Category: Taj Mahal


Covered in Kidfolk, Vol. 5: Barnyard Tunes and Critter Songs for Cool Moms and Dads

June 11th, 2008 — 09:01 am

I grew up in the suburbs, where wildlife was scarce, though we had our share of squirrels and birds, and the occasional rabbit sighting in the backyard. When we wanted to see larger animals, we generally headed out to Drumlin Farm, a working farm run by the Audubon Society, where caged birds of prey lined the path to the chick hatchery, the pigs and sheep gave birth every spring, and you could always spot the queen in the glass-lined, thin-sliced beehive, if you looked long enough. There was a pond, too, for crawdad spotting. Well worth the membership, and the half hour drive.

These days, we live in the country, where turkeys congregate around corners year round, and the neighborhood dogs roam aimlessly throughout our lives. Round these rural parts, Spring brings a whole mess of animals into the yard, from the new baby robins that nest in our holly bush to the frogs, toads, and salamanders that scatter when the kids run through the tall grass and hollows. On weekends, it’s a five minute jaunt through the woods to the dam and its shady, overgrown waterways, where turtles, ducks, and beavers play in the water, and the fish practically jump on the hooks the moment we throw our lines in.

On hot days, we head up the hill to Westview Farm, where the new baby goats skitter up and down the concrete barriers, butting heads and bleating; in the evenings, the mother cow in the grazing field across from our driveway lows to her new calf. This year, the neighborhood has even been graced by a family of foxes; we haven’t seen the mother and her kits yet, but the father runs past our windows and down into the growing darkness just about every day towards suppertime.


The world of kidsong is chock full of songs about animals, and for obvious reasons. A healthy child’s life is full of nature, and nature is full of life. Too, the developing awareness of what it means to be alive, and be part of a world full of other things that are alive, is an important part of child development; songs which portray the various relationships we have with animals — both wild and domesticated — help prepare us to think deliberately about our world, and our place in it, as we grow up to become parents of our own.

Today, in service to this aspect of development, we present a sprawling collection of animal coversongs from my growing kidfolk cache. Most predate the phenomenon of song authorship. And with artists such as Tim O’Brien, Nickel Creek, Garcia/Grisman, and Seldom Scene lead singer Phil Rosenthal on the list, the set skews towards the bluegrass, but I make no apologies for this; it is only very recently, with the advent of the NYC indie bluegrass scene, that bluegrass has begun to leave behind it’s associations with rural community and farmlife, and this makes it good solid folk music in my book.

But regardless of origin, as with all previous entries in our Covered in Kidfolk series, the point here is to provide a respite from the cheesy, cloying pap that passes for mainstream children’s music, that we might — as cool moms and dads — stay true to ourselves while providing our children with music that befits their age, and their emotional and developmental needs. I think this particular set hits the mark admirably. Whether these songs speak of the swamp or the barnyard, the woods or the stream, each is wonderful, in both the usual sense and in the older sense of the word: full of the wonder which we should nurture in every child, and in ourselves.

As always, folks, links above go to label- and artist-preferred sources for purchase, not some faceless and inorganic megastore. If you like what you hear, buy, and buy local, to help preserve the little spaces, for the little people you love.

295 comments » | Buckwheat Zydeco, David Grisman, Elizabeth Mitchell, Jerry Garcia, John McCutcheon, Kidfolk, Laurie Berkner, Nickel Creek, Pete Seeger, Roger McGuinn, Taj Mahal, Tim O'Brien, Townes van Zandt

Carolina Coverfolk, Vol. 2: The Songs of Elizabeth Cotten

April 22nd, 2008 — 02:57 am


North Carolina is rich in history and broad in geography, stretching from warm beachfront majesty to the base of Appalachia. That it holds a dominant place in the history of folk music is due in part to its cultural diversity, and in part to its situation midway up the coast, along the route that folk strands might have once traveled from North to South and back again. This combination of factors has made it an influential locus and crossroads for several southern folk movements of the last century, including branches of the blues, appalachian music, and strains of bluegrass, and other early rural folk forms.

