'My job now is to prove all my critics wrong!' On the eve of her UK concerts, and fresh out of rehab, Liza Minnelli comes out fighting

Any worries about what version of Liza Minnelli I might meet today are dispelled by the relaxed, smiling woman in front of me. 

After a bumpy six months she’s looking great. At the end of last year she sprained her back in dance rehearsals which led to an operation and then a course of pills to deal with the pain. 

She’s the first to admit she has an addictive personality, and the medication combined with a renewed spell of drinking resulted in her spending several weeks in rehab in March and April. But they seem to have worked.

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Liza has had a rocky year after spraining her ankle and the medication combined with a renewed spell of drinking resulted in her spending several weeks in rehab in March and April

Liza has had a rocky year after spraining her ankle and the medication combined with a renewed spell of drinking resulted in her spending several weeks in rehab in March and April

It’s 46 years since Liza’s mother, Judy Garland, died from an accidental drug overdose in London at 47 and Liza has had her own dark chapters including a bout of viral encephalitis in 2000 caused by an infected mosquito bite. 

Doctors told her she’d never talk or walk, let alone dance, again, that her career was over. But today it’s more than obvious that Liza with a Zee is a survivor with a capital S. ‘But I don’t think like that,’ she says. ‘Surviving is an instinct which means it just comes naturally. I don’t examine it. I just get right on and do it.’ She has no time for the tittle-tattle that’s followed her down the years either. ‘I’m still here. My job is to prove them wrong. And I’m not going anywhere.’

Liza’s former agent, Stevie Phillips, who was also Judy Garland’s minder in the 1960s, has recently written a memoir which trashes Garland, but is more carefully unpleasant about Liza as she’s still alive. 

Liza with her mother Judy Garland in 1962

Liza with her mother Judy Garland in 1962

Phillips lists in detail Judy’s pill-popping, alcohol-soaked, attention-seeking stunts including setting fire to her own nightdress and rubbing the crushed glass from the mirror of her powder compact into her face. 

She claims Garland was a drama queen who dragged her children – Liza and her younger half-sister, Lorna, and half-brother, Joey from her marriage to producer Sid Luft – around the world in her wake. Phillips paints Liza as a girl who at first wouldn’t take so much as an aspirin, but later followed her mother’s route into booze and drugs.

She seemed always to be on her way to a party, recalls Phillips, and would sometimes disappear for a week. There are tales of bed-hopping, including the time in Paris when ‘Charles Aznavour was occupying every minute of Li’s free time. I was told that Li and the French troubadour were a hot item. Li had no difficulty climbing into bed at the drop of a hello. Neither had Judy.’

There’s also a nasty anecdote about when she was recovering from her brush with encephalitis. Leaning on a walker and with slurred speech, she asked Phillips, whom she’d fired years earlier, for help to resume her career. Phillips declined, explaining that she hadn’t represented anyone for a long time. 

‘As she turned to leave, I noticed that some department store’s plastic security tag was still attached to the printed chiffon blouse she wore,’ writes Phillips.

Unless she’s an even better actress than we think, Liza reacts with genuine surprise when I tell her about the book. She says she had no idea of its existence. ‘I never read any of that stuff,’ she says. ‘Because it might upset me.’ She says she learned this from her friend Elizabeth Taylor. 

‘She told me she never read a single thing about herself, so I stopped too, right there and then, which meant there was never anything lousy going round in my brain. That was good advice.’

Might this not be the moment for Liza, 69, to write her autobiography and set the record straight? ‘I don’t feel like it. I don’t want to do it unless I’m really enthusiastic about it. Right now I’m too enthusiastic about so many other things. The way I see it, I’m at the bow of a boat moving ahead. All the nonsense behind me is the wake and I’m impervious to it as I plough on.’

Liza in her most famous role as Sally Bowles in the 1972 musical Cabaret 

Liza in her most famous role as Sally Bowles in the 1972 musical Cabaret 

This month she’s performing two Evenings With… in the UK, so it seems superfluous to ask whether she’s slowing down. ‘Can you see me moving upstate and raising schnauzer dogs?’ she asks. She has three. 

‘Performers like to perform. It’s what I do.’ She shrugs at the mention of her 70th birthday. ‘Listen, everyone ages but not everyone has to get old. I’ve never lost my curiosity and I think that keeps you young.’ She also does a dance class every day, not bad for someone who’s had two hip and one knee replacement operations. 

‘On the top half I’m Dorothy [the part her mother played in The Wizard Of Oz]. On the bottom half I’m the Tin Man. When I walk through that metal detector at the airport, it’s like fireworks going off.’

For her UK shows she’ll be interviewed on stage before she performs. The first, at the London Palladium on 20 September, sees her in conversation with Sir Bruce Forsyth, a 90-minute chat that will include questions from the audience, the second in Sheffield is with DJ Mike Read. Liza won’t be vetting the questions. 

 On the top half I’m Dorothy.  On the bottom half I’m the Tin Man

‘Absolutely not. They can ask me anything they want. I’ve always liked a live audience. I find it scary when there’s no audience – on TV, in films. There’s this woman singing in my head who wants to tell her own story. I was a teenager when I started singing and I wasn’t very good. That’s why I developed the trick of acting out the songs.

‘Momma always taught me: “Be the best version of yourself. Don’t be the second best version of somebody else.” I’ve always stuck to that. I performed with her – at the Palladium, for instance – and it was tough to keep up although I never tried to imitate her. She’d be pleased I’ve made a name for myself.’

She points out that children of famous parents very rarely have big careers in their own right. ‘There’s me and Michael Douglas,’ she says, and then she’s struggling. ‘Frank Sinatra Jr is a very nice guy,’ she adds, ‘but he’s got the same name as his father and he sings his dad’s songs. Not a good idea. If you’re going to swim in the same pond as your parents, you’ve got to do it in a completely different way or you’ll be in trouble.’

After four marriages, she’s currently single. ‘But who knows?’ she says. ‘I’m too busy, though, and anyway I’m in love with life at the moment. I’ve had a wonderful life.’ Judy was clearly a major influence on it, but people sometimes forget about her father, director Vincente Minnelli. ‘I was definitely a daddy’s girl but I adored my mother. I understood her and yes, I sometimes had to look after her but then she’d looked after me.’

Although she was raised in Los Angeles, she’s lived in New York for most of her adult life. Now she’s back in LA. ‘It was like coming home. There are so many memories there. We had Lana Turner for a neighbour on one side and Humphrey Bogart on the other. But that seemed perfectly normal to me.’ 

The first two visitors to her mother’s bedside when she’d given birth to Liza were Frank Sinatra and Noel Coward. ‘Honey,’ she says, ‘I’ve been famous since before I was born.’ Which, of course, has been both a blessing and a curse.

For details of Liza’s UK shows, visit roccobuonvinoproductions.com.

 

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