Script from the motion picture "My Girl 2" (C) Copyright 1994 Columbia Pictures inc

Script of 'My Girl II'

If you find any errors in this script, please contact me at:

kroongh@hotmail.com

Setting: Madison, Pennysylvania 1974

Probability of errors in this script: approx. 0,01%

Start of Script. [CLOSE-UP OF VADA SULTENFUSS' FACE]

0:56

VADA: I remember before I was born, wounded up like a fur ball in the highly overrated fetal position, luckily I'm not claustrophobic, but on rainy days I still feel a tightness in my left shoulder. So now that my stepmother's pregnant, I understand what the baby's going through, and I'm not jealous at all, really, not at all.

1:14

[VIEW OF THE SULTENFUSS' DINING ROOM TABLE. VADA, HARRY AND SHELLY ARE SEATED. SHELLY IS VERY PREGNANT]

HARRY: Hey you're not eating your meatloaf.

SHELLY: If I eat it I'll throw up.

HARRY: Well you should at least try a little bit.

SHELLY: Then I'll throw up a little bit.

VADA:(to Shelly's stomach) Are you sure you wanna get involved in this?

1:36

[OUTSIDE SULTENFUSS' HOUSE, MUSIC IS PLAYING: "OUR HOUSE", INSIDE HARRY IS SINGING]

HARRY: …windows are illuminated by the evening sunshine through them firey gems for you, only for you, our house, is a very, very, very fine house, with two cats in the yard, life used to be so hard, now everything is easy 'cause of you…

HARRY: Vada, try to scrunch these chairs together a little more.

VADA: Dad I'm trying the chairs, they won't scrunch.

ARTHUR: I'll get it.

HARRY: Well I guess we'll just set up more chairs in the library and pipe the sermon in like we did with Old Man Hasselmeyer.

VADA: Better fix that speaker, it makes the minister sound like an astronaut.

ARTHUR: Oh, hello Judy.

JUDY: Hi Arthur.

HARRY: Hi Judy, come on in.

JUDY: Hi Mr. Sultenfuss.

ARTHUR: (to Vada) Look who I found.

VADA: Hi Judy!

JUDY: (nervous) Hi.

VADA: Come on in!

JUDY: That's okay.

VADA: It's just a corpse.

JUDY: I know that.

VADA: You should be here when they bring in a body that's been dead for a couple of days, and they haven't found it yet, 'cause it was in an apartment, and no-one came to visit, or floating in a river, and then the body starts turning this weird shade of green, you know, like watery pea soup? The arms and legs deteriorate first, the body looks like a raisin with four fat legs. Anyway, this is why I'm seriously considering cremation. Judy??

Judy???

ARTHUR: I think you lost on the raisin with the four fat legs honey.

3:33

[LIVING ROOM, HARRY AND SHELLY ARE SITTING WATCHING TV, VADA GETS A DRINK AND JOINS THEM]

HARRY: I got a card from your Uncle Phil in Los Angeles today, said he went body surfing.

VADA: I don't know if I can picture Uncle Phil body surfing.

SHELLY: I don't know if I want to.

HARRY: Vada I wanna ask you a favor, remember you can absolutely say no if you want to.

I'm just bringing it up for discussion.

SHELLY: But Harry, I thought we decided we weren't gonna do this.

VADA: Do what?

HARRY: Well the thing is your room is right next door to ours, and so we thought, well, I thought, if you were willing we might move you to Grammoo's room, and use your old room for the nursery. See we're gonna be up half the night with a newborn and there'll be a lot of noise....

VADA: You want me to move?

HARRY: Well not far, just down the hall. Plus Grammoo's room's a lot bigger, and you get a view of the whole neighborhood.

VADA: Okay, no problem.

HARRY: Okay thanks, atta girl.

4:44

[OUTSIDE, ON THE DECK, HARRY IS PLAYING HIS TUBA, SHELLY COMES OUT]

SHELLY: (at the door) Harry? (closer, a little louder) HARRY?? (in Harry's ear)

*HARRY*!!!!

I'm sorry to interrupt honey but Vada's upset.

HARRY: Oh, she's fine, she'll love her new room.

SHELLY: Look we react to every kick this baby gives, maybe Vada's trying to tell us something too.

