we lived side by side with the kids in the dormitories, and shared the pain and joys, the proms and punishments of night and day with the smart and well-bred, the resourced and the right-raised. But I often think of that day when I’m in my inner city classroom, working with the children of the downtrodden, the recent immigrants who don’t speak english, the hopeless – all categories of children whose pain is everpresent and real, and who would never have sat in silence, or even identified with the children of the towers.

Teachable moments are the lifeblood of the vocation, and I’m proud, I suppose, that we turned the TV off that day. But there is nothing so powerful as silence shared, as stunned communion. Nothing so powerful as a generation who grows up to see airport patdowns as normative rather than violation. Nothing so powerful, indeed, as the nexuses themselves, about which we try to say too much, and never truly find the words to speak of.

And so today we mourn the losses: of Chris, yes, and his airborne compatriots; of the parents and families of those who passed in fire and fall, impact and explosion – but also of the innocence of once-students now dispersed to the winds, some of them already struggling to raise children of their own. On one hand, they are and ever will be the children of privilege. On the other, they will always be the first generation, the youngest to truly understand what the world has become, without another, older sense of what it replaced.

To them, this new world is normal, for it is all they ever had.

Whether that makes them blessed or cursed is a matter for debate. And some days, I wish I knew, for it seems like it should matter very much indeed.

I miss them, those kids. I wonder about them, too. If I knew how to define okay in this instance, I’d ask them if they were, and if they remembered.

But I’m not sure I’d believe them, no matter what they said.


5 comments » | Uncategorized

Let It Be: Of Returning, and the Power of Tribute

August 13th, 2012 — 01:24 pm

It’s been a full month since I last appeared in these pages, and the usual battery of excuses hold: a busy life, a decent dollop of pain management, the classroom teacher’s summer modality that drags at the incentivist’s heart, technical difficulties (including an audio drive crash that has trapped my music archives in read-only form) and that excruciating, ever-widening, frozen gulf of that daunts those who have shirked their bi-weekly task.

As in previous lapses, being away has also reminded me of how deeply I need this outlet. Not a day has gone by where my heart does not long to write, to reach out and connect, to share with all of you the findings of a life in coverage, and the seeker’s life in turmoil that prompts me to continue. My decade-long conversion towards living a life of social justice and generosity finds me coming back to these pixelated pages more and more. And finally, the dam has burst, filling the chasm to the brim; finally, we are here, in yet another beginning.

But unlike previous returnings, today is not about me. Though the emotional power of coverage is often buried in the sheer and subjective joy of finding the familiar transformed, today’s toe-in-the-water is a full-bore exemplar of what a cover can really be, for audience and artist, on for which I am proud to serve as mere node and nudger.

The nut: on July 5th, cover artist and attorney Mike Masse‘s infant son Noah was diagnosed with a malignant brain tumor. Two weeks later – on Noah’s first birthday, no less – Mike released a version of a song originally written by Paul McCartney both in tribute to his own mother’s cancer, and in an attempt to address and assuage the pain of process which was breaking up the Beatles partnership – and, not incidentally, the first Beatles single released after Paul announced his departure from the band.

Is it folk in sound and sensibility? No matter. Masse has always been a favorite in my YouTube collection – his pizza-palace take on Behind Blue Eyes is worthy of its own celebration – and sure enough, his pitch-perfect take on Let It Be is stunningly beautiful, enough to have topped the charts in the Netherlands in the weeks following its release. But coupled with its backstory, its implicit condemnation of the way American society treats families battling cancer, and its viability as a fundraiser for Noah’s support, it is also a genuine heartbreaker. The resulting video (and the mp3, which comes to anyone willing to donate to Noah’s cause) brings hope, acceptance, desperation more presently than I have heard in months, as we are simultaneously reminded of the song’s power, and granted access to the pain of the performance.

We’ll be back later this week with a more traditional entry, to be followed by several long-overdue posts on up-and-coming festivals, performances, and artists near and dear to our ears and heart. For now, though, we bring Masse’s tribute, solo and unadorned with bonus track distraction, as an opening into the heart that beats behind the blog, and the world it tries, in its better moments, to reveal. Expect shivers, and tears, throughout: for the song and its context, and then, finally, for the laughter that closes the video.


