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EXHIBITIONS
IN VENICE
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All
the running exhibitions in Venice commented by art critics working in
Venice: exhibitions' reviews and information about opening hours, tickets'
price and running period!
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Biennale
d'Arte di Venezia Giardini
della Biennale, Arsenale, Museo Correr,
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Running
Exhibition from June 15th till November 2nd 2003 The 15th of June will open, in Venice, one of the most and interesting event for the contemporary art public. This fiftieth Biennale, curated by Francesco Bonami, is subtiled Dreams and Conflicts. The Dictatorship of The Viewer. The International Art Exhibition will see as protagonists, not just the classical spaces of the Giardini of Castello with the National Pavilions or the Arsenale, but also Porto Marghera, the Museo Correr, the Fondazione Querini Stampalia, Palazzo Malipiero and many other places in the heart of Venice. Francesco Bonami has invited, by his side, varied curators whom have organized the collateral exhibitions; this Biennale is quite peculiar for its exhibition of exhbitions, in which the spectator can dictate and impose his own absolutely personal logistic and visual path. Into the Italian Pavilion, besides Delays and Revolutions, we will find the architectural structure conceived by the A12 Group, selected by Massimiliano Gioni; the building, called The ZONE, will give hospitality to five young italian artists, who offer to the visitor the chance to observe the new italian art identity. In the Arsenale and at the Corderie, we will find ourselves into the exhibition titled Clandestini, in which Bonami shows, through different international languages, how artistic "globalization" could lead to positive and diversified trepassing. Many other sections will have a space into the Arsenale: Smottamenti (African Contemporary Art), Individual Sistems, Urgency Zone (Asia), Utopia Station, Arabic Rappresentation e Crisis Structures. On the whole this Fiftieth Edition deals, thanks to complex contemporary languages, with society. A society intended in all its meanings: political, social and cultural, in which it is clear how the "globalization" violently bursts also into the artistic expressions. A Biennale interested to the Urgency Zone and to the big dangers that the economical-cultural ratification and colonization can provoke, above all in those countries that have been subjected to the oppressions and the imperialisms of stronger States. Opening
hours:
from 10 a.m. to 6 p.m. Giardini of Biennale closed on monday. Arsenale
closed on tuesday. Museo Correr open all days. |
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Running
Exhibition till July13th 2003 The hall of Piovego in the Palazzo Ducale is only one of the many places that hosts the exhibition dedicated to Botero. In fact, the choice to displace the works even in the open space, between lanes and canals, agrees perfectly to the majestic and imposing spirit of the columbian artist figures, who presents twenty big bronze sculptures, dated 1987 (in exhibition until 8th June), and twentyfive paintings of the latest five years (Palazzo Ducale). Of course, Botero, famous for his big women and their swollen and large anatomies, is a well-educated man who knows Europe and its art history, but he has never forgets his life and his southamerican origines; so, we can see croping up into his language, many recalls and cross-references to the intellectual men of his land: the force and the grandiosity of the mexican muralists, the narrative literature of Gabriel Garcia Marquez, to end with the " sweet notes " of Isabel Allende. Opening
hours:
from 9 a.m. to 7 p.m. Ticket Office from 9 a.m. to 6 p.m.. |
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Running Exhibition from June 15th till November 2nd 2003 Together with the
unveiling of the Biennale, it will be opened, in the room of the Correr
Museum, an exhibition dedicated to the painting. The intention of Francesco
Bonami is to recall the history of this language, from an historical date
as 1964, year in which the Jury of the Biennale, in Venice, awarded Robert
Rauschemberg with the Painting Prize. Thanks to the many names, in this
exhibition, will be possible to outline the situation from the birth of
Pop Art to nowadays. The presence of Burri, Fontana, Gnoli, Castellani
and Guttuso will tell us how things went in Italy during the second post-war
period, while the Seventies are embodied by Franz Gertsch, Robert Ryman
e Gerhard Richter; obviously it couldn't miss the presence of the Eighties,
here represented by Francesco Clemente, Jean Michel Basquiat, and to end
up to last generations of painters like John Currin, Elizabeth Peyton,
Margherita Manzelli e Takashi Murakami.