5:12

[BOWLING ALLEY, VADA AND HARRY ARE BOWLING, CLOSE UP OF HARRY HOLDING UP HIS

BALL]

HARRY: The thing to remember is you must visualize a spare. The parabola of the arcing ball must intersect with the pyramid of the pins at precisely this angle of attack.

Shit.

VADA: Visualize a spare?

HARRY: Well you know what I mean.

VADA: So, what's on your mind?

HARRY: Me? What makes you think there's something on my mind?

VADA: You're passing up Archie Bunker to go bowling, you've gotta have an angle.

HARRY: No, I just thought it'd be nice if the two of us had an evening out so we could... talk.

VADA: Shelly's already told me all about sex.

HARRY: She told me too, I mean, she told me she told you about sex, I personally new about sex long before I met Shelly.

VADA: I figured you did.

VADA: Yes!

HARRY: Ahh, strike, not, not bad at all. No, this talk isn't about sex, it's, well there've been a lot of changes, and I know you're upset about losing your room, but the baby's gotta go somewhere.

VADA: No it's okay, I understand, really.

HARRY: Honey that’s very mature, I'm proud of you Vada.

VADA: Maybe I should just move to China. One kid per family, that way you don't lose your room.

HARRY: Hey, why don't you just keep your room and we'll put the baby in the back yard.

VADA: Don't do that, you've got the whole garage.

HARRY: Oh yeah, right-between the power mower and the weed killer.

VADA: Dad I'm kidding, you can have the room.

HARRY: Seriously?

VADA: Seriously.

HARRY: Great.

VADA: I'm thirteen, maybe it's about time I got my own apartment.

<THUD, Harry drops his ball and turns around looking staggered, then sees that

Vada is definitely kidding>

7:09

[VADA AND JUDY ARE IN A SHOP SMELLING PERFUMES]

JUDY: My mother can't have any more kids.

VADA: Neither can mine. She's dead. It's Shelly who's pregnant.

JUDY: (raising wrist to Vada's nose) What do you think?

VADA: I think I'm leaning towards passionflower, it combines the traditional floral scent with the musty aroma of samba wood.

VADA: What are you staring at?

JUDY: It's Kevin, I don't want him to see me.

VADA: See you? He can smell you from there.

JUDY: Oh God, he's coming over here, act natural, totally natural.

JUDY: (looks at Kevin with a large smile, and slowly takes her sunglasses off)

Hi Kevin.

KEVIN: Hi.

KEVIN: (to Vada) Real cool Sultenfuss, you look like a grasshopper.

VADA: What's the matter?

JUDY: He likes you.

VADA: Likes me? He said I looked like a grasshopper.

JUDY: Boys always pretend they hate you when they really like you.

VADA: That's ridiculous, so, if you really can't stand someone, then you pretend that you're really crazy about them?

JUDY: I don't know. And I don't care, Kevin's a jerk and I don't like him anymore. He's all yours!

VADA'S THOUGHTS: If grasshopper is a term of endearment, I've got a lot to learn.

8:25

[BEDROOM IN SULTENFUSS' HOUSE, ARTHUR, SHELLY, HARRY AND VADA ARE MOVING AROUND DOING VARIOUS THINGS]

ARTHUR: So have you guys thought of any new names for the baby?

SHELLY: Umm, yeah, if it's a girl I'm kinda leaning toward Esme.

ARTHUR: Esme?

HARRY: Yeah, you know that kinda sounds like a noise your nose makes, (nasalised) es-MEH. I mean it's...

ARTHUR: And what if it's a boy?

HARRY: Oh Harry Junior of course.

VADA: Dad, when a boy likes you, does he pretend that he doesn't like you? And if he pretends that he doesn't like you how can you tell that he likes you?

HARRY: What boy likes you?

VADA: It's just a question, it's not about anybody.

ARTHUR: Uh oh, here comes puberty.

SHELLY: Vada, I think what you're talking about is the fear of rejection. You see men will do anything to avoid looking foolish.

HARRY: Oh, Shell, that's ridiculous, where are my needle nosed pliers?

SHELLY: Listen, if a boy wants to do homework with you, it really means he didn't have nerve to ask you out on a date, so you'll get your homework together and pretend to be studying, and the next thing you know you're ordering pizza and talking about your favorite movie stars.

VADA: So you're saying...What are you saying??

HARRY: Honey, ahh, guys don't wanna appear over anxious, so if you think there's a boy that might like you, let him know that you like him, so he won't feel he's taking such a risk when he's thinking of asking you out.

