Our control room features the state of the art in recording using the best of both the analog and digital formats. The British-made DDA 224V console is renowned for its' warm sound and feeds to either a Studer 827 2" machine with Dolby SR or the amazing Pro Tools HD hard disk recording system. Hard disk recording at 24 bits with up to 192K sampling rate! We also have 32 tracks of Tascam DA-88 format and a couple of ADATS laying around somewhere.

T.C. Electronic M3000 and M5000 , Alesis Q20 Reverb, AKG 68K, Eventide H3000, Roland SRV 2000, and Yamaha SPX-900 multi- effects processors. Korg SDD-3000 and Lexicon PCM-41 digital delay units. API 3124 4 channel mic pre Neve 1073 MicPre/EQ. Summit TPA 200B 2-channel tube mic preamp. Manley Massive/Passive Tube EQ Tube Tech Pe1B, API 5502 and Orban 622b parametric EQ's. Empirical Labs Distressor w/ British Mod and Stereo Mod Manley Stereo Variable-MU Compressor Summit DCL 200 stereo compressor, JBL 7110, DBX 160X & 165 compressors, DBX 166XL Compressor, Aphex 612 gate/expanders. Antares ATR-1 Pitch Corrector. Valley DSP de-esser. POD Pro Guitar Processor Baldwin SD-10 concert grand piano, Hammond B-3 with Leslie cabinet, Ensoniq VFX-SD MIDI Workstation, and an Alesis D4 drum module.

Qty.	Type
2	AEA R84 Ribbon
1	Soundelux E47 tube mic
3	U87
4	AKG 414
2	Royer R-121 Ribbon
1	Rode Classic Tube (modified)
1	Micro Tech UM92s Tube
2	Milab VIP 50
2	Shure KSM 32
2	Neumann KM100
2	AKG 452
2	Neumann KM 84
2	Shure SM 81
1	Sennheiser 441
6	Sennheiser 421
2	Shure SM 81
6	SM 57
1	D112
1	RE 20
2	Beyer M160
1	Beyer M88