Rather than give the musicians and musical forms of this diverse region shorter shrift than they deserve, instead of our typical biweekly megaposts, this week we offer several shorter features on the coversongs of and from a few North Carolinan songwriters who made their mark on folk music long before the sixties transformed American folk from cultural phenomenon to a true genre. It is a tribute to their indelible influence and stellar songwriting that that these songs are still treasured in performance today.

Today, we begin our journey with the songs of Elizabeth Cotten (1896? – 1987; born Carrboro, North Carolina).


Like many early folk musicians born at the turn of the century, Elizabeth Cotten had two careers: one in her early years, as a self-taught blues folk prodigy, and one later in life, when the folk revival of the fifties and sixties drove a desperate effort to recover and record the authentic sounds of early American folk forms before they could be lost to the ages. Cotten’s story of rediscovery is especially notable for its serendipity: though a few of her songs had taken on a life of their own in the hands of other blues and folk musicians during the forties, Cotten herself had quit making music for twenty five years, only to be rediscovered in the sixties while working as a housekeeper for the Seeger family.

Cotten’s strong songwriting and original upside-down “Cotten picking” guitar style, with its signature banjo-like low-string drone and alternating fingerpicking bass, would eventually result in a star turn on seminal disks and collections from the Smithsonian Folkways label, many culled from home recordings made under the reel-to-reel direction of Mike Seeger in the nineteen fifties. The support of the Seegers and others, and the subsequent success of her first album, the 1957 release Folksongs and Instrumentals, brought her onto the folk circuit, where her unique sound influenced the burgeoning folk movement, and where her songs would be heard, recorded, and passed along by the likes of Bob Dylan, Jerry Garcia, and Peter, Paul and Mary.

In the end, though only four albums of her original material were ever released, Cotten remained a celebrated member of the folk touring scene into her late eighties, winning a Grammy in 1985 for Best Ethnic or Traditional Recording for Elizabeth Cotten Live! a year after being named a “living treasure” by the Smithsonian. Her music continues to be celebrated today for its timeless and distinctive qualities, and for the way it speaks to a childhood among the simple folkways of the rural North Carolina south. And her influence as a songwriter, a guitarist, and an artist echoes in the work of generations.

Today, a few covers each of two of Cotten’s most familiar songs: two fragile kidfolk versions of Freight Train, which was written when Cotten was eleven, and a full set of folkvariants on the timeless Shake Sugaree, from the hearty tones of folk blues legends Chris Smither and Taj Mahal to the delicate second-wave folk field recordings of indie newcomer Laura Gibson and the previously-featured grunge-folk goddess Mary Lou Lord.

As always, artist and album links above lead to the most authentic, the most honest, and the most local places to buy music: from the artists and labels themselves. The Elizabeth Cotten originals, especially, are core must-haves for any true tradfolk collector; pick up her three solo albums at Smithsonian Folkways.

Assuming the weather doesn’t keep knocking out the network, stay tuned throughout the week for a short half-feature on Bluegrass legend Earl Scruggs, and a piece on the work of Doc Watson, yet another North Carolina fingerpicker. Meanwhile, I’l be sitting on the back porch, local brew in hand, watching the sun set over the sound and the North Carolina mainland, while the wild deer and the goslings root for grub in the low grass below. Y’all come back now, y’hear?

[UPDATE 4/27: Great minds think alike: head on over to For The Sake of the Song for an almost-simultaneous post on Shake Sugaree that includes the seminal Fred Neil cover and the Elizabeth Cotten original!]

1,022 comments » | Chris Smither, David Grisman, Elizabeth Cotten, Elizabeth Mitchell, Jerry Garcia, Laura Gibson, Mary Lou Lord, Taj Mahal

Covered In Kidfolk, Part 3: Moral Tales for Wildchildren and Mischief Makers

February 27th, 2008 — 12:01 am

Much of the subject material of kids music is lyrical fluff, and that’s not a bad thing: kids need all the playful silliness and sweet sleepytime nothings that hip moms and dads with heart can bring them. On the other hand, play and sleep alone aren’t enough, and kids ain’t gonna grow up by themselves. The bigger they get, the more we have to show and tell them the right ways to move through the world.