Okay?

9:35

[OUTSIDE, VADA IS RIDING HER BIKE DOWN THE PAVEMENT AND ARRIVES AT JUDY'S HOUSE]

JUDY: Hi.

VADA: Hi, wanna help me pick out wallpaper for my new room tomorrow?

JUDY: ehh…I don't know I mean....

KEVIN: Is it okay if I drink this?

VADA: It's okay with me, hi Kevin.

KEVIN: Well if it isn't Vada, the grasshopper girl.

JUDY: Stop it Kevin.

KEVIN: I was kidding, it's a joke okay.

JUDY: We were just doing our homework and studying for the test.

VADA: And the next thing you know you're gonna be ordering pizza and talking about your favorite movie stars. See ya.

VADA'S THOUGHTS: In the future I think I'll stick to asking Dad for advice on embalming.

11:03

[VADA IS CLIMBING THE STAIRS COMING TOWARD THE CAMERA, SHE HEARS SHELLY SINGING "BABY LOVE" AND HARRY PLAYING THE TUBA IN A BEDROOM AND ENTERS]

SHELLY: Baby, Baby, Baby love, my baby love, I need you oh how I need you, why do you do me like you do, haven't I been good to you, so deep in love with you, Baby, Baby.

I read an article that says if you sing to the baby it's a calming influence.

VADA: Assuming the baby's a "Supremes" fan.

SHELLY: I bet your mom sang to you.

HARRY: Well if there was an article about it I'm sure she did. She was always reading.

SHELLY: Yes I know, it runs in the family. (to Vada) New book?

VADA: "The Collected Works of Alfred Biedermeyer"

HARRY: Her favorite poet.

SHELLY: (shaking head) Never heard of him. {burp} Excuse me.

HARRY: How about a nice glass of milk?

SHELLY: And some taco chips so I can dunk.

SHELLY: You know Vada, being an older sister, you're gonna be very important in this baby's life.

<Vada's glance shifts onto Shelly's enlarged breasts, she smiles, a little embarrassed, Shelly looks down at them and laughs>

SHELLY: They're enormous, I know.

VADA: Is there milk in them already?

SHELLY: No, the milk comes when the baby comes.

VADA: When did you umm, I mean umm...

SHELLY: Oh, I was a very late developer, they used to call me "Shelly Two Backs". All my friends had real bra's, not like the training ones I had.

VADA: Why do they call them training bra's? It's not like learning to ride a bike.

SHELLY: I know, I guess it's just sort of preparing you for the rest of your life. It's not easy being a woman.

VADA: You're telling me.

12:52

[VADA'S ROOM, BOXES EVERYWHERE, VADA IS LYING ON HER BED THINKING TO HERSELF]

VADA'S THOUGHTS: All the great writers pondered the meaning of life and death. I've been thinking a lot about my mother recently, even though I don't have any memories of her. I wish I could see her just once, even if it were only in a dream. I know she'd help me figure things out.

13:09

[VADA'S ENGLISH CLASS AT SCHOOL]

MR. OWETT: "Bless me now with your fierce tears I pray, do not go gentle into that good night, rage, rage against the dying of the light."

What do you think Dylan Thomas is saying here? "Rage against the dying of the light."

KEVIN: He's mad 'cause they shut-off his electricity.

MR. OWETT: I think he was referring to life energy Mr. Phillips, which in your case wouldn't cause much of a power shortage, now would it?

MR. OWETT: Vada?

VADA: The poem is really about attitude. It's about not giving up and…it's easy to be overwhelmed sometimes but…that's when we should…force ourselves to push on.

Alfred Biedermeyer said, "To heed the urgent inner voice, embracing destiny, not choice".

MR. OWETT: That's very good Vada. All right, moving on, I want to give you guys a chance to write.

Hey, hey, hey, listen up, I want you to write about someone very special, someone interesting, someone you admire, someone who has achieved something worth writing about, but it's gotta be a stranger, someone you've never met, I want you to investigate the personal side, play Perry Mason, see what you can come up with. All right? Any ideas? Remember two things: Someone who has achieved something and someone you have never met.

Kevin?

KEVIN: Elvis, the king.

MR. OWETT: Elvis, the king.

Devon?

Devon: Farrah Fawcet, I love to watch that girl run.

MR. OWETT: Why is that Mr. Reid?

Devon: …never mind.

