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Dance Review | Paul Taylor Dance Company: Proud Death Stalks the Stage, Sandwiched by Bits of Fun
The choreography Mr. Taylor has devised for "Banquet of Vultures," which was introduced Friday night, is truly disturbing. It is full of robotic stances, scythelike leaps and ...
Digital Methods Help Replicate Artworks
To keep cultural artifacts from fading from view and collective memory, a blend of art reproduction and digital technology is being used to produce precise replicas of original works.
Cash Film's Missing Ingredient: Religion
"Walk the Line" makes surprisingly little of the abiding faith that Johnny Cash always credited, along with June Carter, for saving his life.
Cannibal Wins Ban of Film in Germany
The Frankfurt Higher Regional Court issued an injunction Friday prohibiting the distribution of the English-language film, "Butterfly: A Grimm Love Story."
A Lion of Drama Lets His Operatic Soul Roar
On Tuesday, Paul Sorvino will make his New York City Opera debut as Tony in "The Most Happy Fella," the Frank Loesser musical.
Will the Real William Shakespeare Please Stand Up?
"Searching for Shakespeare," an exhibition on view at London's National Portrait Gallery, tries to find the human face behind the literary legend.
Dance Review | Paul Taylor Dance Company: A New Season Arrives With a Paul Taylor Premiere
A dizzying variety of mood and style was on full display at this company's gala opening at City Center on Tuesday night.
'Crash' Producers Clash Loudly Over Credit and Payment
A bare-knuckled fight has broken out among the producers of one of the leading Oscar-nominated movies, "Crash," over two of the things Hollywood cares about most: money and credit.
Art Review | 'Artur Barrio': Walking on Coffee, Trying to Get a Fix on a Master of Impermanence
Artur Barrio's objects and assemblages, as seen at Moore College in Philadelphia, have an unexpected symbolic effect and even beauty.
Art Review | William Nicholson: Gazing at a Genteel World About to Be Shoved Aside
The Paul Kasmin Gallery offers a fresh, compelling look at the easel-size paintings of English abstractionist William Nicholson.
TV Weekend | 'Conviction': Even the Legal Do-Gooders Have Their Own Sordid Sides
Dick Wolf's new drama is smart and engrossing, and closer in spirit to "ER" or "Grey's Anatomy" than to any of the other "Law & Order" versions.
Art Review: Biennial 2006: Short on Pretty, Long on Collaboration
The Whitney Biennial remains very much an insider's affair: It will seem old hat to aficionados and inscrutable to many others.
New Life for an Old Play, but Is It Shakespeare's?
Gary Taylor, an editor of the Oxford edition of the complete works of Shakespeare, has reworked a play that he believes Shakespeare had a hand in writing.
Books of The Times | 'The Big Oyster': Before There Were Bagels, New York Had the Oyster
Mark Kurlansky tells the story of a city that loved the oyster not wisely but too well.
Theater Review | 'Defiance': Race, Responsibility and the Military Mind
John Patrick Shanley's latest work, though as thoughtful and probing as "Doubt," feels both overcrowded and oddly diffuse.
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