Best and worst of art bites the dust- Library of Mu
- Library of Mu record:
- Title: Best and worst of art bites the dust
- Date: 12 January, 1994
- Journal: The Times
- Author: Alison Roberts
- Type of resource: News items
- Status: text
- No. views: 6341
- Description: demolition of House, thoughts of East End residents about it
Best and worst of art bites the dust
By Alison Roberts (12 January, 1994, The Times)
Farewell, "House". Rachel Whiteread's sculpture of a terraced house in the
East End of London finally bit the dust yesterday leaving a pile of rubble
where a symbol of the controversy surrounding modern art once stood.
On the stroke of 10am, a bull dozer clawed at the prize winning sculpture
-created by spraying concrete on the inside walls of an existing house and
then knocking down the outside brickwork....
The ensuing silence was quickly broken by Sidney Gale, the 71- year-old
ex-docker who until July last year lived in the house that Ms Whiteread
dismantled. Watching his home of 50 year being turned inside out had been an
upsetting experience, he said:
"I thought they were going to build a model of my house, not do this to
it. All you can see is the lovely woodwork and mouldings the other way
round. I had a lovely front room. I spent my life in it."
Did Mr Gale, who now lives round the corner in a new "plastic" house, think
this it was art?
"No not really. I used to do the same thing at the seaside with a bucket
and a spade." he said.
The sculpture had grown on Chris Oats, the site manager for the demolition
firm. He carried out his task with a cheerful smile. Underneath, however, he
was torn in two. "When I first saw it I wondered what all the fuss was
about. But being around it for a couple days, I started to like it. It's
very ingenious."
The fuss - worldwide media attention, 100,000 visitors and an early-day
motion signed by 60 MPs demanding that the sculpture's life be extended -
has done Ms Whiteread's career no harm...
She skipped around her work yesterday, taking photographs as the top floor
wobbled. "I think it has made people aware of what power a piece of modern
art can have," she said.
"House" helped the artist to win both the £20,000 Turner Prize for the best
contemporary art and the £40,000 K FOUNDATION prize for the worst, an
unprecedented double which provoked hilarity and scorn in equal measure.
Ms Whiteread was philosophical yesterday: "Of course I am sad about this,
but I do not have any feelings about whether it won an award for being good
or bad. It was just a statement," she said.
Comments
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Posted by Guest on 2006-09-29 06:01:08
Correct title from Proquest:
Best and worst of art bites the dust
Alison Roberts, Arts Reporter. The Times. London (UK): Jan 12, 1994. pg. NOPGCIT
kingboyk
Posted by The Librarian on 2007-02-18 22:45:54
Thanks kingboyk
Posted by Guest on 2009-05-15 12:44:03
pooo
Posted by Guest on 2012-09-23 13:12:57
My balls itch.