Critic’s Notebook
The Whole World Gets Into the Groove
By JON PARELES
Globalfest 2014 was a 12-act world-music showcase that included dance music, gospel, African beats and many other genres.
Brian Ritchie, who relocated to Tasmania, is imbuing the MOFO festival with his alternative style.
Globalfest 2014 was a 12-act world-music showcase that included dance music, gospel, African beats and many other genres.
The structural problems of Valencia’s opera house, which has been closed because of falling tiles, are the latest in the travails of Santiago Calatrava.
The Israeli directors Aharon Keshales and Navot Papushado have been winning awards in their country for their thriller “Big Bad Wolves.”
Technology, democratic aspirations and economic growth have created new spaces for young African artists to thrive.
Mr. Baraka’s work was widely anthologized, and he was also long famous as a political firebrand, with critical opinion divided in every arena.
Dr. Hsia helped introduce modern Chinese literature to the West in the 1960s while teaching at Columbia University.
Ingeborg Berggreen-Merkel, head of a task force on Nazi-looted art, says revealing a timetable would create pressure.
In his fascinating new memoir “Duty,” former Defense Secretary Robert M. Gates provides highly revealing insights about decision making in both the Obama and Bush White Houses.
In China’s growing art market, now the second largest in the world, outsize auction results often overshadow false sales data and forged art.
Like their predecessors across history and geography, China’s newly rich have set out to collect the very best the world has to offer.
From streaming TV to immersive theater, 2013 was a year of cultural upheaval. Here are interviews with the people who broke the rules, from the pop provocateur Miley Cyrus to the rising actor Michael B. Jordan. Plus: James Franco on the rise of the “selfie.”
At smaller houses scattered around the British countryside, the ideal is still a sense of being welcomed to a private party on a grand estate.
A 1938 law under which the Nazis seized artworks could make it difficult for German museums to recover looted pieces discovered in the apartment of a dealer’s son.
A show at the Museum of Fine Arts, Boston, of work by female photographers from the Muslim world, challenges stereotypes.
The Menier Chocolate Factory’s scaled-down production of “Candide,” the 1956 Broadway musical, offers a fresh perspective; while stars take on two Shakespeare roles.
An exhibition in Berlin follows the trajectory of the graphic artist Herbert Bayer, who in the 1930s created Nazi propaganda, though he claimed to be apolitical.
The Denver Museum of Nature and Science will return 30 totems to the National Museums of Kenya, which will decide whether to search for their owners.
At this year’s Vienna Philharmonic annual New Year’s concerts, the focus was again on the music, not the orchestra’s past.
The Vienna State Opera is presenting productions of “Die Fledermaus” and “Fidelio” by the Austrian director Otto Schenk.
Hilary Mantel’s two Man Booker-winning historical novels, “Wolf Hall” and “Bring Up the Bodies,” are being adapted and condensed for the stage in Britain.
With Broadway musicals finding success in Seoul, Korean producers are starting to get in on the front end of the financing in New York.
“Joseph and the Amazing Technicolor Dreamboat” with a celebrity K-pop presence: That’s the sort of musical that’s selling on stages in Seoul.
A first for North Africa, new museum pushes photography as an art form to the forefront.
From Harold Pinter to Eugene O'Neill and from musicals to plays, theater in 2013 offered an unusually abundant array from both sides of the Atlantic.
“Pussy Riot: A Punk Prayer” and “The Square,” set in Cairo, are on the shortlist for possible Oscar nominations in the documentary category, but they can’t be shown in their home countries.
Andrew Lloyd Webber's new musical, "Stephen Ward," explores the epicenter of the Profumo affair that rocked London in the early 1960s.
A show at the Pace Gallery in London examines the power that was unleashed by a 1920s Japanese craft movement.
A former Italian senator who received books that went missing from the Girolamini Library in Naples is trying to distance himself from one of the biggest rare-book-theft scandals in history.
Mohammed Assaf, a Middle Eastern star since winning “Arab Idol” in June, has played to packed houses on a nine-week tour of North America.
The exhibition "Natural Histories," on show in Madrid until late April, takes the Prado back to its origins as a home for natural objects.
The opera “Einstein on the Beach,” directed by Robert Wilson, with music by Philip Glass, arrives in Paris.
The International Herald Tribune, the global edition of The New York Times, has become The International New York Times. A look at its journey.
“The Great Beauty,” the new film by Paolo Sorrentino, portrays Italy as a country where the culture is embalmed in elegant decline and inertia seems to overwhelm all forward momentum.
The Moscow Biennale of Contemporary Art steers cautiously between its ambition to promote that city as a cutting-edge art center and a concern about drawing the wrath of officialdom.
The architect Santiago Calatrava is collecting critics as buildings develop problems.
Paris is reaching out to the global literary world to recapture its place on the cutting edge of culture with a new festival of international writers.
The exhibition, which opens Saturday, planned to focus on public spaces long before the angry protests in May about how the government was developing the city.
More than 40 acts played free shows over four days last week at V-Rox in Vladivostok, Russia, in the first rock festival of its kind in the country.
The practice of enlisting claqueurs — spectators assigned to cheer and applaud during performances — is alive and well at the Bolshoi Theater in Moscow.