Andrea Mohin/The New York Times
TRIO ConcertDance at the Joyce
Theater, with Alessandra Ferri
and Herman Cornejo.
Two dancers who discovered their chemistry only after they were no longer with the same company are together in TRIO ConcertDance at the Joyce.
Critic's Notebook
Eiko Invites You to Her Inner Land of Wraiths
By BRIAN SEIBERT
She is performing for three weeks at seven East Village locations as part of a multidisciplinary program focused on her.
Review: ‘Adult Documentary’ Is Dense and Difficult, Including the Carpet
By GIA KOURLAS
The choreographer Juliana F. May’s work is a duet of language and movement, telling stories both real and fictional.
Review: The Mariinsky Ballet Offers Works Honoring Its Legends
By ROSLYN SULCAS
The company presented a hodgepodge of solos and pas de deux from works associated with its revered historical figures.
Eiko, Koma and Soloists Perform in Sacred Space
By SIOBHAN BURKE
Eight dancers performed solos that explored the architecture of St. Mark’s Church as part of Danspace Project’s “Platform 2016: A Body in Places” series.
City Ballet’s Season of Renewal
By ALASTAIR MACAULAY
Dancers and choreographers asserted themselves and George Balanchine’s influence was obvious during the company’s winter season, and will continue to be.
Review: In ‘Pow,’ Keely Garfield Combines Tough and Awkward
By GIA KOURLAS
This restless work, part of the Harkness Dance Festival, has intimate moments and includes renditions of Prince and Kate Bush songs.
Review: Pacific Northwest Ballet Plays With Limits and Dystopia at City Center
By SIOBHAN BURKE
Pacific Northwest Ballet delivered two New York premieres on Friday, David Dawson’s “A Million Kisses to My Skin” and Crystal Pite’s “Emergence.”
A Dance and Music Pairing of Steps and Keys
By JACK ANDERSON
Trio ConcertDance matches two dancers and a pianist in what could be called choreographic chamber music at the Joyce Theater.
Farruquito, Dance Career Interrupted, Makes His Return
By BRIAN SEIBERT
The great Spanish flamenco dancer, who served three years in prison for manslaughter, performs in New York for the first time since 2003.
Review: The New@Graham Series Is Helped by an App
By SIOBHAN BURKE
The troupe hosted a virtual tour of its new technology, as well as live performances of three Martha Graham works.
Multimedia
Who Is Benjamin Millepied and Why Is He Leaving the Paris Ballet?
By ROSLYN SULCAS
The choreographer is returning to Los Angeles with his wife, Natalie Portman, after just over a year leading the Paris Opera Ballet. Here’s a quick look at his career and the company.
Backstage at ‘The Nutcracker’
By ELISHA COOPER
An illustrated look at the world in the wings of George Balanchine’s classic ballet at Lincoln Center.
Artist’s Journal
Twyla Tharp on Tour: The Wrap Up
By TWYLA THARP
Ms. Tharp and company end their tour back in Manhattan on a high note. Then it’s sleep, one day off and back to the studio for Ms. Tharp.
South Africa’s Pantsula Dancers Bring Life to the Streets
Pantsula, a dance that is more like a way of life, captivated Chris Saunders, who set out to document a subculture with roots in jazz and hip-hop.
The Stephen Petronio Company Goes Into the Wild
By SIOBHAN BURKE
Trisha Brown’s “Glacial Decoy” (1979), known for its stealthy critique of the proscenium, will be the centerpiece of Stephen Petronio Company’s annual Joyce Theater season.
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