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Paperback Description:
Will Lightman is a Peter Pan for the 1990s. At 36, the terminally hip North Londoner is unmarried, hyper-concerned with his coolness quotient, and blithely living off his father's novelty-song royalties. Will sees himself as entirely lacking in hidden depths--and he's proud of it! The only trouble is, his friends are succumbing to responsibilities and children, and he's increasingly left out in the cold. How can someone brilliantly equipped for meaningless relationships ensure that he'll continue to meet beautiful Julie Christie-like women and ensure that they'll throw him over before things get too profound? A brief encounter with a single mother sets Will off on his new career, that of "serial nice guy." As far as he's concerned--and remember, concern isn't his strong suit--he's the perfect catch for the young mother on the go. After an interlude of sexual bliss, she'll realize that her child isn't ready for a man in their life and Will can ride off into the Highgate sunset, where more damsels apparently await. The only catch is that the best way to meet these women is at single-parent get-togethers. In one of Nick Hornby's many hilarious (and embarrassing) scenes, Will falls into some serious misrepresentation at SPAT ("Single Parents--Alone Together"), passing himself off as a bereft single dad: "There was, he thought, an emotional truth here somewhere, and he could see now that his role-playing had a previously unsuspected artistic element to it. He was acting, yes, but in the noblest, most profound sense of the word."
What interferes with Will's career arc, of course, is reality--in the shape of a 12-year-old boy who is in many ways his polar opposite. For Marcus, cool isn't even a possibility, let alone an issue. For starters, he's a victim at his new school. Things at home are pretty awful, too, since his musical therapist mother seems increasingly in need of therapy herself. All Marcus can do is cobble together information with a mixture of incomprehension, innocence, self-blame, and unfettered clear sight. As fans of Fever Pitch and High Fidelity already know, Hornby's insight into laddishness magically combines the serious and the hilarious. About a Boy continues his singular examination of masculine wish-fulfillment and fear. This time, though, the author lets women and children onto the playing field, forcing his feckless hero to leap over an entirely new--and entirely welcome--set of emotional hurdles.
Will Lightman is a Peter Pan for the 1990s. At 36, the terminally hip North Londoner is unmarried, hyper-concerned with his coolness quotient, and blithely living off his father's novelty-song royalties. Will sees himself as entirely lacking in hidden depths--and he's proud of it! The only trouble is, his friends are succumbing to responsibilities and children, and he's increasingly left out in the cold. How can someone brilliantly equipped for meaningless relationships ensure that he'll continue to meet beautiful Julie Christie-like women and ensure that they'll throw him over before things get too profound? A brief encounter with a single mother sets Will off on his new career, that of "serial nice guy." As far as he's concerned--and remember, concern isn't his strong suit--he's the perfect catch for the young mother on the go. After an interlude of sexual bliss, she'll realize that her child isn't ready for a man in their life and Will can ride off into the Highgate sunset, where more damsels apparently await. The only catch is that the best way to meet these women is at single-parent get-togethers. In one of Nick Hornby's many hilarious (and embarrassing) scenes, Will falls into some serious misrepresentation at SPAT ("Single Parents--Alone Together"), passing himself off as a bereft single dad: "There was, he thought, an emotional truth here somewhere, and he could see now that his role-playing had a previously unsuspected artistic element to it. He was acting, yes, but in the noblest, most profound sense of the word."
What interferes with Will's career arc, of course, is reality--in the shape of a 12-year-old boy who is in many ways his polar opposite. For Marcus, cool isn't even a possibility, let alone an issue. For starters, he's a victim at his new school. Things at home are pretty awful, too, since his musical therapist mother seems increasingly in need of therapy herself. All Marcus can do is cobble together information with a mixture of incomprehension, innocence, self-blame, and unfettered clear sight. As fans of Fever Pitch and High Fidelity already know, Hornby's insight into laddishness magically combines the serious and the hilarious. About a Boy continues his singular examination of masculine wish-fulfillment and fear. This time, though, the author lets women and children onto the playing field, forcing his feckless hero to leap over an entirely new--and entirely welcome--set of emotional hurdles.
This funny and popular books has also been adapted to the big screen, starring Brit Actor Hugh Grant as Will Lightman. About a Boy is available on DVD. The hugely melodic soundtrack to the film About a boy by artist Badly Drawn Boy is also available Here.
Average Customer Rating:
Short, quirky, compelling.
This is a great story about a divorced, suicidal single mother trying to raise a shy, but gifted pre-teenage boy, who's looking for male role models wherever he can get them.
We hear so much about girls and their problems, that it's nice to focus on boys for a change. This book has a lot of English/British sayings and phrases that Americans might not be familiar with, but that doesn't detract from the story. The characters are richly drawn. You get to know them very well. Nick Hornby's gift as a writer is the intimacy with which the reader develops with the characters. Plus, a great plot. The book is really short and not difficult to finish at all.
This novel is very similar to "You Remind Me Of Me"---although that one is a lot longer. Novels about gifted boys, unfortunately, being raised in dysfunctional homes. It's sad that boys with so much promise are being destroyed by their home environment----that's my overwhelming thought when reading books like this.
Hornby is excellent with language, prose, dialogue and vocabulary. The actual prose is somewhat challenging if you are an American who's not well-versed with how literary English authors (Ian McEwan) put together sentences. An English sentence structure can be a little more complicated than the straightforward way American authors write. But, it's never incomprehensible. I like the challenges of twisty, complex sentences. Author Hornby comes off as more clever, than gimmicky----the way any other author would, when other, lesser authors, attempt these sorts of plays on words and variety in sentence structure.
And, because this is a short novel, with short chapters.....there always being a break----bottom line: it's an easy read, full of deep meaning about the nature and tragedy of dysfunctional families.
Is an okay read...
I basically bought this book only owing to the movie... Is undoubtedly a very nice read; makes a lot of sense to many people across the globe, I'm sure... As for writing, its kind of cool, though a bit cheeky at times, anyway makes sense since it was never meant to be a Hemingway novel...
A very nice reading for good time-pass....
Subhasish Ghosh
St. Cross College
University of Oxford
very sweet book
I think that the book is very, very sweet. The story flows nicely. It really touched me because I am a single mother and a lot of the things in this book ment a lot to me. I don't really know what to say. I really reccomend it.
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