Van Gogh Studies (formerly Van Gogh Museum Journal)

Since 1995 the Van Gogh Museum Journal has acquired a prominent place in the art-historical world. The Journal appears once a year, presenting scholarly articles about artists and (groups of) art works, both in the Van Gogh Museum and Museum Mesdag collections and elsewhere. The year 2005 sees the end of the Van Gogh Museum Journal and the launch of its successor, Van Gogh Studies. This new yearbook also provides a platform for articles on the life and work of Van Gogh and related subjects concerning late nineteenth- and early twentieth-century art history, ranging from research on particular objects to wider multidisciplinary themes. As such, Van Gogh Studies plans to provide an overview of the diverse (and sometimes contradictory) trends in current research.

Editor:  Chris Stolwijk
Editorial board: Rachel Esner (Universiteit van Amsterdam), Dario Gamboni (Universität Zürich), Sjraar van Heugten, Leo Jansen, John Leighton, Susan Alyson Stein (Metropolitan Museum of Art, New York), Richard Thomson (Edinburgh University)

Editorial address: 
Dr Chris Stolwijk
Van Gogh Studies   
PO Box 75366
1070 AJ Amsterdam
The Netherlands

Bibliography Van Gogh Museum Journal 1995-2003

- Martin Bailey, 'Memories of van Gogh and Gauguin: Hartrick's reminiscences', 2001, pp. 97-105
- Edwin Becker, 'Felician Freiherr von Myrbach: painter, illustrator, reformer', 1995, pp. 135-47
- Beatrice von Bismarck, 'Avant et après' - Paul Gauguin and Vincent van Gogh in Arles: projections of a friendship', 2001, pp. 85-95
- Andreas Blühm, 'Une beauté sauvage': Prosper d'Epinay's Head of Medusa', 1996, pp. 133-43
- Andreas Blühm, 'Displaying Van Gogh, 1886-1999', 1999, pp. 62-83
- Gerald van Bronkhorst, 'Vincent Willem van Gogh and the Van Gogh Museum's pre-history', 1995, pp. 25-33
- Aimee Brown Price, 'Pierre Puvis de Chavannes: Saint Genevieve as a child in prayer', 1995, pp. 119-33

- Isabelle Cahn, 'An echoing silence: the critical reception of Gauguin in France', 1903-1949', 2003, pp. 25-39
- Elly Cassee, 'In love: Vincent van Gogh's first true love', 1996, pp. 109-17
- Elizabeth Childs, 'Gauguin as author: writing the Studio of the Tropics', 2003, pp. 71-87
- Martha Op de Coul, 'In search of 'Van Gogh's Nuenen studio: the Oldenzeel exhibitions of 1903', 2002, pp. 104-19
- Laura Coyle, 'Strands interlacing: colour theory, education and play in the work of Vincent van Gogh', 1996, pp. 119-31

- Wout Dijk, 'Dark and dreary days': dating Van Gogh's letters from Drenthe', 1996, pp. 103-107
- Roland Dorn, 'Refiler à Saintes-Maries? Pickvance and Hulsker revisited', 1997-98, pp. 14-25
- Roland Dorn,'Van Gogh's Sunflowers series: the fifth toile de 30', 1999, pp. 42-61
- Douglas Druick and Britt Salvesen, 'Keynote address: current research on Van Gogh and Gauguin', 2003, pp. 11-23
- Ann Dumas, 'The Van Gogh literature form 1990 to the present: a selective review', 2002, pp. 40-51
- Caroline Durand-Ruel Godfroy, 'Paul Durand-Ruel's marketing practices', 2000, pp. 83-89

- Rachel Esner, ''René Princeteau's Dragoon and the depiction of the Franco-Prussian War', 1996, pp. 145-63

- Madeleine Fidell-Beaufort, 'The American art trade and French painting at the end of the 19th centruy', 2000, pp. 101-107
- Menno Fitski, 'A large Japanese blue and white dish depicting a porcelain factory', 1997-98, pp. 104-13
- Frances Fowle, 'Vincent's Scottish twin: the Glasgow art dealer Alexander Reid', 2000, pp. 91-99

- Joan E. Greer, 'A modern Gethsemane: Vincent van Gogh's Olive grove', 2001, pp. 107-17

