Nonfiction
We Are What We Read
Two new books, by Martin Puchner and Abigail Williams, explore how literature has shaped human society.
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Two new books, by Martin Puchner and Abigail Williams, explore how literature has shaped human society.
By JOHN SUTHERLAND
Poor black lives weren’t depicted in the serious fiction of Hughes’s day. As Angela Flournoy notes, his debut novel, “Not Without Laughter,” changed that.
By ANGELA FLOURNOY
Keep up with the latest and greatest in books. The New York Times Book Review has curated a calendar of must-know literary events in 2018, including new books, festivals, film adaptations, and more.
A writing workshop in Brooklyn helps caregivers explore their role in children’s lives by writing fables.
By AIMEE LEE BALL
Daniel Mendelsohn on his fondness of literary criticism, the classics and books about home decor and haute couture.
In Daniel Alarcón’s “The King Is Always Above the People,” young men in new situations find out who they really are.
By LAILA LALAMI
The plots were formulaic. The characters lacked psychological complexity. Even the titles were repetitive. But as a pre-teen I was transfixed — and with new editions out, I still am.
By JOANNE KAUFMAN
Nicholas Kristof discusses the best books about the secretive country, and Tui Sutherland talks about the graphic novel edition of “Wings of Fire.”
All the lists: print, e-books, fiction, nonfiction, children’s books and more.
A. J. Finn’s psychological thriller is about a woman who believes she’s witnessed a crime in a neighboring building.
By JANET MASLIN
Hermione Hoby’s first novel is about characters struggling to connect to their desires in the months before Hurricane Sandy hits New York.
By PARUL SEHGAL
Quatro’s first novel, following an acclaimed collection of stories, is about a religious woman in a passionless marriage.
By DWIGHT GARNER
“The Most Dangerous Man in America,” by Bill Minutaglio and Steven L. Davis, recounts the LSD advocate’s globe-trotting attempt to outrun Richard Nixon and the American law.
By JOHN WILLIAMS
The jealous and aging protagonist of Hanif Kureishi’s novel “The Nothing” uses his hearing aid to spy on his young wife and her friend.
By PARUL SEHGAL