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ALL IN THE FAMILIA
Skip Ensley was never happy about the way his police career ended. Then he got married and saw a chance for personal and professional redemption. His new wife had quite a family, including a brother who was one of Mexico’s leading drug lords. Skip couldnwait to tell the FBI, and for most of the next 11 years, he tried to bring his brother-in-law to justice. But things didn’t go according to plan. Today, Skip Ensley lives in hiding and his brother-in-law seems to be doing just fine. By CHARLES RAPPLEYE

SUCCESS AND IRONY
Novelist Percival Everett just wants to disappear. BY BEN EHRENREICH

News

HISTORY OF NASTY
JOSEPH TREVIÑO goes to the 14th City Council District, in search of what’s really bothering Nick Pacheco and Antonio Villaraigosa.

THE MAN WHO WOULD BE KING
Gus Envela, a Stanford grad and four-time Olympian, has a dream: He wants to sit on the throne of a tiny African nation. Envela told JOHN ALBERT about his aspirations at Bob’s Big Boy.

PLUS: SARA CATANIA on the first death-row inmate to be spared since the high court’s ban on executing the mentally retarded.



LETTERS
We write, you write...

A CONSIDERABLE TOWN
Dr. Cardinal on campus: STEPHEN LEMONS finds Cardinal Mahony working the crowd at a USC Catholic Center fund-raiser, basking in friendly confines and dodging bullets — like Nero playing his fiddle.
Jazz up the ass: When is 94.7/The Wave’s jazz not so smooth? When it’s headed up the bus driver’s ass, as JUDITH LEWIS discovers on a recent commute.
Way beyond Barbie: They put the "strip" in Sunset Strip. Porn Star action figures, both in the flesh and in their plastic-doll likenesses, bring Ph.D. candidates and free-speech supporters (as well as horny guys) to Hustler of Hollywood for some idle idolatry. MARY BETH CRAIN stands in line with the worshipers.

OPEN CITY
STEVEN MIKULAN checks out L.A.’s homeless district, reeling from days of police sweeps.

DISSONANCE
Al Gore is back on the public stage and has convinced MARC COOPER of a few things, probably none of which he had in mind.

QUARK SOUP
Fat, the bastard: The war for oil may be going on in your head. BY MARGARET WERTHEIM

SITEGEIST
Crimson came Schechner. BY DAVE SHULMAN

RESTAURANTS
Desire at Drake’s. BY MICHELLE HUNEVEN

WHERE TO EAT NOW
A list of favorite restaurants compiled by JONATHAN GOLD and MICHELLE HUNEVEN.

ASK MR. GOLD
A weekly Q&A with our critic.

ROCKIE HOROSCOPE



FILM
Planet of the dupes: JOHN POWERS on Stephen Soderbergh’s — and Andrei Tarkovsky’s and Stanislaw Lem’s— Solaris.

Up from (down) under: ELLA TAYLOR on Phillip Noyce’s Rabbit Proof Fence and Rebecca Miller’s Personal Velocity.

THEATER
Burning men: The Ministry of Unknown Science is a quartet of comedians/pyromaniac researchers. STEVEN MIKULAN chats with them about their lab work.

BOX POPULI
Gulf War I: Michael Keaton and Helena Bonham Carter in HBO’s Live From Baghdad. BY BRENDAN BERNHARD

ART
Trouble Girl: the vida loca of a young graffiti artist known as JERK. BY STEPHEN LEMONS

BOOKS
Pranksters, deviants and SoCal satanists: Richard Metzger’s Disinformation: The Interviews. By DOUG HARVEY

MUSIC
The correct use of punk: 20 years of Dischord. BY ALEC HANLEY BEMIS

Orchestra Baobab’s Specialist in All Styles. BY DON SNOWDEN

Steve Tibbetts, guitar chameleon. BY BILL KOHLHAASE

LIVE IN L.A.
Performance Reviews: Tahiti 80; Thievery Corporation; Dio/King’s X/HammerFall; The Shakes/The Satisfaction/The Go-Devils/Jackie and the Cedrics; The Raveonettes/Quintron & Miss Pussycat/Stereo Total; Castaneda & Lewis/Brown & Ortega/Joe Potts; Tool; Amor; goodnight, Hadda Brooks.

