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The ballet is based on a tale from old Java, and the three small girls in their ornate dress Portray a variety of characters

both male and female - with no change Of costume.

SO, you wonder, if this dance was designed for a King's delight, why the old boy didn't fit em out with Proper clobber? Why the mighty warrior, Lasem, wafts around in girl's clothes and why his captive Queen suddenly starts dancing the art of her kid

icks up a pair of brother? It is only when the little servant girl p p perforated buffalo-hide wings and does some fast footwork as the Garuda bird, that any attempt is made at costume identification.

And, come to think of it, how not?

The old Kings knew their legends a darned sight better than we know Red Riding Hood, and needed no costumes to carry the

storyline. If the action was likely to be involved, a spruiker stood on the sidelines and gave out with a f0Otlight commentary, the dancers contenting themselves with exaggerated eye movements and

fluttering fingers to convey their message.

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in Bali we must point out a very important distinction which the Balinese make between two clearly separate groups of ancestors. The first of these groups consists of the dead who are riot yet completely purified. This group is in turn subdivided in pirata, those riot yet cremated, and pitara, those already cremated. The former are still completely impure; the latter have been purified, but are still considered as distinct, individual souls. The second group consists of the completely purified ancestors who are considered as divine.
No contact is sought with the pirata, the dead who have not yet been cremated. Oil the contrary they are dangerous, Offerings must however be made for the redemption of their souls.

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