lior tamim – chassuers

Emerging Photographer Fund – 2013 Shortlist

 

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EPF 2013 shortlist

Lior Tamim

Chassuers

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The photographs are part of the series Chasseurs, shot during the summer of 2010 in the jungles of the Republic of Congo. They are a product of the time I spent living with the local hunters. Working at the heart of the jungle I became aware of the presence of local hunters, and grew fascinated by their ancient knowledge, their manners, and the near-mystical power they seemed to possess within their environment. To track them I had to study the paths they took, recognizing the footprints and the marks they left on the terrain. Striving for more contact, I learned their techniques, eventually copying them in their trade. In my work there is no clear distinction between the roles of photographer and subject. My need to immerse myself relays to my interest in acting, in assuming a character. Embracing the techniques and lifestyle of my subjects allowed me a unique point of view. The photographs taken during that summer show a relationship far more complex then the one between hunters and hunted. In them the subjects mirror the fascination of the photographer, willing in their curiosity to receive direction, allowing me to capture moments of intimacy, and vulnerability in an otherwise violent and rugged existence. By exposing the soft core of the hunter I attempted to expose a contemporary remnant of an ancient manly archetype, disrupting, or undermining the mechanisms of manhood.

 

Bio

In my work there is no clear distinction between the roles of photographer and subject. My need to immerse myself into the situation depicted relays to my interest in acting, in assuming a character. My work process, therefore, is one of totality and intimacy. Two themes are evident in most of my work; the first – an exploration of defined spaces – public and private – the second – the exploration of masculinity within the cultural and societal context. My chosen subjects are often ones of prominent masculine nature.

Born in Isreael in 1982, I  was technically trained in photography as a special operations soldier in the Israeli Defense Force. Released from service at age 22, I traveled the world for 4 years, photo documenting my journeys through North and South America, Asia, and Africa. Back to Israel in age of 26, I enrolled at the College Of Geographic Photography, where I spent a year studying documentary photography. At that time I began working as a freelance photographer for a major Israeli newspaper. In 2008 I enrolled at Bezalel Academy of Arts and Design in Jerusalem, where I studied photography and art for two years.

 

 

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daro sulakauri – journey to chechnya

Emerging Photographer Fund – 2013 Shortlist

 

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EPF 2013 shortlist

Daro Sulakauri

Journey to Chechnya

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Couple of years ago I did a story on Chechen refugees who escaped the deadly war in Chechnya and settled in my country Georgia in pankisi gorge, in a remote mountainous enclave in the far northeast corner. Though not recognized or officially monitored by international agencies, Pankisi was a refuge from state-sponsored terror for thousands of people.
Chechens have a reputation for rugged individualism, even among the peoples of the Caucasus who ” by any standards ” are accustomed to rugged conditions and nurture a fierce sense of national pride and independence in light the imperialist tendencies of surrounding nations. These people live an ordinary life today, although they are largely destroyed psychologically. Without a clear future and struggling with a terrifying past, some still have hope to return home for a peaceful life.
Caught in a no-man’s land for many years they were forced to remain in the tiny and economically isolated Pankisi Gorge, which had has no vacancies for jobs so that the young men might start working.
As of 2010 many chechen refugees have returned home to chechnya and many more are in the process of returning. I want to follow the families that are moving back to their homeland, follow them through the journey from Georgia to Chechnya and document their lives back in their homeland.
This project is very personal for me, because I am one-third Chechen and I too have witnessed war in my childhood. I feel connected to the people I am documenting. Most importantly I want to follow the women and the young generation who are hoping for a better future by settling back to their homeland.

 

Bio

Daro Sulakauri  (B. 1985, Georgia) is a freelance photojournalist.
Her work has been exhibited in Tbilisi, New York, Washington, D.C., Prague, and Tokyo.
She was named one of PDN’s 30 New and Emerging Photographers to Watch in 2011, won the Magnum Foundation’s 2nd place for their Young Photographer in the Caucasus Award in 2009, received honorable mention for the PX3 2009 Competition at the Prix del la Photographie Paris, won the Best of 2008 SocialDocumentary.net award, received 1st place in the 2008 Women In Photography International competition, received the 2006 TPW Focus on Monferrato Scholarship and the 2006 John & Marie Phillips Scholarship. Sulakauri graduated in 2006 from the International Center of Photography’s Documentary Photojournalism Program and in 2008 from the Department of Cinematography at Tbilisi State University.

 

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federica valabrega – daughters of the king, the book

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Federica Valabrega

Daughters of the King, the Book

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In my photographs, I have sought to avoid the common stereotypes frequently attributed to Orthodox Jews. I have attempted to show aspects of these women, their most spiritual ones, those that transcend their religion and its strict rules governing the sanctity of their bodies. I chose to delve into a deeper dimension of my subjects’ holiness–one of femininity accompanying every gesture, every moment of their daily lives as religious women. In my images, head coverings, long-sleeved dresses, modest skirts, and shoes ceased to be barriers to unwanted eyes, but instead became vessels, unveiling a deep, emotional access in the search for meaning as a woman.

“Daughters of the King” reveals the subtlest gestures of feminine beauty within moments of the daily lives of these women: The preparation for a wedding ceremony, the moment a mother and a daughter light candles before the beginning of Shabbat, or choosing a dress to wear for a particular occasion and combing their hair for an evening outing.

“Daughters of the King” began four years ago in New York in the streets of Crown Heights, the Lubavitch Orthodox neighborhood in Brooklyn, continued within the Breslov and Dati Lumi communities in Israel and the Sephardic Jews of Paris the next year and carried onward to Morocco and Tunisia within the old Jewish community of Casablanca and the folkloristic community of religious women in Djerba.

“I do not choose the women I photograph. They choose me. These women have not only ‘lent me their stories,’ they have also opened my heart to my own spirituality, revealing to me what it means to be a true Bat Melech beyond the limits of religion.”

Daughters of The King will be showing in Rome at  ETG until January 15, 2014

 

DAUGHTERS OF THE KING by Federica Valabrega - published by BurnBooks on November, 2013 in an edition of 1000 copies –  dimension: 300mm x 200mm (12 ” x 8 “), 88 pages plus 24 pages booklet with texts in english and italian –  - $ 40.00 – € 35,00 (excl. shipping)

Author: Federica Valabrega

Publisher: BurnBooks, 2013

Art Direction, Book Concept, Photoediting: Annalisa d’Angelo and Diego Orlando

Image Color Correction: Paolo Lecca

Book Design: Valeria Semenzato

Production manager: Diego Orlando for BurnBooks

Printing and Binding: Grafiche Antiga, Italy

 

DAUGHTERS OF THE KING  can now be ordered here

 

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