Thankfully, song is an especially effective way to pass along morals and messages. That’s partially because a spoonful of sugar really does make the medicine go down, I suppose. But it’s also because children see music as coming from everywhere. As such, using music to pass along values helps universalize a message, making it less about “Daddy’s way” and more about the right way to do things.

Folksong has a long history of carrying morals to and for cultures. That doesn’t make all folksong successful: as with all styles of music, performing songs which mean is much more difficult. Far too much kidsmusic that tries to say what needs saying ends up sounding sappy and preachy. Happily, a few musicians get it right, making something which manages to be both musically powerful and lyrically meaningful. The best songs of this type stick in the soul, planting valuable seeds which compliment our most deliberate parenting on our best days.

Today, then, some covered kidsongs which take a lighthearted approach to some very serious subjects, from inner life to external behavior, from the social to the ecological. Your kids may not notice the messages as they hear them, of course. But if the true affection that these modern singer-songwriters have for these old songs tells us anything, it is that years from now, these songs will be remembered. And that’s not nothin’.

  • Moxy Fruvous, Green Eggs and Ham (orig. Dr. Seuss)
    Sadly defunct folkband Moxy Fruvous makes a popcult-heavy, anti-commercialist folk-rap out of this Dr. Seuss classic. A repost, and out-of-print, but relevant.
    Moral: How do you know you won’t like it if you won’t even try it?

  • Ann Percival, I Don’t Want To Live On The Moon (orig. Ernie)
    If it were up to my littlest one, we’d never leave the house. This is her favorite song, and she always asks for it when we first get into the car. She likes Ernie’s original, but I think contradance chanteuse Ann Percival makes it more palatable for the whole family. From The Sweetest Hour, which is.
    Moral: The imaginative world is fun to visit, but there’s no place like home.

  • Taj Mahal, Don’t You Push Me Down (orig. Woody Guthrie)
    A reggae beat, the classic kidsong rasp of bluesman Taj Mahal, and a message originally intended both to help kids learn how to play fair and, later in life, to feel justified in standing up for what they believe in. Via Sing Along with Putumayo.
    Moral: Leave your sister alone.

  • Willie Nelson, Rainbow Connection (orig. Kermit)
    An especially poignant take on this old Muppet standard. I’ve got nothing against Dixie Chicks twang and Sarah McLachlan dreampop, but of all the covers of this song I’ve got kicking around, it’s Willie Nelson who really brings the fragile, shortlived nature of the subject to life.
    Moral: Wishes come true. Never stop dreaming.

  • Rex Hobart, It’s Not Easy Being Green (orig. Kermit)
    I’ve posted this track before too, but it bears repeating. From The Bottle Let Me Down — kids like indiecountry, right? Bonus points: the lyrics are almost open enough for you to use this song to talk with your kids about “being green” in the more post-millenium, save-the-earth way.
    Moral: Celebrate diversity; be who you are.

  • Jack Johnson, The 3 R’s (orig. Bob Dorough)
    This half-cover from mellow surfer and fratfolk god Jack Johnson is based on jazzman Bob Dorough’s old Schoolhouse Rock standard Three Is A Magic Number. Johnson gets bonus points for helping me sit through Curious George for the tenth time.
    Moral: Reduce, Reuse, Recycle.

  • Dan Zanes, We Shall Not Be Moved (trad.)
    Dan Zanes remakes this old protest song with banjo and spunk; like Elizabeth Mitchell, Zanes knows how to speak to adults and kids about what really matters. Warning: side effects may include strong-willed children.
    Moral: Stand your ground. Together, we shall not be moved.

  • Walter “Wolfman” Washington and the Roadmasters, This Land Is Your Land (orig. Woody Guthrie)
    Technically, this one isn’t a kidsong either. Kind of socialist, too. But I learned it as a kid, and so did you. And who wants kids who grow up thinking this land isn’t theirs to care for? From Funky Kidz, an amazing new compilation of classic kidsongs by a dozen of New Orleans’ best and funkiest; proceeds benefit music education in New Orleans and nationally.
    Moral: This land was made for you and me.

