Category: Young Dubliners


Subgenre Coverfolk: Celtic Punk from The Pogues, Dropkick Murphys, Black 47 and more!

March 12th, 2008 — 09:15 am

Now with added Pogues goodness!



Here’s a tiny St. Paddy’s Day subgenre for you: Celtic punk, a genre arguably invented by The Pogues, though surely influenced by both the “British” folkrock invasion and the early punk music of The Clash.

To truly explore the broader implications of this musical form requires deep understanding of many factors: the Irish diaspora, the evolution of fusion forms in music, the confluence of post-punk folk and the adolescent mindset, the modern commercialism of St. Patrick’s Day. Such scope is beyond the purview of any blog. But considering the genre as a form of folk sheds new light on what is increasingly a sound recognizable from Galway to Graceland.

Though genre originators The Pogues came at Celtic punk from the streetpunk movement of our parents’ generation, Celtic punk is also legitimately a subset of folk punk, a category which also includes folk rockers The Weakerthans and the early work of Billy Bragg, and is characterized by a sneering, often politicized attitude, high-energy performance, and electrified speed, even in unplugged mode. To this, Celtic punk adds the traditional instruments of Celtic rock music — guitar, pipes, fiddle, bodhran, and the occasional squeezebox — and the song structure and lyrical trope of the traditional Irish folk form.

The result is as diverse as it is distinctive. The definable sonic sector that is Celtic punk includes everything from slightly lilted folk rock ballads to traditional jigs at moshpit speed. Yet despite the differences, the realm is still definable for its lyrical ground in the plight of the working class, and — perhaps more obvious to the layperson — its worldbeat sound, full of high pipes and the unmistakable trope of the Irish pubsong.

As a fusion of multiple small-scale subgenres itself, it is no surprise that it is hard to find pure examples of the form. But the small number of pure Celtic punk bands is balanced by the large number of musicians who combine the basic elements of the subgenre. These essential elements are, after all, indigenous to everywhere from Halifax to Boston to the Emerald Isle herself. Where you find political dissatisfaction, post-rock young folks, venues that serve Guinness, and a critical mass of Irish musicians, inevitably, you’re going to get something a lot like Celtic punk.

Today, a short set of tunes from a few bands who define the genre cluster, capture the Celtic punk style, and display a folkpunk political sensibility. Those expecting thrashpunk may be surprised — though some Celtic punk retains the hard edge of its forefathers, it is sensibility, not hardcore sound, that ultimately lends the punk moniker to the majority of the musical form in a post-Pogues world. Nonetheless, those who come to Cover Lay Down for mellow tradfolk might prefer to skip down to today’s bonus song section, which includes a few sparser, slower covers of songs originally written and performed by The Pogues.

Today’s bonus coversongs, for the more mellow among us:

We’ll be back Sunday with more music appropriate for a folk coverblog on St. Patrick’s Day. In the meanwhile, click on links above to purchase the works of these artists direct from the source.

Folkfans looking for more Irish drinking songs should also head on over to the always-excellent Setting the Woods on Fire for more from The Pogues, The Dubliners, and The Clancy Brothers, plus some great tradfolk from the Emerald Isle!

Previous Subgenre Coverfolk Features:

  • Bluegrass
  • Zydeco

  • 1,309 comments » | Black 47, Dropkick Murphys, Great Big Sea, June Tabor, Subgenre Coverfolk, The Pogues, The Tami Show, Young Dubliners