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THE MAHABHARATA

Sometimes called the Barata-yuddha. Critics have called this ancient Indian poem a history because of its naturalistic descriptions. But it is also the finest, most comprehensive Indian epic, containing fragments on Hindu meditation, as well as representing the quintessence of all philosophies among all the Sanskrit books. This epic poem is about a civil war in the legendary state of Bharat in India which took place over 2500 years ago. The half-real, half-divine god-populated magical world of this great Hindu story has awakened the same awe in Indonesians as the legends and literature of ancient Rome and Greece awoke in Renaissance man. A truly monumental work (90,000 stanzas), it's the longest single poem in world literature. No translations of this 20 volume epic (of 1000 pages each volume) is as yet correct or comprehensive enough. Pundits differ on every sloka (stanza). There has been only one authoritative commentary of the giant work: Bharat Bhau Deep, written in Sanskrit by Neelkanthji Maharaj, out of print since 1933. the Indonesian version: Using the original Indian story as the prototype, the Mahabharata was composed on Java in the 10th and 12th Centuries by the order of kings. For at least 1000 years in Indonesia, the struggle between the Pandavas and the Korawas has served as an abundant source of mythology and inspiration for the arts and literature. Used as the central theme of wayang dramas, the story has been continuously re-worked, adapted and expanded to suit the needs of specific regional tastes. On Java and Bali it is performed as a shadow play and classical dance. In West Java, in wayang golek. Most Indonesian court poems were translated from the most popular episodes of this voluminous work. Ardjuna and Bima are the favorite heroes. Ardjuna, for his ability to charm and conquer women and for his superior power in combat, and the giant Bima (God of Wind) for his fearlessness and physical might. The enemy Korawas are always shown with monsterous shapes. Often the various heroes have different namqs according to the state in their lives, their activity, the name of the kingdom or tribe, father's name, etc., which makes it confusing to follow each character. From Java the poem has penetrated into the literature of the outer Indonesian islands as well.

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in Bali we must point out a very important distinction which the Balinese make between two clearly separate groups of ancestors. The first of these groups consists of the dead who are riot yet completely purified. This group is in turn subdivided in pirata, those riot yet cremated, and pitara, those already cremated. The former are still completely impure; the latter have been purified, but are still considered as distinct, individual souls. The second group consists of the completely purified ancestors who are considered as divine.
No contact is sought with the pirata, the dead who have not yet been cremated. Oil the contrary they are dangerous, Offerings must however be made for the redemption of their souls.

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