+Mon:Aug:15:2000
+Microphones to release new album
+Tim Kinsella on new Euphone LP
+Joe Pernice goes his own way





Interview: Les Savy Fav
Interview: Modest Mouse
Column: Sides of Fries
Kid Koala Interview
Column: Top 25 Canadian Albums
Archer Prewitt Interview
Top 10 Albums of 1999
Dismemberment Plan Interview
50 Worst Guitar Solos
Slick Sixty Interview
Top 100 of the 1990s


764-HERO
Apples in Stereo
Richard Ashcroft
Beck
Belle & Sebastian
Frank Black
Boredoms
Billy Bragg & Wilco
Bright Eyes
Jeff Buckley
Built to Spill
Death Cab for Cutie
Dismemberment Plan
For Carnation
Future Bible Heroes
Grandaddy
Ida
Jurassic 5
Land of the Loops
Les Savy Fav
Modest Mouse
Will Oldham
Olivia Tremor Control
Lou Reed
Royal Trux
Saint Etienne
Sleater-Kinney
Elliott Smith
Smog
Stereolab
Super Furry Animals
Amon Tobin
Yo La Tengo
+Back to Main Page

STAFF PAGE
AD RATES
E-MAIL US
Copyright 1995-2000
Pitchforkmedia.com
All Rights Reserved

Cover Art Reggie and the Full Effect
Promotional Copy
[Heroes and Villains/Vagrant]
Rating: 5.5

Given two pieces of information, you can probably figure out exactly what Promotional Copy sounds like. Fact 1: Reggie and the Full Effect is fronted by Get Up Kids keyboardist James Dewees. Fact 2: Promotional Copy includes songs titled "From Me 2 U," "Megan 2K," and "Thanx for Stayin'." So if you're thinking synth-driven, sugar-coated pop with heavily emo-inflected lyrics, you're right on target. Promotional Copy is a perky, peppy blast of synth-pop saccharine that will no doubt be a treat for Get Up Kids fans, but may very well leave a bad taste in almost anyone else's mouth.

The opening track, "A.C. Lerok... Bitches Get Stiches," is supposedly a tape of the death of "Reggie," a fictional pop icon not unlike Chris Gaines, only dead. Throughout Promotional Copy, you'll find a slew of somewhat-funny skits, as well as a few genuinely funny genre caricatures. "Gloves" is a pretty amusing spoof on brooding '80s Euro-pop. And the album's closer, "Dwarf Invasion," is a hilarious take on Finnish death metal. "Doot Doot Pause Doot Doot" is a mercifully short foray into techno mockery. And, minus the whiny nasal vocals, "Good Times, Good Tunes, Good Buds" would be a pretty entertaining take on today's one-riff rap-metal craze.

The rest of the album plays like a parody of annoying high-pitched emo pop. Unfortunately, it isn't a parody. Tracks like "Relive the Magic... Bring Home the Magic" sound an awful lot like... well, the Get Up Kids. The album's most intolerable moment comes with "From Me 2 U," which features trite synthesizers backing some of the most unbearably overused vocal melodies you'll ever hear, and lyrics so hateful we don't even want to print them.

But no matter how bad Promotional Copy gets, Reggie and the Full Effect never take themselves too seriously. Though far too much of the record consists of hackneyed pop drivel, the band never falls into the trap of self-importance that makes the indie rock elitists so intolerable. Promotional Copy is completely devoid of pretense-– it's a bunch of guys playing bouncy pop songs and recording goofy skits. But ultimately, it sounds like Promotional Copy was a lot more fun to make than it is to listen to.

-Matt LeMay