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Oscars 2013
Gale Edwards

The high roller

GALE Edwards is investing all her big-picture, high-stakes style in her new production of  Carmen for Opera Australia. Now all she needs is clear skies.

Up late with Clive James

Princess Diana and Clive James

ONE of the world's great conversationalists talks about the duty of criticism, the dreck of Downton Abbey and nourishing Diana, princess of Wales's `under-stocked' mind.

Wounds of intimacy

Ralph Fiennes

RALPH Fiennes has met his match in Dickens, playing Magwitch in Great Expectations and directing and acting in a film about the author's love life.

Frames and fortune

Glen Hansard

AFTER his debut solo album, Glen Hansard returns to Australia this month with his band.

New arrivals

Illustration by Sturt Krygsman

IN this opening chapter of JM Coetzee's new novel, The Childhood of Jesus, a man and a boy seek assistance from the authorities.

The high roller

Gale Edwards

GALE Edwards is investing all her big-picture, high-stakes style in her new production of  Carmen for Opera Australia. Now all she needs is clear skies.

REVIEW Thursday a play to remember

Thursday

"THIS is a play, not a documentary,'' Bryony Lavery writes in the program notes for Thursday, about the day of the London bombings.

Bard's bad rap no barrier to young fans

Bell Shakespeare

LUCY Clare might be only nine years old and in Year 4 at school but she already knows her favourite Shakespeare play.

Thursday a play to remember

"THIS is a play, not a documentary,'' Bryony Lavery writes in the program notes for Thursday, about the day of the London bombings.

The grand parade

Parade's End

TOM Stoppard's audacious adaptation of four classic texts makes for an enjoyable, if perplexing, period saga.

Simply brilliant

Little Women

GILLIAN Armstrong's Little Women (Sunday, 4pm, 7Two) is a masterpiece - for me the best Hollywood version of Louisa May Alcott's novel.

PICK OF THE DAY

Uncovering heroism and bravery

HOST Jules Hudson begins this new three-part series about digging up World War II relics with a walk along the white cliffs of Dover.

Wounds of intimacy

Ralph Fiennes

RALPH Fiennes has met his match in Dickens, playing Magwitch in Great Expectations and directing and acting in a film about the author's love life.

Film policy is 'confusing, flaky and fluky'

Simon Crean

AUSTRALIA'S most successful film producer on the global stage has slammed the federal government.

A case of perfect timing

Michael Bodey

WARNER Home Entertainment couldn't have timed this week's DVD and download release of Argo any better.

Film policy is 'confusing, flaky and fluky'

AUSTRALIA'S most successful film producer on the global stage has slammed the federal government.

'Art should make us think, but it should not tell us what to think. And above all it should not be cynical'

Copyshop (1999) by Thomas Demand

THOMAS Demand treats photography as the final stage in the production of an image that has evolved through a long pre-production phase.

War's long reach

Nguyen Thai Tuan, Room of the Prince

AS a child growing up during the Vietnam War, Nguyen Thai Tuan witnessed many atrocities.

Anderson kicks off Adelaide Festival

Laurie Anderson

IN a prelude to tonight's free concert of Neil Finn and Paul Kelly, Laurie Anderson launched the first annual Adelaide Festival.

War's long reach

AS a child growing up during the Vietnam War, Nguyen Thai Tuan witnessed many atrocities.

LATEST ISSUE

Review cover

The Weekend Australian Review, March 2-3, 2013

Iain Shedden

'One thing that can be deduced from the short film is that Bowie's gift for acting is as elusive as it ever was'

Iain Shedden

THOSE teetering on the verge of apoplexy at the prospect of a new David Bowie album got a second taster this week with the release of a new single, The Stars (Are Out Tonight).

Luke Slattery

'Perhaps MONA should be renamed the Museum of Old and Passe Art, or MOPA, for that is what it seems'

The Sightgeist

IN a New Yorker essay published exactly two decades ago, critic Adam Gopnik wrote of the dispiriting contemporary art scene of the time.

Evan Williams

'If I had to guess how long Dan Mazer's film will last in the multiplexes, I'd give it a couple of weeks'

I Give It A Year

I GIVE It a Year is a romantic comedy written and directed by Dan Mazer, who worked on Sacha Baron Cohen's spoof documentaries Borat and Bruno.