MR. OWETT: Vada what about you, who have you come up with?

VADA: My mother.

MR. OWETT: Your mother?

VADA: I never met my mother.

15:17

[VADA, HARRY AND SHELLY ARE WALKING DOWN TOWN TALKING]

VADA: I know my mom's favorite color was pink, and she ate peanut butter and banana sandwiches for breakfast, but that's not what I would call hard hammered facts.

HARRY: I told you about the pumpkin didn't I?

SHELLY: No.

HARRY: Ah, well, I bought her this huge pumpkin for Halloween, but she couldn't bear to carve it so she saved it for weeks, and it ended up under the Christmas tree.

VADA: Then Grammoo said on Christmas Eve, there was this sickening smell permeating the entire house.

SHELLY: Oh no.

HARRY: Yeah when I picked it up it sort of exploded and liquefied at the same time.

It wasn't funny, it soaked clear through Grammoo's oriental.

VADA: There's still a big spot on the floor.

15:49

[INSIDE A GENERAL STORE, VADA, SHELLY AND HARRY ENTER]

HARRY: Okay, we need wallpaper paste. (to shop owner) Hey Cece!

VADA: Oh, is there anything else you remember, how did you propose? Was it romantic?

HARRY: Well, I kinda just blurted it out over a root beer float.

SHELLY: Mmmmmm. Root beer float that sounds good.

VADA: Did she mention any contests that she won? I mean she must have had some awards, she was so talented and all.

HARRY: She was talented, but honey I wish I could help you a little more, it's just that your mother and I had kind of a whirlwind courtship, she came to town with this traveling theater group, I proposed on our second date, two weeks later we were married and almost nine months later you were here and she was gone.

VADA: Was it a nice funeral?

HARRY: Oh yes, lovely funeral, Gernaldi brothers did a beautiful job, lots of pink roses…I used the white hearse. Hey, how about this flowered wallpaper for your room?

VADA: How about this?

16:45

[AT SCHOOL, VADA IS WALKING DOWN CROWDED STAIRS BEHIND MR. OWETT]

VADA: Hi Mr. Owett.

MR. OWETT: Hey Vada. How's your report coming?

VADA: Great, I have so much to say, I hardly know where to start.

MR. OWETT: You know I’ve been re-reading Virginia Woolf, I think she'd be a natural for you, she led a fascinating life.

VADA: Thanks, but I think I'm gonna stick to my mom, she led a fascinating life too.

MR. OWETT: I'm sure she did. (to Judy and Kevin, who are standing near Vada)

Hey guys.

KEVIN: Vada, he was giving you an easy out so you wouldn't have to write about your mother.

VADA: But I wanna write about her.

KEVIN: You're crazy, what was her big achievement? Did she invent gravity?

VADA: No-one invented gravity, it just exists.

JUDY: Then what did she do?

VADA: Well…I'm not supposed to talk about it, but since I'm gonna write about it I might as well tell you. She was a spy against the Russians.

KEVIN: Oh please, who do you think you're kidding? And where did she spy on the Russians from, here in Pennsylvania??

VADA: No, not here in Pennsylvania, she went to Russia undercover with her acting troupe and got a lot of highly sensitive secret plans sent back. Just when she was about to go home, she got caught, and they killed her.

KEVIN: All right, so when did she have you between all her acting and spying and getting caught?

VADA: That's simple. She was pregnant with me…when she went to Russia and she didn't know…and then when the Russians found out, they waited to shoot her 'cause you're not allowed to kill pregnant women anywhere in the world.

JUDY: So she had you in jail, in Russia?

VADA: Well actually I was born in Siberia and then they shot her and sent me home to my Dad.

KEVIN: Vada, if bullshit wore a bra, you'd be topic. Come on Judy.

VADA: Ohh...ask anyone, ask my Dad! (pause) Could be true.

VADA'S THOUGHTS: How come guys talk so much when they have nothing to say, and girls have plenty to say, but no-one will listen.

18:51

[VIEW OF RUG ON FLOOR OF SULTENFUSS' LIVING ROOM, VADA LIFTS UP THE RUG AND EXPOSES THE LARGE BLACK PATCH THAT THE PUMPKIN LEFT SHOWING SHELLY]

VADA: I used to come down here and sleep on this spot when I was little.

My report is gonna be a disaster, everything I know about her fits into one little box.

SHELLY: A box?