- A.M. Hammacher, 'Van Gogh and Italy', 2001, pp. 119-23
- J.F. Heijbroek, 'The Exhausted maenads: Lawrence Alma-Tadema and Carel Vosmaer', 1996, pp. 165-91
- Sjraar van Heugten, 'Radiographic images of Vincent van Gogh's paintings in the collection of the Van Gogh Museum', 1995, pp. 63-85
- Kristin Hoermann Lister, 'Tracing a transformation: Madame Roulin into La berceuse', 2001, pp. 63-83
- Jan Hulsker, 'Facts instead of suppositions: Roland Dorn revisited', 1999, pp. 24-29

- Leo Jansen, 'The Van Gogh letters project: new findings and old', 1997-98, pp. 58-67
- Leo Jansen, Hans Luijten and Fieke Pabst, 'Paper endures: documentary research into the life and work of Vincent van Gogh', 2002, pp. 26-39
- Leo Jansen, Hans Luijten and Wouter van der Veen, 'Crossed out: Vincent van Gogh to Paul Gauguin - a fragment', 2000, pp. 109-19
- Leo Jansen, Hans Luijten and Nienke Bakker, 'Self-portrait between the lines: a newly discovered letter from Vincent van Gogh to H.G. Tersteeg', 2003, pp. 99-111
- Leo Jansen, Hans Luijten and Erik Fokke, 'The illness of Vincent van Gogh: a previously unknown diagnosis', 2003, pp. 113-19
- Vojtech Jirat-Wasiutynski, 'A Dutchman in the south of France: Van Gogh's 'romance' of Arles', 2002, pp. 78-89
- Vojtech Jirat-Wasiutynski, 'Authentic Gauguins: avant-garde originality and the catalogue raisonné', 2003, pp. 41-55

- Richard Kendall, 'I kept on thinking about Degas (...)': Vincent van Gogh and the 'little lawyer', 1999, pp. 30-41
- Stefan Koldehoff, 'When myth seems stronger than scholarship: Van Gogh and the problem of authenticity', 2002, pp. 8-25
- Stefan Koldehoff,  'The Wacker forgeries: a catalogue', 2002, pp. 138-49
- Madeleine Korn, 'Collecting paintings by Van Gogh in Britain before the Second World War', 2002, pp. 120-37
- Bernard Köster and Erik Tjebbes, 'Van Gogh's plaster models examined and restored', 1997-98, pp. 68-75

- Fred Leeman, 'Shadows over Jean-Léon Gérôme's career', 1997-98, pp. 88-99
- Fred Leeman, 'The painter as prey: Courbet's 'Hanging roe deer' in the Museum Mesdag', 1999, pp. 104-11
- Ronald de Leeuw, 'Director's foreword', 1995, pp. 6-7
- Ronald de Leeuw, 'Introduction: the Van Gogh Museum as a National Museum, 1973-1994', 1995, pp. 9-23
- Ronald de Leeuw, 'George Henry Boughton and the 'beautiful picture' in Van Gogh's 1876 sermon', 1995, pp. 49-61
- Ronald de Leeuw, 'In the light of Chardin: Chardinesque still lifes by Philippe Rousseau and some of his contemporaries', 1995, pp. 103-17
- Ronald de Leeuw, 'Director's foreword', 1996, p. 7
- Ronald de Leeuw, 'Review, July 1994-December 1996', 1996, pp. 9-15
- Ronald de Leeuw, 'The Museum Mesdag: a short history', 1996, pp. 17-39
- John Leighton, 'Director's foreword', 1997-98, p. 7
- John Leighton, 'Review, January 1997-July 1998, 1997-98, pp. 8-13
- John Leighton, 'Director's foreword', 1999, p. 7
- John Leighton, 'Review, August 1998-July 1999', 1999, pp. 8-23
- John Leighton, 'Director's foreword', 2000, p. 7
- John Leighton, 'Review, August 1999-July 2000', 2000, pp. 9-15
- John Leighton, 'Director's foreword', 2001, p. 7
- John Leighton, 'Review, August 2000-July 2001', 2001, pp. 9-16
- John Leighton, 'Director's foreword', 2002, p. 7
- John Leighton, 'Director's foreword', 2003, p. 7
- Henri Loyrette, 'On the occasion of the reopening of the Museum Mesdag', 1996, pp. 41-43
- Hans Luijten, 'As it came into my pen': a new edition of the correspondence of Vincent van Gogh', 1996, pp. 89-101