A LOT OF NIGHT MUSIC
Inside/outside Disney Hall: The inaugural season. BY ALAN RICH


SLUSH
Orton hears a Hansen; in with the out crowd; table-a rasa; a lad insane.

STYLE
The constant gardener: Urban naturalist GARRY GEORGE plants a forest of life in the middle of the city.

PULPit
ERIK DROOKER’s Bloodsong, an excerpt.

COMICS
"BEK," BY BRUCE ERIC KAPLAN.

SNAP
A photo by TED SOQUI.

 

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GOOD TIMES * THE BEST OF CALENDAR
Nov. 29 - Dec. 5, 2002
Good Times and Calendar listings are updated every Thursday at 3 p.m. PST

Cuckoo for ’Crackers?



ABT’s Paloma Herrera dances a Sugarplum Fairy that’ll knock your toe shoes off.

Those sounds you hear aren’t just the rumbling of your tummy from turkey and trimmings or the stampede of Christmas shoppers headed to the mall, that’s the sound of the hordes of Nutcracker Princes, Sugarplum Fairies, waltzing flowers and dancing mice descending upon us from now until Christmas. While jaded critics may groan at the prospect of yet another production of The Nutcracker, balletomanes welcome the chance to compare various versions and to survey local companies’ upcoming crop of pre-professional dancers. Even folks who think they don’t like ballet find it hard not to be beguiled by the exquisite, familiar Tchaikovsky score and nostalgic Christmas celebration that is the setting for a magical journey. And kids? It’s like a pop-up storybook come to life.

The big event is the return of American Ballet Theater’s production from artistic director Kevin McKenzie, which was unveiled at Hollywood’s Kodak Theater last year and returns to the Kodak as well as the Orange County Performing Arts Center. It’s lavish, if occasionally puzzling, but perhaps a second viewing will clarify the unusual addition of dancing unicorns. Announced stars include flamboyant Paloma Herrera, sparkling Julie Kent, rising star Michele Wiles, delicate Irina Dvorovenko, elegant Maxim Belotserkovsky and always spectacular Angel Corella. Sascha Radetsky, the heartthrob from the film Center Stage, is among those dancing the Nutcracker Prince. We promise finalized casting in upcoming Dance listings.

For the cost of the last balcony at ABT, one can have the best tickets at several regional troupes that consistently develop talent for export to New York and other cities with resident ballet companies. Westside Ballet (first out of the gate this weekend), Pasadena Dance Theater, Ballet Pacifica and the Long Beach Ballet Arts Center fall into this category.

In addition, an array of local ballet schools stretching from Santa Clarita to Downey, Santa Barbara to San Pedro offer productions that make it possible to see The Nutcracker without leaving the neighborhood. Finally, several productions riff on the idea of The Nutcracker, including The Chocolate Nutcracker at the Ivar, and Nutcracker in the City, a version sponsored by the L.A. Recreation and Parks Department featuring a variety of cross-cultural dance styles.

Another large touring company, Moscow Classical Ballet, has performed here for several years, but its scheduled return at Cal State L.A.’s Luckman was cancelled. Still, with this season’s bounty of The Nutcracker at a range of polish, prices and locations, there should be something for everyone, maybe even Scrooge-like dance critics.

—Ann Haskins

L.A. Preparatory & Performing Arts Center’s Chocolate Nutcracker at Ivar Theater, 1605 Ivar Ave., Hlywd.; Fri.-Sat., Nov. 29-30, 7 p.m.; Sun., Dec. 1, 2 p.m.; Tues.-Thurs., Dec. 3-5, 10 a.m. & 1 p.m.; $30 & $20. (323) 735-0762.