19:09

[TOP VIEW OF BOX, VADA AND SHELLY ARE SITTING ON A BED LOOKING THROUGH IT]

SHELLY: Oh Vada, what a sweet baby book!

VADA: It's only filled out to page two. I was eight pounds, four ounces. (looking further in box) There's so many programs, she was in a lot of plays.

Dad said that when she was on stage, she held the audience in the palm of her hand.

SHELLY: (looking at a small brown paper bag) What's this? December 8th, 1958?

VADA: I don't know, Dad doesn't either.

SHELLY: Well, it must mean something. She was obviously very sentimental.

VADA: (as Shelly pulls out a passport) This is one of my favorite things, her passport.

SHELLY: (looking at the photo) Oh Vada she's so beautiful.

"Margaret Ann Muldovan, Born in Los Angeles, California, February 7th 1936." Aquarius.

VADA: Margaret's my middle name, but everybody called her Maggie. Los Angeles, have you ever been there?

SHELLY: No. You know they say, that it never rains, that you can barbecue on Christmas day…instead of riding your bike, you just surf over to your friends house. Oh, and the place is just crawling with celebrities. I know someone who saw Walter Matthau picking up his dry-cleaning.

VADA: Is that why Uncle Phil moved there?

SHELLY: Uncle Phil just needed a change, a little adventure.

VADA: I wonder why she got a passport if she never went anywhere.

SHELLY: Well you've gotta be prepared.

VADA: I'm definitely traveling some day.

SHELLY: Why not now?

VADA: What do you mean?

SHELLY: How would you like to go visit your Uncle Phil in Los Angeles…next week during your spring vacation, you could do research on your mom.

VADA: But what about you and the baby? You need me.

SHELLY: Oh, but I'm not due to have the baby for another six weeks or so.

VADA: Yeah, it would be kinda great.

SHELLY: It would be fantastic.

VADA: But Dad'll never go for it.

SHELLY: You leave your father to me.

21:14

[FOYER OF SULTENFUSS' HOUSE, HARRY AND SHELLY ENTER THROUGH A DOOR ARGUING]

SHELLY: We should encourage her to spread her wings.

HARRY: She can spread her wings, right here in Pennsylvania. You don't send a child alone to Los Angeles, she could come back with her ears pierced, her legs shaved and God knows what else.

SHELLY: She is not a child Harry, she is a young woman, she's on the brink of…

HARRY: Disaster, disaster lurks behind every (hesitates) palm tree.

SHELLY: You're being narrow-minded.

HARRY: Look, maybe when she's a little older, I'd be more then happy to bring up...

(to Vada) Ohh…Hi Vada, we were just having a little....

VADA: You were just having a fight about me. Wouldn't you like to hear my opinion?

HARRY: Of course.

VADA: I think that if I'm old enough to accept a new baby, and if I'm old enough to accept a new room, I'm old enough to go to California.

HARRY: Honey I know it's fun to think about these things but....

VADA: I already bought a ticket.

HARRY: What??

VADA: I used my own money and got a great deal, it's a Q47NR five day fare, which means that I have to change planes in Dallas and stay over a Saturday.

There's no exchanges or refunds, so…if you don't let me go then I will have wasted my entire life savings.

HARRY: Ah, uh, uh, bu…but…but I... I... Isn't it against the law to sell airline tickets to minors?

Don't tell me you aided and abetted this little scheme?

SHELLY: Well, Vada needed me.

Besides the airline requires the signature of an adult.

HARRY: Yeah and they forgot to ask for one who wasn't having hormone surges.

SHELLY: Oh come on Harry, we're talking about five days here.

HARRY: I really think we're going overboard for just a simple school assignment.

22:35

[VADA IS BACK IN LIVING ROOM, RUBBING HER HAND ON THE PUMPKIN STAIN SPOT, WE CAN HEAR HARRY AND SHELLY IN THE BACKGROUND]

SHELLY: But it's not a little school assignment. I think maybe all of this is happening for a reason.

HARRY: Reason? What reason?

22:41

[VADA LIES DOWN AND PUTS HER HEAD ON THE SPOT]

SHELLY: Phil's moving to LA, Grammoo's passing, the baby being born, Vada's report, I think…

22:48

[CAMERA IS BACK ON SHELLY AND HARRY]

…maybe all of these are signs, signs that it's time for Vada to take this trip.

