Greg Sestero and Tom Bissell’s new book, The Disaster Artist, basks in the delightful weirdness of The Room and its chief architect.
Tom CarsonOct 04, 2013
"The greatest bad movie ever made." That's what the subtitle of The Disaster Artist, by Greg Sestero with co-author Tom Bissell (Simon & Shuster, $25.99), calls crackpot director-writer-star Tommy Wiseau's The Room, on which Sestero labored as costar, line producer, and thunderstruck eyewitness. The object of a worldwide cult that's still going strong a decade after the movie's 2003 "release”—it played for two weeks in a single L.A. theater rented by Wiseau, to mostly empty houses until word began to spread that this was no ordinary train wreck—The Room has definitely displaced the previous bad-movie champ, Ed Wood's legendary 1959 Plan 9 From Outer Space, in both notoriety and audience affection. And what a bitter pill for Wood's ghost, since the only superlative he ever earned has been snatched away by an even crazier usurper.