Anti-Festival Coverfolk:
The Best of Couch By Couchwest 2012





South By Southwest, the hippest multi-day, multi-venue industry bash in all the land, has finally drawn to its inevitable conclusion, and all across the country, artists and music bloggers are stumbling back to their daily lives a little wiser, a little wearier, and a whole lot more hungover.

There’s a tiny fragment of my heart that lives forever in jealousy of those musicians, promotional types, and hard-core blog-authors who clutter my feed with their legendary experience this time of year. But although I have spent much of the past week living vicariously through the frantic tweet and status updates of those brave enough to waive sleep and comfort for a chance to wander the long city-wide party, I’ve also been cheating a bit on the side, lurking around over at virtual anti-festival Couch By Couchwest, a tongue-in-cheek blog-based collaborative experience designed especially for those of us who have neither the time nor the youthful energy to couchsurf in Austin this time of year.

Just as SXSW brings together musicians and industry types, so has CXCW served as a fine meeting of the minds, bringing the famous to hobnob with the fans, both of whom were invited to post and participate in the community through commentary and collaboration. Yer Bird Records, of whom we are eternal fans, were a fine sponsor, soliciting a haiku contest, and exemplary sessions from John Statz, Hezekiah Jones, and more. Most significantly, from our own nicheblog perspective, in order to best approximate the live experience, musicians were invited to post songs from their own couches and practice spaces, thus forming the nucleus of the festival experience through vicarious sessioning. And though it was a bit less sweaty in cyberspace, just as one might have found in the live venues the festival was designed to mimic, some of them chose to take on coverage.

To be fair, we’re a bit worn out from our own early weekend post – a quite popular feature that took on the folkways of the heavy metal movement through the coverage of 14 fine folk and acoustic musicians – and from our secret Facebook-only St. Pat’s set, which found us sharing 8 fine folkcovers of songs by Irish band U2, including a rare acoustic take on Still Haven’t Found What I’m Looking For from none other than indie goddess Sara Bareilles. But it is Sunday, after all – the day we usually share our thoughts with you, the readers and fans. So here’s an appropriately quick and dirty feature set of coverfolk highlights from Couch By Couchwest that made us proud to be part of the crowd.


Matthew Ryan: Mama You’ve Been On My Mind (orig. Bob Dylan)




John Statz: It’s All Over Now, Baby Blue (orig. Bob Dylan)




Ryan Montbleau: Ain’t Nobody’s Business (orig. Taj Mahal)




Blackwater Jukebox ft. Sadie & The Blue Eyed Devils: Mr. Vain (orig. Culture Beat)




Phil Norman: Become You (orig. Amy Ray)




Paul Otteson: Curious Scar (orig. Dietrich Gosser)




Hollysdollar: Vampyre (orig. AA Bondy)




Josie Little: This White Circle (orig. Kitty Wells)




Strand of Oaks: Long Desert Train (orig. Jason Molina)




Wess Floyd: Nebraska (orig. Bruce Springsteen)




Black Twig Pickers: Going Down That Road Feeling Bad (trad.)




Cory Branan: Bad Moon Rising (orig. Creedence Clearwater Revival)
An encore performance from Couch by Couchwest 2011!




Bonus track: Hezekiah Jones’ amazing cover of Chris Bathgate’s Last Parade on Ann Street isn’t available for embedding, but it is absolutely worth the visit to the main CXCW site…and a great way to start your journey through the archives of this incredible festival.

Category: Festival Coverfolk, YouTube One comment »

One Response to “Anti-Festival Coverfolk:
The Best of Couch By Couchwest 2012

  1. Tim

    Dude! I saw Strand of Oaks in a sweaty, crowded basement I don’t even know how many years ago. Great night.


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