HARRY: Signs. OOOOOOOOOOOH, let me get the loch ness monster on the phone, you two have a lot to talk about. No, I'm sorry, Vada is NOT going to Los Angeles, now I have made my decision and that is final.

23:05

[AT THE AIRPORT, VADA AND HARRY ARE WALKING OUT TOWARDS THE CHECK IN DESK]

HARRY: And remember don't talk to anyone, even if a nun sits next to you, don't talk to her.

VADA: No nuns, got it.

HARRY: And no boys, promise me, oh those LA people are all so corrupt you'll end up pregnant and on drugs…and don't come running to me when you wake up in the city morgue with a tag on your toe having been beaten up into an unrecognizable pulp by some surfer…and DON'T make eye contact, it communicates an implied vulnerability.

VADA: What does that mean?

HARRY: It means…I'm a paranoid nitwit who's never let his baby girl out of his sight for the simple reason he's a paranoid nitwit. So why don't you just say "Oh Dad" and get on the damn plane already?

VADA: Bye Dad, I'll miss you.

HARRY: Thanks, I needed that.

VADA: I'll be back in 137 hours.

HARRY: Have fun.

Not too much.

24:02

[OUTSIDE VIEW OF AIRBORNE PLANE, SWITCHES TO INSIDE VIEW OF VADA AT HER WINDOW SEAT, SHE GETS OUT HER BOX AND LOOKS THROUGH IT AGAIN]

VADA'S THOUGHTS: It's hard to believe that my mother's whole life fits into this box. I've just gotta think of this stuff as clues…or good luck charms.

But I need more than luck to solve this puzzle, I need a miracle.

24:44

[CONVEYOR BELT AT AIRPORT IN LA VADA'S BAG DROPS ONTO BELT AND BEGINS TO MOVE ALONG, AT FIRST ATTEMPT VADA MISSES HER BAG, THEN SHE GETS IT]

BOY: Are you waiting for someone?

BOY: Excuse me I asked you a question.

VADA: I'm not supposed to talk to strangers, not even nuns.

BOY: You're Vada right?

VADA: How did you know my name?

BOY: Your Uncle Phil told me.

VADA: Where is he?? He was supposed to meet me.

BOY: Hey relax, you think I kidnapped him or something?

VADA: This is California, anything is possible.

BOY: Well if I was looking for a victim, I definitely wouldn't pick your Uncle Phil who outweighs me by about 150 pounds, besides, who would I ask for ransom? You??

VADA: Are you suffering from a chemical imbalance or is it just an attitude problem.

BOY: My only problem is that your Uncle Phil is giving me five bucks to pick you up but I don't get paid 'till delivery.

VADA: Gee, that is a problem.

VADA: Put that down, I’ll…I'll call the police!

BOY: What are you gonna do? Tell them that…a polite person helped carry your bag?

VADA: I don't think you're very polite.

BOY: Yeah, well I don't think you're very grateful. A lot of people in your position would say "thank you".

VADA: THANK YOU.

BOY: Don't mention it.

VADA: I don't even know your name.

NICK: It's Nick. (giving Vada's ticket to attendant) There you go.

ATTENDANT: (checks ticket against luggage) Okay.

NICK: Thanks.

NICK: Oh great, no cabs!

MAN: I have a gift for you.

VADA: Thanks....

NICK: No THANKS!

VADA: He said it was a gift.

NICK: Yeah, RIGHT.

VADA: I don't need you to be telling me to…

NICK: TAXI!!!

NICK: Get in…get in!!

TAXI DRIVER: Okay, you look like a man who knows where he's going, where're we headed?

NICK: Take the 405 to Santa Monica, Santa Monica to Whittier, Whittier to Sunset.

27:17

[CAMERA IS FOLLOWING TAXI FROM SKY, SONG IS PLAYING: "SWINGTOWN" VADA IS WATCHING OUT WINDOW ALL THE SIGHTS, THEY PASS AN OIL PUMP, A HUGE DONUT STORE, CAPITOL RECORDS BUILDING ETC.]

<Vada waves out the window to a surfer in a red convertible, then they turn

off, and pull up to a building with "BUDAPEST auto repair" written on it>

28:28

NICK: (paying driver) There you go. (to Vada) See that building, my grandfather built it. Budapest auto repair. (points) That's my room right up there. One of these days this is all gonna be mine.

VADA: Uncle Phil!!