2 comments » | Uncategorized

Vacation Coverfolk: Where We’re Going To
(Postcards from the past, songs from the present)

April 18th, 2012 — 12:55 pm





Sunday, April 15
Dear Reader,

Traditionally, when yours truly takes off for other climes, I leave behind a feature set or two of place-relevant coverage. But we’re off to San Juan in the morning for a long school break in the sun, with a spring in our step and an island-hopping itinerary on our mind. And unusually, there’s not much in the way of coverfolk from Puerto Rico to be found in the aether.

So here’s a few tracks about going places, pre-posted as a letter to the future for your midweek enjoyment. We’ll return in a week, shaking the sand from our shoes with a set of great new music from recent releases.



4 comments » | Theme Posts, Uncategorized, Vacation Coverfolk

Weekend Quickies: Friday I’m In Love

November 18th, 2011 — 05:03 pm





I know we usually do single-song sets on Sundays, and I’d rather not bury last night’s feature post on Holly O’Reilly and other artists who have lost their voices to disease and damage. But I arrived home from work today to a warm fire and a family in smiles, and for the first time in weeks, there’s nothing on the docket: no rehearsals or dance classes, no choir or church, no dinner plans, just us.

And there’s music on the stereo, and groceries on the shelf. The kids both made honor roll, and my wife made a t-shirt design for our upcoming production of Godspell. The waning light outside is cold, it’s true: winter’s coming, and the leaves and fallen branches weigh heavily on deck and lawn. The world ahead yaws and pitches, dark and mysterious, the flotsam and jetsam of a life well-planned almost visible off the bow. But for a few hours, the world is ours.

Hit play to share the joy. Because songs speak for themselves; sometimes you don’t need to explain.

Fiction Family is a folk duo comprised of Sean Watkins of Nickel Creek and Jon Foreman of Switchfoot; their sophomore effort is expected to drop sometime next year. Cover Lay Down admires their work. ’nuff said.

5 comments » | Uncategorized

Day of Atonement: on coming back and coming forward

October 8th, 2011 — 04:19 pm





The week leading up to Yom Kippur, The Jewish Day of Atonement, is supposed to be a time for self-reflection, culminating in repentance and a plea for pardon. And though I no longer fast, or belong to a temple, in the last few years, I have continued to use the opportunity as a chance to take stock of the soul, wandering into the woods or just taking a few hours on the front porch alone to make peace with the world both inside and out.

This year, it doesn’t take much soul-searching to see my life has fallen off the rails a bit. Indeed, my long absence from these pages is but one indicator of how much distance has come to exist between the ideal and the real. But if the point of Yom Kippur is to come back to the best of oneself, and restore those relationships that are most in need of healing, then it is here which I should be today.

And so, in keeping with the holiday, Cover Lay Down returns after a two week hiatus, offering a peek into the mind of the blogger, a step towards the active recommitment which this holiest of holy days demands.


Excuses are easy when you’re a busy man: September is always an uphill climb for a teacher and parent, and this year’s been especially tricky, with a new course to teach and rewrite on the fly, and small but pivotal roles to rehearse in two plays at once on the near horizon, to add to the usual pile of classwork and kidstuff, committeework and church choir, etcetera. The damage I’ve done to my body pushing myself to the limit is non-trivial: I’ve clearly torn something in my knee, and the disc I crushed in my back years ago has flared up, making it painful to walk, sit, or stand.

I’m so busy, these days, I’m hardly listening to much in the way of new music, in fact. And, as a consequence, there’s also a part of me that feels a bit guilty about blogging the new stuff in the first place when my knowledge of the new and novel begins to grow so tenuous.

More broadly, as noted above, the choices I have made in the past few weeks have included deserting my post here at Cover Lay Down. Blogging takes time; blogging takes energy; it’s hard to justify the writing life when the only time one is home is to sleep, and though my mind has turned often to these pages, my fingers have not.

In my mind, I remain superman: forever young, forever strong, forever able to do it all. It frustrates me to be so overwhelmed. But it frustrates me more to be so affected by it.

And, digging deep, I find that my ability to think of myself as a blogger is an important aspect of my self-image, one which sustains me still. To have given up on the blog, however temporarily, at the very moment that we celebrate four years on the web, may not directly contribute to my malaise, but it has meant giving up on the part of myself I use to process the very stress and turmoil I first wrote about here in September.

It’s time to get back on track. It’s time to start writing again. And so here I am again, struggling to organize my thoughts on the screen, trying to recover the self.