  • Lynn Miles, Everybody Cries (orig. Jim Cuddy)
    There are a surprising number of songs out there which address this subject, but Cuddy’s is as comprehensive as it comes, and Lynn Miles makes a gentle yet powerful case for buying into the complexities, and growing into responsibility. I promise this is the last song I’ll share from the incredible kidfolk compilation Down At The Sea Hotel.
    Moral: Life isn’t always easy, but it’s worth it. Try, fail, and try again; I’ll always be there to hold you.

  • Jerry Garcia and David Grisman, Teddy Bears’ Picnic (Bratton/Kennedy)
    An always-successful bedtime selection, given the teddy bear motif and the mellow voices and mandolins of Garcia and Grisman’s Not For Kids Only. But have you ever really listened to the lyrics?
    Moral: Teddy bears are scary. If you must go in the woods, bring a buddy.

If this list seems heavy on the Jim Henson and protest songs, it’s not just you. After all, like me, many of these artists grew up in the early days of PBS, back when kidculture refused to speak down to us, and our parents were just emerging from a feelgood sixties adolescence. We may have cut our hair since then, but the values we found in those old songs still matter.

So click on the links above to buy these albums direct from the artists and labels, just to show your kids how to best support the music that matters. And once the CDs arrive, play ‘em early and often. But take good care of them, too, so one day, you can pass them down to your children’s children. Because somehow, I can’t see the greatest hits of Barney or Dora the Explorer having this kind of credibility when our kids grow up to become folksingers.

491 comments » | Ann Percival, Dan Zanes, David Grisman, Jack Johnson, Jerry Garcia, Kidfolk, Lynn Miles, Rex Hobart, Taj Mahal, Walter "Wolfman" Washington, Willie Nelson

Covered in Kidfolk, Part 2: Loudsongs and Dancearounds for Cool Moms and Dads

December 27th, 2007 — 12:02 am


School’s been out for days, and I’m already exhausted. But after a whirlwind tour of relatives and sled runs, Sturbridge Village sleigh rides and Santa stocking mornings, the kids are sugared up, full of pep and peppermint. What to do with a case of the sillies? What better time for another round of Covered in Kidfolk?

Last time on Covered in Kidfolk we brought you a sweet set of lullabies and softsongs; songs in that post are still live, just in case today’s songs tire you out. If you joined Cover Lay Down in the past two months, or if you’re just in the mood for something a bit quieter, head over there for a mellow dozen-or-so from the likes of Alison Krauss, Jack Johnson, The Be Good Tanyas, and Shawn Colvin, and a good overview of our Covered in Kidfolk series, and why it’s meant to serve your ears, too.

But the point here is to jangle out some energy. So today, we bring you a broad set of genre-pushing folk and folk-related artists hanging out on the fast, upbeat end of the musical kidfolk spectrum. Some are traditional kids songs, sped up as far and stretched out as hard as acoustic instruments can go. Some have their origins in our own childhood favorites, from Sesame Street to Raffi. Some, like Prince’s Starfish and Coffee, will be familiar as songs from your own collections, only repackaged for a kid-friendly audience. All give your kids a chance to rock out without you or they resorting to violence.

Whether you’ve got kids visiting for the holidays, or are just a kid at heart, I think you’ll enjoy these raucous folkcovers of familiar and traditional songs for kids. Take a few minutes with your legs up on the couch and watch the kids burn off the sugar — or, if you’ve got it in you, use this opportunity to dance around a bit. Just be careful running around the coffee table. Remember, it’s all fun and games until someone barks a shin.


Remember, kids: whether you prefer popfolk or sleepsongs, buying local and direct from artists is the best way to ensure that the musical ecosystem remains diverse, rich, and authentic for generations to come. As always here at Cover Lay Down, artist and album links herein go directly to artists’ and labels’ preferred source for purchase wherever possible. Buy if you can, for the sake of your kids and theirs.

794 comments » | Asylum Street Spankers, Barenaked Ladies, Billy Bragg, Dan Zanes, Kidfolk, Maria Muldaur, Matt Nathanson, Rhonda Vincent, Taj Mahal, Trout Fishing in America, Victor Johnson, Wilco