PHIL: Vada!! <Vada runs and jumps into Phil's arms> Look at you, oh hi, hi, hi!! How are you? You look great, how's Shelly? Your dad?

VADA: They're great.

PHIL: How about Nick? Did he take good care of you?

VADA: He was very polite, worth the entire five dollars.

PHIL: Uh huh, well…good to know. <Phil hands Nick a $5 note>

NICK: Thanks

ROSE: (appears from behind a door, holding phone under her ear) Give it back Nicholas!

NICK: But we made a business deal.

ROSE: What ever happened to a good old-fashioned favor huh?

ROSE: (into phone) Now Irving our family's been dealing with your company for over forty years now, now either the timing chain is here or isn't here and from what I can see it isn't here, now you wanna come down and explain to the customers why we can't re-assemble the cars because not all the parts are here.

Now come on, I have enough trouble keeping my weight down, I don't need this blubber from you, are we quite clear on this Irving or do I have to speak with your father? (pause) Thank you. Yes, yes I love you too Irving. <she then hangs up, and notices Vada>

You must be Vada! Oh what a face! <she leans over and hugs Vada> Oh if I had a face like that I wouldn't have to yell so much. I'm Rose, Rose Zsigmond, Nick's mother among other things.

VADA: You're Nick's mother?

ROSE: What, did you think he was raised by a pack of wolves? Don't be misled by the haircut.

NICK: Mom!

PHIL: Who knew that when I started working in the finest foreign car shop in LA, I would also find the light of my life.

ROSE: Yeah, well he left out a couple of steps, ah look, I've gotta get back to these bills, Phil will you help Vada get settled?

PHIL: Come on…I'll show you where you're gonna stay.

PHIL: Here we go…not what you expected from downstairs right? Now well put your stuff over here in this closet…you can unpack later and this is where you sleep. Luckily this sofa bed is really comfortable, I can tell you that from personal experience.

(pointing) Bathroom, do you have to?(pointing) Rose and my room.

VADA: She lives here too?

PHIL: Ahh, that's right, like one big happy family. This is Nick's room and uhh....

VADA: But…are you engaged or something?

PHIL: Dating, seriously dating. You're thirsty, want something to drink? Sure you do, it's been a long trip.

You see Vada, marriage, marriage is a very big step…and…no… not something to be entered into lightly, see I just uhh…I just wanna make very sure that everything is absolutely right before I go jumping into some kind of a...

VADA: Sounds like you have a fear of commitment, Uncle Phil.

PHIL: That's ridiculous, I'm...I'm very, umm, what do you call it?

VADA: Committed?

PHIL: Committed.

VADA: So does that mean that you sleep here every night?

PHIL: Yes, it does.

<Phil holds up two containers, one of orange juice and one of milk, Vada

indicates the milk>

VADA: Well then that's not exactly dating is it.

PHIL: Vada, I know that traditionally you're not supposed to do a lot of these things before you're officially married…but these are very, very special circumstances.

VADA'S THOUGHTS: When sex is involved, it's always special circumstances.

32:08

[AT THE ZSIGMOND DINNING TABLE. ROSE, PHIL, VADA AND NICK ARE SITTING, EATING]

VADA: My parents had a brief, but intensely fulfilling relationship. She's remained a woman of mystery to this day.

NICK: And you're gonna solve the mystery?

VADA: I got it all figured out, I know she went to Wilson High School, so first thing tomorrow, I'm gonna go there and get a copy of her yearbook. That way I can get the names of all the people she was in clubs with and found out who her friends were.

PHIL: Then you'll be all set.

ROSE: Sounds like you're very organized.

VADA: I had to be, I only have five days. So just point me in the right direction and....

PHIL: I'll do better than that. I'll send you off with your own private guide.

NICK: (mouth full) Muh??

PHIL: I'd consider it a personal favor.

32:50

[VADA IS IN A DRESSING GOWN, WALKING TOWARD THE KITCHEN WHERE NICK AND PHIL ARE WASHING DISHES AND TALKING, VADA STOPS BEHIND THE FRIDGE AND LISTENS]

PHIL: It's not like you had a whole lot planned for this week right? It'll be okay. Hey, here you go. <Phil hands $10 to Nick>

NICK: What's that?

PHIL: Ten bucks.

NICK: What's it for?

PHIL: For the mini-bike fund.

NICK: Wow!