Interlude: There’s a connection to writing in the religious framework of Yom Kippur, one that I’ve often found too slippery to grasp: something about the end-goal of atonement, which would have G-d inscribe you in the book of life for another year. I struggled with this concept as a child: though clearly the point of Yom Kippur is renewal, it is framed as if there were some heavenly high water mark for contrition, without which condemnation follows.

Since then, however, my belief system has evolved into a decidedly community-centered spirituality. I have come to see my own life and how I choose to live it moment to moment as a form of writing, with each act, each decision to move forward or back, my signature and stamp upon the world. And I have found myself speaking and writing my own self into being, using the web as a vehicle for the inner voice, turning what was once a private process of enjoyment and analysis into a humble gift.

Call it sacrilege; call it what you will. To take on the mantle of the book of your own life is both scary and, to some, high treason. But if, in looking for G-d, one finds the inner self and the community instead, the journey is surely not for naught.



In four years on the web, we have spoken predominantly of art and artistry, focusing our attention on the music, as it should be. But in and around that primary focus, we’ve also posted personal feature pieces which address hope and love, disappointment and pain, all grounded in the daily existence of the blogger himself – notably, the same universal tropes and tenors which, by definition, make folk music a genre whose songs thrum with culture by evoking the personal and the universal.

Which is to say: I love this place for the way it has helped me share the music I love, and for how it connects us all through the web of the folkways. But taking time today to reflect upon the transgressions I have made, I find that I need this place for the sustenance it provides the soul, the opportunity it provides to sign the book of life, twice a week, and in doing so, perpetuate the legacy that I value more than life itself.

And so we start anew today, with a coverfolk mix of songs whose lyrics speak about atonement, forgiveness, repentance and apologies, and with a recommitment: if we can all agree to forgive me a day here or there, I’ll be working hard on my end to juggle the balls, and get back on track as a twice-weekly blogger, come hell or high water.

If I have transgressed against any of you, through deliberate action or through omission, I offer apologies, and the commitment to rectify those wrongs at the earliest opportunity.

May this coming year be one in which you, too, continue to write yourself into the world.



7 comments » | Uncategorized

The Towers Fell, And Then We Were Silent:
A Remembrance, In Coverfolk and Prose

September 10th, 2011 — 11:50 am





I was a media specialist the morning the towers began to fall: sole captain of a prep school video collection, and proprietor of the largest viewing space on campus. And so it was that the students came to me, one by one and together, by class and by cluster, as the word spread from teacher to teacher; so it was, indeed, that I ended up presiding over a grand experiment in media literacy, as the hour passed, and the cycle of not-news – that long hour of uncertain newscaster conjectures that accompanied the static, repetitive footage on every channel – took over the broadcast universe on that fated day.

As I noted last year, though we would not know until much later, we lost one of our own that morning: Chris Carstanjen, a sweet, geeky compatriot from the IT department, an almost-friend whose first drinking date we had scheduled for the following weekend, before he boarded that flight for California and never made it past downtown NYC. But what I remember most was the stunned silence of a hundred students or more, who in that moment, that sacred hour, were being born as the Terror Generation, though they would not know the deep societal scars which they would carry for a long, long time, if indeed they are still thoughtful enough to know now.

I remember, too, the Dean of Students and I deciding, finally, to turn off the screen, in the face of those somber and endless images and faces; to make a short and surely unmemorable speech about how the absence of news was not news, and commandeer the offices of librarians as impromptu counseling spaces for those who were scared, especially those who had parents and relatives in NYC and in the towers themselves, especially those who came from Muslim cultures and Muslim families, and seemed to understand, however vaguely, that they had suddenly become targets for other students’ confusion.

I remember feeling pride, for a moment, that I had managed to remember my calling in the face of disaster. And then I remember a long flash of shame, that I had somehow managed to make the day about me, thus cheapening the true scope of the disaster.

After that, I don’t remember anything at all. In my memory, it is as if turning off the television turned off the universe, too.

And ever since then, the world has been different. And I will always harbor a secret guilt, just like yours, that the world we rebuilt in the months and years that followed was not the same, even though we know, of course, that it could not have been.


