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John Grisham's novels have all been so systematically successful that it is easy to forget he is just one man toiling away silently with a pen, experimenting and improving with each book. While not as gifted a prose stylist as Scott Turow, Grisham is among the best plotters in the thriller business, and he infuses his books with a moral valence and creative vision that set them apart from their peers.
The Brethren is in many respects his most daring book yet. The novel grows from two separate subplots. In the first, three imprisoned ex-judges (the "brethren" in the title), frustrated by their loss of power and influence, concoct an elaborate blackmail scheme that preys on wealthy, closeted gay men. The second story traces the rise of presidential candidate Aaron Lake, a puppet essentially created by CIA director Teddy Maynard to fulfill Maynard's plans for restoring the power of his beleaguered agency.
Grisham's tight control of the two meandering threads leaves the reader guessing through most of the opening chapters how and when these two worlds will collide. Also impressive is Grisham's careful portraiture. Justice Hatlee Beech in particular is a fascinating, tragic anti-hero: a millionaire judge with an appointment for life who was rendered divorced, bankrupt, and friendless after his conviction for a drunk-driving homicide.
The book's cynical view of presidential politics and criminal justice casts a somewhat gloomy shadow over the tale. CIA director Teddy Maynard is an all-powerful demon with absolute knowledge and control of the public will and public funds. Even his candidate, Congressman Lake, is a pawn in Maynard's egomaniacal game of ad campaigns, illicit contributions, and international intrigue. In the end, The Brethren marks a transition in Grisham's career toward a more thoughtful narrative style with less interest in the big-payoff blockbuster ending. But that's not to say that the last 50 pages won't keep your reading light turned on late.
I'm about half way through and so far so good!
Comment by Christy P
Average Customer Rating:
Disappointing, even when expecting just a page-turner
Sometimes Grisham manages to move beyond the thriller apsect to higher ground, as in "The Street Lawyer" or "The Testament." He didn't move above ground with "The Brethren," though. Judges in a minumum security prison? Completely believable. Running a money making scam from their cell? Why not? A presidential candidate hand-picked and financed by the CIA? Well, maybe not, but I did grow up during Vietnam and Watergate, so it wasn't *completely* outside the realm of possibility in my mind.
Putting all these plot elements together and expecting it to be realistic is pretty far-fetched, though. Realizing that Grisham's strength comes from taking the implausible and making it seem possible made "The Brethren" even more disappointing. The story of the three judges holding forth on an X-rated scam run from the federal prison kept me reading, as they were somewhat interesting and enjoyable characters to follow, even thought they may have lacked any depth. Trying to see how their story and the story of Aaron Lake would come together kept me going at first, though it was not that hard to see where it was headed after a few chapters. The rest of the book, I just coasted, not especially caring how it all would work out, because none of the main players created any feeling of sympathy or connection that resonated with me. Yes, I read it all the way to the end, but more to see if my prediction of the denouement matched Grisham's. He's done better. Here's to anticipating his new book, which is supposed to be a departure for him. I think he needs a break from the legal thrillers for a while!
An entertaining read
This is your typical Grisham book, entertaining.
Pretty good book
I got stuck on a couple of Grisham's books and was unable to finish them (the rainmaker and one other i can't remember the name of), but this one was good. not really like the other recent books, i liked how many people were tied into the plot who seemingly had nothing to do with one another. there was no love interest, but that was okay.
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