Christopher Allen

'Art should make us think, but it should not tell us what to think. And above all it should not be cynical'

Copyshop (1999) by Thomas Demand

THOMAS Demand treats photography as the final stage in the production of an image that has evolved through a long pre-production phase.

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New arrivals

Illustration by Sturt Krygsman

IN this opening chapter of JM Coetzee's new novel, The Childhood of Jesus, a man and a boy seek assistance from the authorities.

Up late with Clive James

Princess Diana and Clive James

ONE of the world's great conversationalists talks about the duty of criticism, the dreck of Downton Abbey and nourishing Diana, princess of Wales's `under-stocked' mind.

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ABOUT THIS SECTION

OUR TEAM

Ashleigh Wilson

Ashleigh Wilson
Arts Editor
Sydney Bureau, Australia

Ashleigh Wilson is The Australian's arts editor. He has been at the paper for 11 years, and was deputy arts editor from 2008 to 2011. In 2006, he and Nicolas Rothwell won a Walkley award for coverage of indigenous affairs.
Wilsona@theaustralian.com.au
Twitter: @ashleighbwilson

Deborah Hope

Deborah Hope
Review Editor, The Australian
Sydney Bureau, Australia

Deborah Hope edits Review, The Weekend Australian's culture section. She recently rejoined The Australian after two years in the Middle East. She is a former literary editor of The Australian, edited Review from 2008-09 and was a senior writer here for a decade.
hoped@theaustralian.com.au

Matthew Westwood

Matthew Westwood
Arts Journalist
Sydney Bureau, Australia

Matthew Westwood, the newspaper's chief arts correspondent, was arts editor from 2008 to 2011. He has been writing about the performing arts, particularly classical music and opera, for two decades. He writes a column in the arts pages every Tuesday.
westwoodm@theaustralian.com.au
Twitter @matthewwestwood

Stephen Romei

Stephen Romei
Literary Editor
Sydney Bureau, Australia

Stephen Romei is The Australian's literary editor. He blogs at A Pair of Ragged Claws and can also be found on Twitter and Facebook. When pressed, he nominates Dostoyevsky's Crime and Punishment as his favourite book, though sometimes it's Moby Dick.
romeis@theaustralian.com.au
Twitter @PairRaggedClaws

Stephen Fitzpatrick

Stephen Fitzpatrick
Journalist
Sydney Bureau, Australia

Stephen Fitzpatrick, deputy editor of Review, previously spent five years as The Australian's correspondent in Jakarta, where he won a Walkley award for news coverage. His interests include music, literature, film and theatre, and all the odd bits of popular culture that take a bit of rooting around to get at.
fitzpatricks@theaustralian.com.au
Twitter @svfitzpatrick

Michael Bodey

Michael Bodey
Journalist
Melbourne Bureau, Australia

Michael Bodey is a film and media writer for The Australian and was previously arts editor, showbiz editor and media editor at The Daily Telegraph and film critic for The Age. He is the author of Broadcast Wars and co-author of Aussiewood: Australia's Leading Actors and Directors Tell How They Conquered Hollywood.
bodeym@theaustralian.com.au
Twitter: @michaelbodey

Michaela Boland

Michaela Boland
Journalist
Melbourne Bureau, Australia

Michaela Boland has been The Australian's national arts writer since 2009. For the decade before that she was the Australia reporter and theatre critic for Variety, and film and television contributor to the Australian Financial Review.
bolandm@theaustralian.com.au
Twitter @michaelamarea

Iain Shedden

Iain Shedden
Journalist
Sydney Bureau, Australia

Iain Shedden has been The Australian's music writer for the past 14 years. He has interviewed some of the biggest names in music and writes profiles, news, reviews and a weekly column for Review. He also spent many years as a professional drummer, most successfully with rock band The Saints.
sheddoni@theaustralian.com.au
Twitter @sheddy12

OUR OBJECTIVE

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The Australian’s arts section is the nation’s most authoritative source of cultural coverage. It’s where you can find the latest news stories, in-depth features and reviews canvassing the latest performances, events, exhibitions, personalities, trends and artistic developments taking place in Australia and beyond. 

Our team of writers, reviewers and columnists are leaders in their fields and their expertise unrivalled.