Flash forward a decade, and here we are: one among a million paying tribute to the day the towers slowly fell. The world is faster, now, and more divided – two trends which spin into each other like two sides of a gyroscope, pulling at our psyches. I commute 40 minutes every morning to work with students for whom disaster is always personal and everpresent: homelessness, street violence, unemployment, the looming promise of dead-end futures. Some days it seems the only thing they own is their image, and who can fault them, then, for being so brash and sassy, peacocks with razor talons, angry at the world and taking it out on themselves without even realizing it.

I don’t know where to look for the the scars in this new generation, and I’m not sure I’d see them if I did. But their hardened hearts sadden me, sometimes.

There will be a moment of silence, come Monday’s morning announcements. And my students will speak into the air, loud against the voice of authority, unlistening and disconnected to their culture and each other, even as I am silent, and thinking of Chris, and of the moment I turned on the TV on the movie theater screen, and the smoking hole of culture flashed itself into my brain.

I can hear it, even now.


It’s been seven years, now, since I left the prep school; seven years since we lived side by side with the kids in the dormitories, and shared the pain and joys, the proms and punishments of night and day with the smart and well-bred, the resourced and the right-raised. But I often think of that day when I’m in my inner city classroom, working with the children of the downtrodden, the recent immigrants who don’t speak english, the hopeless – all categories of children whose pain is everpresent and real, and who would never have sat in silence, or even identified with the children of the towers.

Teachable moments are the lifeblood of the vocation, and I’m proud, I suppose, that we turned the TV off that day. But there is nothing so powerful as silence shared, as stunned communion. Nothing so powerful as a generation who grows up to see airport patdowns as normative rather than violation. Nothing so powerful, indeed, as the nexuses themselves, about which we try to say too much, and never truly find the words to speak of.

And so today we mourn the losses: of Chris, yes, and his airborne compatriots; of the parents and families of those who passed in fire and fall, impact and explosion – but also of the innocence of once-students now dispersed to the winds, some of them already struggling to raise children of their own. On one hand, they are and ever will be the children of privilege. On the other, they will always be the first generation, the youngest to truly understand what the world has become, without another, older sense of what it replaced.

To them, this new world is normal, for it is all they ever had.

Whether that makes them blessed or cursed is a matter for debate. And some days, I wish I knew, for it seems like it should matter very much indeed.

I miss them, those kids. I wonder about them, too. If I knew how to define okay in this instance, I’d ask them if they were, and if they remembered.

But I’m not sure I’d believe them, no matter what they said.


6 comments » | Uncategorized

Shod Coverfolk, Redux:
On shoes and the end of summer

August 24th, 2011 — 05:22 pm

I’m flat out this week, preparing new classroom and new curriculum for another year in one of the toughest urban schools in Massachusetts, so I hope no one minds a relevant repost as we round the corner on the cusp of yet another school year. As with all our reposted features here at CLD, I’ve included a couple of new additions to the original setlist, too – so scroll down for covers of Black Sabbath, Sia, Paul Simon, Little Feat, Elvis Costello, Townes, Dylan, and more…





On the canvas of my mind, I paint the summerself as a towheaded Tom Sawyer, barefoot and fancy free. And though I cannot see into the infinite otherminds that share my world, it’s healthy, I think, to imagine that we all recreate our childhoods as such.

But there was little point in going unshod in my suburban childhood. A walk meant pavement, not sidewalks, and on the street, the threat of broken glass or ancient gravel shards was everpresent. Even our own backyard was sparse and prickly, a minefield of instep acorns; even the woodchips beneath the swingset were too splintery for toes untoughened by a lifetime of bare earth. For me, shoes and sneakers were the way of the world. And until recently, they always were.

Today, thanks to influence and instinct – evoked, in part, from the better memories of my farm-bred spouse – my children’s lives are different. Here in the woods, the girls run free, digging in the dirt with their heels, leaving muddy footprints across the flagstones as they scamper in for supper. As a consequence, their feet are tougher, the soles and pads thickening with age far earlier than mine ever did. Though I winced my way through the selfsame pathways, watching them run over the rough rocks and pebble beaches as we traveled up the Pacific Coast these last few weeks was validating, affirming the value of our choice to raise them without barriers between earth and flesh.

And such barefoot afternoons and weekends may continue for a while yet, though the rain and chill which arrived this week are a harbinger of colder months to come. But tonight summer ends, and the world of socks and laces rears its ugly head.

