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In a black-and-white portrait, a man in a dark pinstriped jacket is closing his eyes and smiling. One hand is on a flat surface, the other is raised in front of him.
“Don’t you love show business, when these things can happen to a little boy from Jersey City?” Nathan Lane said.Credit...Erik Tanner for The New York Times

Hollywood Finally Figures Out What to Do With Nathan Lane

With roles in “Dicks: The Musical” and “Beau Is Afraid,” the stage star is now a regular for the hot film company A24. “Who would have guessed?” he says.

When you’re pondering actors associated with the indie-film company A24, your thoughts may run to the young, hot and impossibly tousled.

In years past, this stable of dewy ingénues has included the likes of Robert Pattinson (“Good Time,” “The Lighthouse”), Riley Keough (“American Honey,” “Zola”) and Lucas Hedges (“Lady Bird,” “Waves”). But it’s time to make way for the studio’s newest muse, a three-time Tony winner whose key roles this year in a pair of A24 films — Ari Aster’s trippy “Beau Is Afraid” and the gleefully silly “Dicks: The Musical” (opening Friday) — offer the delightful opportunity to turn to your cool nephew and exclaim, “Oh, he’s in this?”

Rest assured, the he in question is just as surprised. “I’m now the poster boy for A24,” said Nathan Lane, 67, over a recent morning coffee date in Los Angeles. “Who would have guessed?”

One of Broadway’s most beloved actors, Lane had his breakout moment on the big screen in 1990s studio fare like “The Lion King” and “The Birdcage,” which mined his musical-theater talents and expansive comic sensibility for all they were worth. But though Lane has worked continually in the theater and on TV ever since, the film industry hasn’t always known what to do with him, which makes his current renaissance all the sweeter: He was the first choice for his roles in both of those A24 envelope-pushers, even though they’re utterly unlike anything he’s done before.

Take “Beau Is Afraid,” released in April, a three-hour mind-bender about filial anxiety that had Lane come in for a midmovie face-off with an intense Joaquin Phoenix. (SAG-AFTRA strike rules prohibit Lane from talking about it, but the guild issued an interim agreement that permits him to discuss the new film.) Or sample “Dicks,” a proudly filthy queer musical that asks Lane to spit deli meat at puppets and ensures that for the rest of his life, he will share an IMDb page with the rapper Megan Thee Stallion.

“Don’t you love show business, when these things can happen to a little boy from Jersey City?” Lane quipped.


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