Opening
hours: Daily from 9.00 a.m. to 7.00 p.m. Ticket office closes 1 hour
and an half earlier. |
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Running Exhibition till July 6th 2003 In the old Museo
Correr opens an exhibition dedicated to Arnulf Rainer (Baden 1929), viennese
artist, who, in this occasion, makes with his works an homage to the italian
master Antonio Canova (1757-1822). In this show we find exhibited more
than fifty pictorial-photographic works, all inspired by the technical
expertise of the venetian sculpturer. "You'll never forget the first love",
and Rainer hasn't forgotten Canova, and his diaphanous women have marked
and stimulated the work of the austrian artist. This homage to the "trevigiano"
artist is a kind of rivisitation of art history, by a contemporary painter,
who grasped the pictures of Canova's nudes, has been abbled to reinterpretate
them through the original and potent language of "overpainting" and "overdrawing".
Thanks to these interventions of "obnubilation", Rainer doesn't make any
kind of desacration of Canova's work, but he praises and extols it, declaring
how the Muses of the master have beseeched himself to veil and wrap them
this
is the secret of the latest Rainer's masterpieces.
Opening
hours: Daily from 9.00 a.m. to 7.00 p.m. Ticket office closes 1 hour
and an half earlier. |
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Running
Exhibition from June12th till September 25th, 2003 The first italian exhibition of Marlene Dumas, curated by Gianni Romano, has been opened at the Palazzetto Tito. The artist work, resembles the interesting movement of the Young British Art, born in the United Kindom in the Nineties, anyway it distinguished itself for its passion for playing with the images ambiguity; then either the drawing changes into painting and painting into drawing or the culprit in the scene turns into the victim and the victim into the executioner,everything into an atmosphere of misunderstandings that veil a ferocious criticism to the mediatic system. "Suspect" is the title of this monographic show, in wich we find canvas of the Eighties, linked to the theme of Thanatos, but even new works (specifically planned for the venetian halls) with a more intimate mood and a clear eroticism. The images that Marlene Dumas proposes, seem to put us on guard from any kind of ingenuousness; the subjects, frequently friends of the artist, gaze at us trying to point out the great potentialities, but also the big risks carried by this visual messages from here the infinite "Suspect". Opening
hours: Daily from 2.30 to 7.00 p.m. Closed on tuesday. |
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Running
Exhibition till May 25th 2003 Christiane Ziegler, director of the department of Egyptian Antiquities of the Louvre Museum, curated the next exhibition taking place at Palazzo Grassi from the next September. Works from more important Egyptian museums of the world (Cairo, Paris, Turin) will try to bring the visitor to discover the social relations that governed the court and the family. Besides, it will shown the religious aspect that strongly characterized the Egyptian civilization. Opening
hours: Daily from 10.00 to 7.00 p.m. except 24th, 25th, 31st of
December and the 1st of January. From September 2002
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Permanent
Exhibition
Opening
hours: From 10.00 to 06.00 p.m. Close on Tuesday and December 25th. |
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Running Exhibition
Opening
hours: Daily
from 10 a.m. to 6 p.m. |
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Running
Exhibition from June 13th till September 30th 2003 Along with the big event of the Fifty Biennale of Art, also the Fondazione Bevilacqua La Masa, opens with an important cultural moment as the exhibition dedicated to Alex Katz. The attention of the curator, son of the artist, is concentrated on one of the most important theme for this painter: the portrait. The exhibition, in fact, is constituted by the series of his first characters dated 1958, and it continues with works thought for this special event. The painter is certainly a protagonist of the american Pop Art, but he is, also, a forerunner of those years. It was the time in which Warhol and friends used the imaginary of the mass-media and returned it back to us modified, fetish and, so, with the "statute of art work ". Alex Katz was one of the most original protagonists of this period, with his portraits of the american jet-set(critics, poets, dancers, etc..) shot and distraughted, but always with a flat and glittery painting. The image of Katz is similar to a label, is an icon packaged to become the emblem and the memory of the mass consumerism society, in which the economical boom seemed not ever end. The contest of his women and men is often lead astraied; because the landscapes in which the faces are framed, are not real, but are, simply, "a picture into a picture". The background is the painting of the protagonist sitting room, that becomes a piece interlocked in the puzzle of the story. Opening
hours: 10.00 a.m./1.00 p.m.- 3.30 /7.00 p.m.
Closed on Tuesday. |
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Running
Exhibition from June 12th till September 7th, 2003 A project in collaboration with Mori Art Museum di Tokyo, MAXXI (21th century Art National Museum) of Rome and Banca Nazionale del Lavoro, official sponsor of this exhibition. Ilya Kabakov, was born in URSS and is now considered the father of Russian Conceptualism. He and his wife Emilia, have been been realizing public projects and site-specific all over the world. This exhibition is a part of 50th Biennale di Venezia. Opening
hours: 10.00/6.00 p.m. Open till 10 p.m. on Friday and Saturday.
Closed on Monday. |