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Duccio. At the origins of Sienese painting 

Some works on show

 

Duccio. At the origins of Sienese painting 

The Sienese exhibition, sponsored by the city's most important institutions - the local authority, the university, the Superintendency - is the fruit of years of study and preparation. The event has been planned as the crowning moment following the delicate restoration of the circular glass window in apse of the Duomo and of studies  to ascertain to what degree Duccio di Buonisegna was responsible for the masterpiece. In addition to this research and work, there was a very important find: beneath the floor of the Duomo, restorers discovered a large, completely frescoed area. The pictorial cycle represents the history of salvation, biblical scenes taken from Genesis and the stories of Isaac and Mary, and Jesus' childhood. The room, whose purpose is unclear, is a rectangular hypostyle divided by huge polygonal columns. It is unclear if the room was perhaps an oratory or an underground crypt for confessions, similar to that in the Basilica of Saint Peter. The frescoes are a sensationally important find for the artistic world. Dating back to 1270 (after the arrival in Siena of Nicoḷ Pisano, who designed the pulpit of the Duomo in 1265), the paintings offer numerous examples of Sienese painting before Duccio became successful. One can clearly see the hand of Guido da Siena, Dietisalvi di Speme and of the young Duccio himself. Everything underlines the advanced expressive maturity of the Sienese, who clearly had no need to draw inspiration from Cimabue and the Florentines to fuel their artistic growth. The crypt is at the start of the exhibition itinerary and constitutes a perfect preamble. Eight other sections follow. The first is dedicated to Duccio's predecessors and contemporaries; the second, to the relationship between Cimabue, Duccio and Giotto; the third, to Buoninsegna's workshop. The next three sections probe the work of the painter's closest disciples. The exhibition itinerary ends with two sections focusing on the early work of the great painters of the fourteenth century and Sienese gothic art. 

Duccio di Buoninsegna, Deposizione dalla croce

Duccio. Alle origini della pittura senese 

Siena, Santa Maria della Scala and Museo dell'Opera
until 11 January 2004
opening times: every day (including Mondays, weekends and public holidays) 9 am - 7.30 pm; Friday and Saturday: 9 am - 10 pm 
Ticket price: 7 euros concessions: 5.50 euros
telephone: 0577-280551 fax 0577-281041

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The official website

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