Review: ‘Fruit Trilogy,’ Eve Ensler’s New Show, Brims With Outrage
Certain moments are politically and artistically potent, but most of “Fruit Trilogy,” a program of three short plays, is pervaded by a curious flatness.
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Certain moments are politically and artistically potent, but most of “Fruit Trilogy,” a program of three short plays, is pervaded by a curious flatness.
By LAURA COLLINS-HUGHES
Jackie Sibblies Drury’s ruthless comic drama about perceptions of race artfully plays the cat to an audience of white mice.
By BEN BRANTLEY
A father’s uneasy acceptance is made easier by a visit to the Broadway musical.
By CHRISTOPHER SWETALA
The writer-performer Alessandro Magania narrates the tale of a man disguised as a page-turner, working hard to not be noticed.
By ELISABETH VINCENTELLI
Ian Pai said he was in on the ground floor of Blue Man Group, but that his royalties were not commensurate with his contributions.
By COLIN MOYNIHAN
His stage explorations of the Muslim-American experience have proved popular in the German-speaking world. Casting, though, has been a challenge.
By A. J. GOLDMANN
Performing the wrenching “Girls & Boys” has taken more fortitude than she ever expected.
By ROSLYN SULCAS
Antoinette Nwandu’s “Pass Over” considers the fate of young black men in a gun-torn city. Its first production caused a stir — and won a fan in Spike Lee.
By LAURA COLLINS-HUGHES
It has been 25 years since “Angels in America” redefined what a play could be. With the epic masterwork on Broadway once more, New York Times theater critics took the opportunity to rank the best American plays of the last quarter-century.
This year, in a crazy role reversal, I had my own picture taken.
By SARA KRULWICH
The official party took place at the Plaza Hotel. The unofficial one was at the Carlyle.
By JACOB BERNSTEIN
Readers fear that the actor’s profane language just alienates Trump supporters, in contrast with Bruce Springsteen’s homage to his hometown.
He wasn’t a big-league producer. But he fell in love with a small Israeli film and spent years getting it to the stage. His musical won 10 awards on Sunday.
By MICHAEL PAULSON
Sunday night’s telecast of the Tony Awards drew 6.3 million viewers on CBS, a modest uptick but a contrast to plummeting numbers for the Oscars and Grammys.
By JOHN KOBLIN