Based on true events, 7 Days in Entebbe pulls off the difficult trick of making terrorism boring.

It’s hard to understand what went wrong — the cast couldn’t be more appealing, and the film is bursting with special effects. But as an emotionally satisfying experience, it’s a bust.

These days, every other film seems to be an audition to make a Marvel movie — but not Loveless. This is cinema of the first order.

Cooke is particularly impressive, imbuing Amanda with a chilling misanthropy. Taylor-Joy plays Lily as a bit too sympathetic, but she nails the character’s cluelessness. And Yelchin, who died in 2016 at the age of 27, turns in a performance that’s as quirky as it is memorable.

Working from a screenplay by Justin Haythe (“Revolutionary Road”), director Francis Lawrence — who worked with Lawrence on three of the “Hunger Games” films — fails to establish much of a momentum.

Portman is eminently watchable as Lena, who slowly realizes that she’s in way over her head. And “Ex Machina” star Isaac virtually redefines creepiness.

In our increasingly polarized time, A Fantastic Woman bridges the gap between ignorance and understanding through the transcendent power of art.

An art film in the classic sense — ambitious, provocative and hard to shake off.

Believe the hype: Black Panther transcends its comic-book origins, achieving a mythic grandeur that’s nothing short of exhilarating.

A wonderfully acted and stylishly mounted tribute to a screen legend in danger of being forgotten. Unfortunately, the film focuses too much on Grahame’s illness and eventually succumbs to melodrama.

If you’ve got a hankering for a Western, Hostiles is must-viewing.

The film will be of particular interest to foreign-policy wonks, but it also plays well as a drama about the limited ability of any president to have a lasting impact.

Director Nicolai Fuglsig delivers an action drama that gets the job done without ever catching fire. But the well-chosen, charismatic cast makes the most out of the material.

A timely docudrama about the role of the press in holding politicians accountable. But in the hands of director Steven Spielberg, the film plays more like a thriller than a history lesson.

Acting opposite Day-Lewis must give even the most confident actor pause, but Krieps proves to be up to the challenge. And Manville, perhaps best known for her work with director Mike Leigh, is spellbinding. This film will haunt you.

It’s just sad to see the always interesting Farmiga wasted in such a hackneyed role.

The sequel has the same tone as the original but is livelier and funnier, mostly due to Hugh Grant, who gleams as the bad guy.

This is a “Game” that couldn’t be more fun to watch.

An absorbing drama that represents director Ridley Scott (“The Martian”) at his best.

Working from a screenplay that he co-wrote with Jim Taylor, Payne delivers what must be his least funny film — if, indeed, his intention was to be funny.

Perhaps best remembered as a showcase for Stuhlbarg, who delivers a poignantly beautiful monologue that eclipses everything else in the film.

Highly enjoyable while you’re watching it, but it’s not particularly memorable.

The real fun of “Jumanji” lies in the casting. The towering Johnson and scrappy Hart play especially well off each other.

Like the fairground ride for which it’s named, Wonder Wheel is entertaining but not enlightening.

One of the best films of the year.

Star Wars: The Last Jedi has more than enough action, humor and stuff blowing up to thoroughly satisfy fans of the long-running franchise.

A gripping account of a pivotal moment in the early days of World War II, grounded by an Oscar-worthy performance by Oldman.

James Franco is fascinatingly weird as Wiseau, and brother Dave Franco complements him perfectly as a regular guy who has little choice but to go with his flow.