Which is to say: the elderchild starts school tomorrow morning, and my own classes will begin on Monday. The wee one will enter the world of public education this year, too, with Kindergarten a given in a world of second grade standardized tests. And school means shoes – for bare toes are outlawed in most schools these days, and for good reason: though flip flops are en vogue, the new world of liability and oversensitivity to hygiene make such summerwear moot in the classroom.

Time to put summer sandals back into storage for another year, then, and climb back into our sneakers and hard shoes, still scuffed from Spring, and dusty with the sifted sunbeams of a summer’s rest. We’ll buy new ones when the paychecks start coming in again, and perhaps by then the pride of shod and booted life will return to us. Too soon, the leaves will fall, and the snows begin, turning shoes to boots with high-top laces. In the meantime, here’s a soundtrack for our sorrow.


REPOST BONUS TRACKS, August 2011:

  • Mike Gennarini: Diamonds On The Soles Of Her Shoes (orig. Paul Simon)
    (from Facebook, 2011)



Cover Lay Down publishes new coverfolk features and songsets each Wednesday and Sunday, and the occasional otherday.

Comment » | Uncategorized

A Beautiful Mess: Housecleaning Coverfolk

August 20th, 2011 — 07:38 pm





I am not, by nature, a neat or well-organized person. Instead, I am cursed by ADHD, & natural tendencies towards entropy and laziness and procrastination, coupled with a pack-rat’s collecting mentality and a keen visual sense of where I left things which makes tidying up an exercise in planned futility.

And so, for the entirety of my adulthood, I have lived a life which, in its extreme moments, exhibits all the characteristics of relative squalor: clothes on every inch of the bedroom and bathroom floor, more dishes by the sink than in the cabinets, the entryway narrowed with cramped piles of detritus.

Even in the best of all possible worlds, with such tendencies matched by spouse and children, our home is constantly on the verge of being completely taken over by stuff. Halfhearted attempts to create and maintain a sense of order only lead to a life of abashed dishonesty and circuitousness. We are cautious about company, and treat irregular babysitting and housesitting visits as a prompt to reshuffle the various piles of clutter and randomalia which cover the dining room and living room coffeetable deeper into the house, where they will eventually fill and even block entry to entire rooms designed for work and play and sleep.

But every once in a while, we have no choice but to devote an entire day to actually cleaning up. Like now, for example, when the impending school year demands establishment of classroom and homework spaces for all of us, and organizing such spaces from scratch requires finding everything first. Also: I can’t find any of my work clothes.

And so we spend the afternoon working on the house. The entropic universe is pushed back a bit. And, in between sporadic bouts of pile-shifting and distracted paper-shuffling, I sit on the porch, away from the rising dust, and compile a wide-ranging smorgasbord of coversongs which – at least titularly – touch upon the cleaning process. Because I am, by nature and propensity, a beautiful mess. And music is ever my saving grace.


2 comments » | Uncategorized

Gone Folkin’: Cover Lay Down Takes A Short Vacation
…and leaves readers with 7 covers of our official theme song

July 13th, 2011 — 06:10 pm





On Friday, July 15, my family and I will head off on our annual jaunt to Hillsdale, NY, to help build the Falcon Ridge Folk Festival from the ground up, not to return until a full 11 days later, on the evening after the festival itself has ended. In case you’re wondering why we go, just check out the image above: yes, that’s me in the picture, at last year’s festival, and by the Sunday morning Gospel Wake-Up Call, I fully intend to look just like that.

As I noted in last month’s festival preview post, this will be our fifteenth consecutive year at Falcon Ridge, both as attendees and volunteers. And although for the past three years, I managed the inevitable lapse in internet access by pre-posting both prewritten and guest-penned features, this year, I’ve decided that the stress and distraction of managing such a solution isn’t in anyone’s best interest.

Which is to say: this post is just going to sit here, atop the blog, for the next two weeks.

And I’m fine with that. Really.


The original intention behind pre-posting was noble, I think: to provide no gap in coverage for you, the reader, while still being able to proudly proclaim that, even while we were off galavanting around a field with twelve thousand people, “I” was actively blogging, albeit in absentia, and/or through trusted proxies. And truly, soliciting blogfodder from some of my favorite bloggers, and sharing those guest entries with my readers, was quite a thrill.

