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Digital Video Editing - video editing resource center. digital video editing, digital, video editing, video, nonlinear editing, nonlinear, editing, post production, DV editing, nle software
Creative F/X at lightning speed! Digital Anarchy’s new PlasmaFX filter suite are powerful, fast effects for Mac users on Final Cut Pro, Motion, and After Effects. The 26 filters use new Apple technology like FxPlug architecture and OS X’s Core Image system. This base system provides a big boost in speed, making the effects real time in some cases.
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I had the opportunity to meet with Edit Share President Andy Liebman last week for dinner. I was so blown away by what Edit Share was able to do to the production workflow that I twisted Andy’s arm to be on the show. His need for a better workflow prompted him to create Edit Share. The story is both inspiring and informative.
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It’s a no-brainer to place white titles over video in Sony Vegas. Drag the Default text with its transparent alpha channel to the top track and place some video on a track below it. Done. But most of us would rather be a little more creative.
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I have been an editor for a long time (about 11 years now), and I have been familiar with Boris FX's plug-ins for almost as long, and when I was asked if I would be interested in taking a look at RED 4.1, I really didn't have my expectations set very high, as I have always had a bit of a preconceived notion in my head of what the package is and what it can do. Let me just say that I have now seen the light. The RED light! Let's take a look at Boris RED.
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The Matrox MXO is a Mac-only monitoring and downscaling device, and also a great way to calibrate your monitors. This little hardware box packs quite a punch, and if you’re editing with HDV, whether on a desktop or a laptop, you’ll have no need for expensive capture cards; A/D, D/A; or small HD CRT monitors to see and hear your footage in high definition.
Read More
Digital intermediate workflow and Lossless compression seem to have become the buzz words of the month post NAB07 where a number of companies announced either new lossless intermediate workflow products or software support for existing intermediate solutions. For California-based developer CineForm, the industry attention must have been bitter sweet – on one hand confirmation and acknowledgement of what CineForm has been touting loudly for quite some time, and on the other hand a newly populated stiff arena of competing products.
Read More
Digital intermediate workflow and Lossless compression seem to have become the buzz words of the month post NAB07 where a number of companies announced either new lossless intermediate workflow products or software support for existing intermediate solutions. For California-based developer CineForm, the industry attention must have been bitter sweet – on one hand confirmation and acknowledgement of what CineForm has been touting loudly for quite some time, and on the other hand a newly populated stiff arena of competing products.
Read More
It's very easy to get carried away with the power, flexibility and
adaptability of contemporary digital production tools for cinematic
media. The digital tools of today punch far above their weight but
strangely and remarkably there is still ...
Read More
MAXON is going on a road tour with Adobe next month. What better way to start thinking about pipeline than by kicking off some tutorials aimed directly at te Adobe After Effects user. You know AE, now check out C4D in C4D4AE (and ...
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MAXON is going on a road tour with Adobe next month. What better way to start thinking about pipeline than by kicking off some tutorials aimed directly at te Adobe After Effects user. You know AE, now check out C4D in C4D4AE (and ...
Read More
HP F2105 21-Inch LCD Flat Panel Monitor, (Rated by 1 users)
21" viewable area 1680 x 1050 maximum resolution .270 mm pixel pitch Integrated speakers HDTV-ready display and PC monitor in one Supports analog, DVI-D inputs Adjustable height ...
Price Range $280 •
View Details •
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Samsung's L74 wide is the first digital camera that I've looked at that features a touch screen LCD to access most all of the controls. In this first look, I looked at some of the features this camera offers that are interesting to this camera.
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Darting subjects and particulate matter floating around are two main variables- luckily these aren’t a concern on land too often. There are similarities however, and the biggest challenges for me in both settings would be lighting and focusing on close objects.
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The Buffalo WLI-CB-G54HP is a High Power wireless card bus notebook adapter. This adapter has excellent performance when connected to a matching WHR-HP-G54 High Power wireless router by Buffalo and also works great with other brands of routers. With the built-in amplifier range and throughput, performance is enhanced on any 802.11g or 802.11b networks.
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I had the opportunity to meet with Edit Share President Andy Liebman last week for dinner. I was so blown away by what Edit Share was able to do to the production workflow that I twisted Andy’s arm to be on the show. His need for a better workflow prompted him to create Edit Share. The story is both inspiring and informative.
Read More
It’s a no-brainer to place white titles over video in Sony Vegas. Drag the Default text with its transparent alpha channel to the top track and place some video on a track below it. Done. But most of us would rather be a little more creative.
Read More
I have been an editor for a long time (about 11 years now), and I have been familiar with Boris FX's plug-ins for almost as long, and when I was asked if I would be interested in taking a look at RED 4.1, I really didn't have my expectations set very high, as I have always had a bit of a preconceived notion in my head of what the package is and what it can do. Let me just say that I have now seen the light. The RED light! Let's take a look at Boris RED.
Read More
The Matrox MXO is a Mac-only monitoring and downscaling device, and also a great way to calibrate your monitors. This little hardware box packs quite a punch, and if you’re editing with HDV, whether on a desktop or a laptop, you’ll have no need for expensive capture cards; A/D, D/A; or small HD CRT monitors to see and hear your footage in high definition.
Read More
Digital intermediate workflow and Lossless compression seem to have become the buzz words of the month post NAB07 where a number of companies announced either new lossless intermediate workflow products or software support for existing intermediate solutions. For California-based developer CineForm, the industry attention must have been bitter sweet – on one hand confirmation and acknowledgement of what CineForm has been touting loudly for quite some time, and on the other hand a newly populated stiff arena of competing products.
Read More
Digital intermediate workflow and Lossless compression seem to have become the buzz words of the month post NAB07 where a number of companies announced either new lossless intermediate workflow products or software support for existing intermediate solutions. For California-based developer CineForm, the industry attention must have been bitter sweet – on one hand confirmation and acknowledgement of what CineForm has been touting loudly for quite some time, and on the other hand a newly populated stiff arena of competing products.
Read More
It's very easy to get carried away with the power, flexibility and
adaptability of contemporary digital production tools for cinematic
media. The digital tools of today punch far above their weight but
strangely and remarkably there is still ...
Read More
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