Westside Ballet at Pepperdine University Smothers Theater, 24255 Pacific Coast Hwy., Malibu; Sat., Nov. 30, 2 & 7 p.m.; Sun., Dec. 1, 1 & 5 p.m.; $25, $15 children 12 & under. (213) 365-3500. Also at Wadsworth Theater, Wilshire Blvd. at the 405 fwy., W.L.A.; Sat., Dec. 14, 2 & 7 p.m.; Sun., Dec. 15, 1 & 5 p.m.; $25, $15 children 12 & under. (213) 365-3500.

American Ballet Theater at the Kodak Theater, Hollywood Blvd. at Highland Ave., Hlywd.; Fri.-Sun., Dec. 6-8, & Tues.-Sat., Dec. 10-14, 7:30 p.m.; Sat.-Sun., Dec. 7-8 & 14-15, 2 p.m.; $82-$17. (213) 365-3500. Also at Orange County Performing Arts Center, 600 Town Center Dr., Costa Mesa; Wed.-Fri., Dec. 18-20, 8 p.m.; Sat., Dec. 21, 2 & 8 p.m.; Sun., Dec. 22, 2 & 7:30 p.m.; $75-$20. (213) 365-3500.

Pasadena Dance Theater at San Gabriel Civic Auditorium, 320 Mission Dr.; Sat.-Sun., Dec. 7-8, 2 p.m.; Sat., Dec. 14, 2 & 7:30 p.m.; Sat., Dec. 21, & Sun., Dec. 15 & 22, 2 p.m.; $35 & $28, $22 seniors, $12 children. (626) 308-2868.

Festival Ballet Theater at Cal State Long Beach, Carpenter Theater, 6200 Atherton St.; Sat., Dec. 7, 2 & 8 p.m.; Sun., Dec. 8, 2 p.m.; $22, $18 seniors & students. (562) 985-7000.

L.A. City Recreation Department at L.A. Theater Center, 514 S. Spring St., dwntwn.; Sat., Dec. 7, 7:30 p.m.; Sun., Dec. 8, 2 p.m.; $10, $7 children 11 years & younger. (310) 837-8116.

Pacific Festival Ballet at Thousand Oaks Civic Arts Plaza, Fred Kavli Theater, 2100 Thousand Oaks Blvd.; Wed.-Thurs., Dec. 11-12, 9:30 & 11:30 a.m., $7.50; Sat., Dec. 14, 2 & 7 p.m., & Sun., Dec. 15, 2 & 6 p.m., $34-$19. (213) 480-3232.

Ballet Pacifica at Irvine Barclay Theater, 4242 Campus Dr.; Fri.-Sun., Dec. 13-15, & Tues.-Mon., Dec. 17-23, 7:30 p.m.; Sat.-Sun., Dec. 14-15, & Tues.-Tues., Dec. 17-24, 2:30 p.m.; $27, $25 seniors, $23 children. (949) 854-4646 or (213) 365-3500.

Southern California Dance Theater at Downey Civic Theater, 8435 Firestone Blvd.; Fri., Dec. 13 & 20, 7:30 p.m.; Sat., Dec. 14 & 21, 2:30 p.m.; $18.50-$13.50. (562) 496-1766.

San Pedro Ballet at El Camino College Center for the Arts, 16007 Crenshaw Blvd., Torrance; Fri., Dec. 20, 8 p.m.; Sat., Dec. 21, 2 & 8 p.m.; Sun., Dec. 22, 2 p.m.; $26-$23, $12 children 12 & under. (800) 832-2787 or (310) 329-5345.

Long Beach Ballet Arts Center at Long Beach Terrace Theater, 300 E. Ocean Blvd.; Sat., Dec. 21, 2 & 8 p.m.; Sun., Dec. 22, 2 p.m.; $28-$16, $18-$10 children 12 & under. Info, (562) 426-4622; tickets, (213) 480-3232.


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Listings are compiled by mail or fax. Email submissions are NOT accepted. Deadline is 10 days before publication. Contact us by mail at: Calendar, LA Weekly, 6715 Sunset Blvd., Los Angeles, CA 90028. You can also FAX to (323) 465-1558, or leave voicemail at (323) 993-3699.



 

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