- Patricia Mainardi, 'The 19th-century art trade: copies, variations, replicas', 2000, pp. 63-73

- Monique Nonne, 'Theo van Gogh: his clients and suppliers', 2000, pp. 39-51

- Henk van Os, 'The visual imagery of a symbolist: Carlos Schwabe's Madonna with lilies', 1997-98, pp. 100-03

- Hanna Pennock, 'Cousins and colleagues: the lives of Hendrik Willem Mesdag and Lawrence Alma-Tadema', 1996, pp. 57-75
- Joyce Polistena, 'The agony in the garden by Eugène Delacroix', 2001, pp. 125-37

- Aaron Sheon, 'Theo van Gogh, publisher: the Monticelli album', 2000, pp. 53-61
- John Sillevis, 'Hendrik Willem Mesdag and the artistic life of the Hague', 1996, pp. 45-55
- Debora Silverman, 'Framing art and sacred realism: Van Gogh's ways of seeing Arles', 2001, pp. 45-61
- Christien Smits, 'Theodoor Colenbrander and Hendrik Willem Mesdag', 1996, pp. 77-87
- Chris Stolwijk, 'Our crown and our honour and our joy': Theo van Gogh's early years', 1997-98, pp. 42-57
- Chris Stolwijk, 'Theo van Gogh and the 19th-century art trade: introduction', 2000, p. 17
- Chris Stolwijk, 'An art dealer in the making: Theo van Gogh in The Hague', 2000, pp. 19-27
- Chris Stolwijk, 'Introduction', 2003 pp. 8-9

- Benno Tempel, 'Such absurdity can never deserve the name of Art': impressionism in the Netherlands', 1999, pp. 112-31
- Belinda Thomson, 'A Frenchman and a Scot in the South Seas: Paul Gauguin and Robert Louis Stevenson', 2003, pp. 57-69
- Richard Thomson, Cornelia Hombrug, Richard Shiff and Linda Nochlin, 'Vincent van Gogh's Parc Voyer d'Argenson: four scholars, four views', 2002, pp. 52-63
- Richard Thomson, 'Trading the visual: Theo van Gogh, the dealer among the artists', 2000, pp. 29-37
- Louis van Tilborgh and Fieke Pabst, 'Notes on a donation: the poetry album for Elisabeth Huberta van Gogh', 1995, pp. 87-101
- Louis van Tilborgh and Marije Vellekoop, 'Van Gogh in Utrecht: the collection of Gerlach Ribbius Peletier (1856-1930)', 1997-98, pp. 26-41
- Louis van Tilborgh and Ella Hendriks, 'The Tokyo Sunflowers: a genuine repetition by Van Gogh or a Schuffenecker forgery?', 2001, pp. 17-43

- Wouter van der Veen, 'En tant que quant à moi', Vincent van Gogh and the French language', 2002, pp. 64-77.
- Wouter van der Veen, 'Friendship and distance: Gauguin in Van Gogh's correspondence', 2003, pp. 89-97
- Anita Vriend, 'The Van Gogh Museum library', 1995, pp. 35-47

- Gabriel P. Weisberg, 'Théodule Ribot's 'Still life with eggs' and the practice of still-life painting in the late 19th century', 1997-98, pp. 76-87
- Linda Whiteley, 'Goupil, Delaroche and the print trade', 2000, pp. 75-81
 
- Michael F. Zimmerman, '...which dazzle many an eye': Van Gogh and Max Liebermann', 2002, pp. 90-103

Publication of the lectures of  "L'Art Nouveau : The Bing Empire", Symposium Van Gogh Museum 13-14 januari 2005

Martin Eidelberg, "S. Bing and L.C. Tiffany: Entrepreneurs of Style" http://19thc-artworldwide.org/summer_05/articles/eide.html

Marjan Groot, "Siegfried Bing's Salon de L'Art Nouveau and the Dutch Gallery Arts and Crafts" http://19thc-artworldwide.org/summer_05/articles/groo.html

Gabriel P. Weisberg and Edwin Becker, "Introduction: Tastemaking in the Age of Art Nouveau: The Role of Siegfried Bing" http://19thc-artworldwide.org/summer_05/articles/intro.html