Another reviewer below said that this album lacked the talents of classic 4AD artists like Cocteau Twins and Dead Can Dance. Well, the Cocteaus had already left the label, and DCD were working on "Aion" and "A passage in time". More important, the musical climate had changed since TMC's last effort "Filigree and shadow", and it would've been inappropriate for an avantgarde project to repeat the ideas and sounds of previous albums. And there are still many 4AD artists involved, just look at Heidi Berry, Kim Deal(Breeders), Tanya Donelly(Belly), Pieter Nooten(Clan Of Xymox), or John Fryer(producer). Overall, "Blood" shifts the focus from independent rock to contemporary chamber music and drumless ballads. This album comes up with a great variety of styles, including exceptionally beautiful synth passages ("The lacemaker", "Mr. Somewhere", "Several times"), psychedelic guitar rock ("I come and..", "I am the cosmos"), and several interesting cover versions. "Blood" is TMC's most ambitious effort and represents a singularly charming and disarming album. Only some underdeveloped tracks annoy, the rest is flawless. Personally, I think "Blood" remains the 4AD label's last true avantgarde album.