Ivars Peterson's MathTrek |

July 12, 1999

Now Director Emeritus of the Mathematical Sciences Research Institute (MSRI) in Berkeley, Calif., Kaplansky spends much of his time in the library, poking into various nooks and crannies of mathematical history. Tidying up loose ends and filling in unaccountable gaps in the mathematical literature, he patiently works through mathematical arguments, proves theorems, and prepares papers for publication. His remarkably wide-ranging efforts belie the oft-repeated notion that mathematicians are most productive when they are young.

A distinguished mathematician who has made major contributions to algebra and other fields, Kaplansky was born in Toronto, Ontario, several years after his parents had emigrated from Poland. In the beginning, his parents thought that he was going to become a concert pianist. By the time he was 5 years old, he was taking piano lessons. That lasted for about 11 years, until he finally realized that he was never going to be a pianist of distinction.

Nonetheless, Kaplansky loved playing the piano, and music has remained one of his hobbies. "I sometimes say that God intended me to be the perfect accompanist--the perfect rehearsal pianist might be a better way of saying it," he says. "I play loud, I play in time, but I don't play very well."

While in high school, Kaplansky started to play in dance bands. During his graduate studies at Harvard, he was a member of a small combo that performed in local night clubs. For a while, he hosted a regular radio program, where he played imitations of popular artists of the day and commented on their music. A little later, when Kaplansky became a math instructor at Harvard, one of his students was Tom Lehrer, later to become famous for his witty ditties about science and math. Lehrer is now at the University of California, Santa Cruz.

In 1945, Kaplansky moved to the University of Chicago, where he remained until 1984, when he retired, then became MSRI director.

Songs have always interested him, particularly those of the period from 1920 to 1950. These songs tended to have a particular structure: the form AABA, where the A theme is repeated, followed by a contrasting B theme, then a return to the original A theme.

Early on, Kaplansky noticed that certain songs have a more subtle, complex structure. This alternative form can be described as AA'BAA'(B/2)A", where A is a four-bar phrase, A' and A" are variants, and B is a contrasting eight-bar phrase. "I don't think anyone had noticed that before," he says. Kaplansky's discovery is noted in a book about the American musical by Chicago film scholar Gerald Mast.

Kaplansky argues that the second structure is really a superior form for songs. To demonstrate his point, he once used it to turn an unpromising source of thematic material--the first 14 decimal digits of pi--into a passable tune. In essence, each note of the song's chorus corresponds to a particular decimal digit. When Chicago colleague Enid Rieser heard the melody at Kaplansky's debut lecture on the subject in 1971, she was inspired to write lyrics for the chorus.

A SONG ABOUT PI

In all the bygone ages,

Philosophers and sages

Have meditated on the circle's mysteries.

From Euclid to Pythagoras,

From Gauss to Anaxag'ras,

Their thoughts have filled the libr'ies bulging histories.

And yet there was elation

Throughout the whole Greek nation

When Archimedes made his mighty computation!

He said:

CHORUS

3 1 41 Oh (5) my (9), here's (2) a (6) song (5) to (3) sing (5) about (8,9) pi (7).

Not a sigma or mu but a well-known Greek letter too.

You can have your alphas and the great phi-bates, and omega for a friend,

But that's just what a circle doesn't have--a beginning or an end.

3 1 4 1 5 9 is a ratio we don't define;

Two pi times radii gives circumf'rence you can rely;

If you square the radius times the pi, you will get the circle's space.

Here's a song about pi, fit for a mathematician's embrace.

The chorus is in the key of C major, and the musical note C corresponds to 1, D to 2, and so on, in the decimal digits of pi (see also Prime Listening, June 22, 1998, and A Passion for Pi, March 1996).

The music and lyrics are unpublished. However, if you ever get a chance to hear a performance by singer-songwriter Lucy Kaplansky (Irving Kaplansky's daughter), you might very well get a rendition of "The Song About Pi" as part of the program. A club headliner, recording artist, and former psychologist, Lucy Kaplansky has her own distinctive style but doesn't mind occasionally showcasing her father's old-fashioned tunemanship.

In 1993, Irving Kaplansky wrote new lyrics for the venerable song "That's Entertainment" to celebrate his enthusiasm for mathematics. He dedicated the verses to Tom Lehrer.

THAT'S MATHEMATICS

The fun when two parallels meet

Or a group with an action discrete

Or the thrill when some decimals repeat,

That's mathematics.

A nova, incredibly bright,

Or the speed of a photon of light,

Andrew Wiles, proving Fermat was right,

That's mathematics.

The odds of a bet when you're rolling two dice,

The marvelous fact that four colors suffice,

Slick software setting a price,

And the square on the hypotenuse

Will bring us a lot o' news.

In genes a double helix we see

And we cheer when an algebra's free

And in fact life's a big PDE.

We'll be on the go

When we learn to grow with mathematics.

With Lagrange everyone of us swears

That all things are the sums of four squares,

Like as not, three will do but who cares.

That's mathematics.

Sporadic groups are the ultimate bricks,

Finding them took some devilish tricks,

Now we know--there are just 26.

That's mathematics.

The function of Riemann is looking just fine,

It may have its zeros on one special line.

This thought is yours and it's mine.

We may soon learn about it

But somehow I doubt it.

Don't waste time asking whether or why

A good theorem is worth a real try,

Go ahead--prove transcendence of pi;

Of science the queen

We're all of us keen on mathematics.

References:

Albers, D.J., G.L. Alexanderson, and C. Reid. 1990. *More Mathematical People: Contemporary Conversations. * New York: Harcourt Brace Jovanovich.

Mast, G. 1987. *Can't Help Singin': The American Musical on Stage and Screen. * Woodstock, N.Y.: Overlook Press.

Kaplansky, I. 1992. The deep young man. *Mathematical Intelligencer * 14(No. 4):62.

A brief biography of Irving Kaplansky can be found at http://www-history.mcs.st-andrews.ac.uk/history/Mathematicians/Kaplansky.html.

An online video of Irving's Kaplansky's lecture on "Fun with mathematics: Some thoughts from seven decades" is available at http://www.msri.org/publications/ln/msri/1999/misc/kaplansky/1.

Lucy Kaplansky ( http://www.folkartists.com/kaplansky/) has three albums of her own songs: "The Tide," "Flesh and Bone," and "Ten Year Night," all on Red House Records (http://www.redhouserecords.com). She is also a member of the "urban folk" trio Cry Cry Cry (http://www.crycrycry.com).

In the interest of full disclosure, I must note that I went to the same high school (Harbord Collegiate in Toronto) as Kaplansky and also attended the University of Toronto, though my schooling occurred a generation later.

Comments are welcome. Please send messages to Ivars Peterson at ivars@msri.org.

Ivars Peterson is the mathematics/computer writer and online editor at Science
News (http://www.sciencenews.org). He is the author of *The Mathematical Tourist,
Islands of Truth, Newton's Clock, Fatal Defect*, and *The Jungles of Randomness*.
He and his wife, Nancy Henderson, have just completed *Math Trek: Adventures in
the MathZone*, a book for children of middle-school age to be published in the
fall by Wiley.
Ivars Peterson is presently serving as journalist in residence at the
Mathematical Sciences Research Institute in Berkeley, Calif.
(http://www.msri.org/people/members/ivars)

MATHEMUSEMENTS: Look for math-related articles by Ivars Peterson every month in the children's general-interest magazine *Muse* (http://www.musemag.com) from the publishers of *Cricket* and *Smithsonian* magazine.