In reality, though, what happened was I’d spend the entire week before we left preparing those entries, and simultaneously feeling guilty because my wife was doing all the packing while I was huddled on the couch, pecking away. Then, once on site, I’d sneak off to the local library throughout the week to pirate off their wireless from the corner of the parking lot, making sure that everything posted properly, deleting spam, and just generally reveling in the fact that the blog was chugging away in our little corner of the Internet while I galavanted about in a field that doesn’t even get good cell phone reception.

Even when I wasn’t able to get away, there was a tiny, insistent part of my brain, demanding to know how the blog was doing. And in all those cases, those activities took away some of the joy, some of the freedom, some of the reinvigoration and rejuvenation which I depend upon our annual encampment Falcon Ridge to provide.

The moral here appears to be that blogoholics like myself are not truly served well by trying to keep up the pretense during a short absence. And this year, my need for a truly offline, community-based experience is paramount, after six weeks of tornado cleanup, a daily summer grind of teaching summer school, and a three-week intensive cramming session for this Saturday’s state teaching licensure exam in English.

This year, I’m determined to do it different.

And so Cover Lay Down will return in a couple of weeks. Until then, I encourage you to download the below, browse the archives for the good stuff, and check out the work of my fine fellow coverbloggers who populate that sidebar over there. Me, I’ll be building the community and basking in it, reveling in the music, the crowds, the family, and the friendship. We’ll be back on or around July 27th, rejuvenated and ready for more.

But first, the music.* Because you didn’t think I’d leave you in silence, did you?




*I actually named this blog after an old Dave Matthews Band song title, punned into service. But in the years since, I’ve informally adopted cover versions of Bob Dylan’s Lay Down Your Weary Tune, a song left off The Times They Are A-Changin’ and originally released by The Byrds, as our theme music – and the collection I’ve gathered in since then seems especially apt today, given our absence. We’ll leave it in your ears, until our return.

3 comments » | Uncategorized

Hold Me Now:
Songs of Solace, Hope & Sanctuary

June 28th, 2011 — 02:21 pm





They ran the last trucks through Paradise Lake Road last night, their claws clutching desperately at the piles of brush and branches which have covered the curbsides and yards since the month began. The high school seniors who worked so tirelessly to bring hope and helping hands to shellshocked neighborhoods the morning after their graduation did not happen begin to move on, visiting colleges, taking off for the summer. The church with the fallen clocktower posts daily on our facebook page, its requests sounding evermore desperate as it struggles to find enough volunteers to keep the momentum going.

The t-shirts sell, the benefits continue. The elderchild and I spend a rainy Saturday morning under a vendor tent amidst motorcyclists and their families at an underattended event, trying to raise consciousness and much-needed funds. As Meg Hutchinson, whose own hometown was hit hard by a tornado fifteen years ago, reminded us at our house concert that evening, the bright exposure of natural disaster reveals a town for what it is, and we are blessed, indeed, to live in a time and place where both the Red Cross and FEMA have let us take the lead, recognizing that we, more than most, have the talent and organization, the heart and hope to manage our own community in this time of recovery.

But it’s all uphill from here. Just as Katrina survivors still need our support, just as Haiti still struggles to rebuild, even as the streets and sidewalks clear, and the yards emerge clean and brown with new loam, we are still broken, with so much left to do that it overwhelms the senses and numbs the mind.

Foundations stand empty, a testament to the lives once lived above them.

Homes and businesses remain closed, the red and yellow tags on their boarded-up windows a reminder of just how much we have left to do.

Bodies remain hungry, homeless, and sad, desperately in need of any and all help that the world can bring us.

All this, even as the news begins to turn away, and the volunteers and saints who descended on our town like a holy host of angels begin to return to their own lives, leaving us amidst the bones and seeds, the trailers and the stumps. And here we remain, against the backdrop of our second act: a landscape in potential, waiting for us to begin the hardest part of disaster recovery.

And so, as June dwindles down to naught, we offer one last plea for support.

Donate to Cover Lay Down now, and we’ll give 40% of your generous donation to the town tornado relief fund, where it will go directly to the victims and the victimized. In return, you’ll receive our 2010-2011 sampler of exclusive live covers, our blessings, and our grateful appreciation.

Please don’t be shy, and don’t be afraid to give just a dollar or two to the cause. But help us rebuild, that we may once again have the strong, vibrant places that our strong, vibrant community deserves.



Click HERE to donate to Cover Lay Down / Monson’s Tornado Relief Fund and receive your link to our exclusive live 2010 bootleg digital download. No minimum donation required – even a dollar makes a difference…

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