PHIL: Well I know you're not crazy about taking Vada around tomorrow, so…I just want you to know I appreciate it though.

NICK: No problem.

PHIL: You're a good man Nicholas.

NICK: Phil, I think you should consider...<fades as Vada walks off>

33:24

[CLOSE UP OF VADA IN BED. SHE WAKES UP, AND GETS UP, WANDERING OUT ONTO THE FRONT PORCH IN THE FRESH MORNING AIR LOOKING AT LA]

33:55

[EXTERNAL VIEW OF BUS GOING DOWN A HIGHWAY]

[INSIDE BUS, VADA AND NICK ARE SITTING ON ONE OF THE SEATS]

VADA: I thought my mom went to school in LA, we've gotta be closing in on the Grand Canyon. But I'm sure for a trip to the Grand Canyon you'd charge a little more than…ten dollars.

NICK: You know eavesdropping is a very unattractive habit.

VADA: I wasn't eavesdropping, I was overhearing.

NICK: I didn't ask for the money, Phil just gave it to me.

VADA: Well look, I know that all you care about is your precious mini-bike. It's obvious you have no sense of historical perspective, I think we're here.

NICK: (to driver) Getting off please.

VADA: Excuse me, pardon, thank you, excuse me.

VADA: Where's the school?

VADA: "Due to a devastating fire June 17 1963, Wilson High School was closed."

I can't believe it! My mother’s high school burned down!

NICK: They obviously have no sense of historical perspective either.

VADA: It's not funny! I mean what am I gonna do? Without that yearbook I'm lost. I can't just walk around town looking for someone with a Wilson High School Letter sweater!!!

NICK: Vada.

VADA: WHAT??

NICK: Calm down! We just have to ask ourselves, where your books come from.

I mean they don't appear out of thin air.

35:41

[INSIDE A PRINTING PRESS SOMEWHERE, VADA AND NICK ARE WALKING BEHIND A WORKER]

MAN: Watch these machines now.

VADA: This is really very nice of you.

MAN: It's no problem, I had a mother once myself.

MAN: If it's in here at all, it's in the back two rows.

VADA: O.K. Thank you very much.

MAN: Happy hunting.

NICK: I don't mean to alarm you, but I'm getting a nose bleed from the altitude.

VADA: Just remember the needle in the haystack.

NICK: I never did understand that story, did someone find the needle or not?

VADA: What difference does it make?

NICK: A big difference, if someone found it we should keep looking, if they didn't we're just wasting our time.

VADA: Oh my gosh, here it is!

VADA: Look, here she is.

"Margaret Ann Muldovan: Newspaper, Literary magazine, French Club, Drama Club, Debate Club, Girls Basketball and Swim team.

With Maggie's combo of good looks and talent, we're sure to be seeing her name in lights."

She was gonna be famous.

NICK: Yearbooks always set you out for disappointment, I want mine to say:

"Nick probably won't amount to much, so don't be surprised if you never hear anything about him again"

Can we go?…It smells like someone left their gym bag in here.

VADA: It's the leather bindings, I love the fragrance of vintage books.

NICK: I love the fragrance of chilidogs.

37:09

[VADA AND NICK ARE AT AN OUTDOOR FAST FOOD RESTAURANT, EATING]

VADA: He was on the school paper with my mom…great…a full page of Tanaka's, fifteen with the initial 'D', this is gonna be tough.

NICK: Don't forget, the girls change their names if they got married.

VADA: I'd never do that.

NICK: Get married?

VADA: Change my name.

NICK: What, you think the guy should change his name?

VADA: I don't think anybody should change their names, that way you can always find them when you need them.

NICK: What if you don't wanna be found?

VADA: Why do you argue with everything I say?

37:44

[L.A.P.D., VADA AND NICK ARE GOING UP THE STAIRS, THEY APPROACH A FEMALE COP AT THE DESK]

VADA: Hi.

COP: Can I help you?

VADA: Umm, yeah does someone named Daryl Tanaka work here?

COP: Sure. (turns around and shouts) Hey TANAKA, you got company!

DARYL: It's too bad about your mom. At least she went peacefully, I've seen a lot of people go out the hard way.

VADA: What do you remember about her.

DARYL: Well, we worked on the school paper together. I remember when the Legion of Decency declared "Rebel without a Cause" unfit…boy…that Jim Backers, what an actor uh? What an actor.

Ah, she wrote this article about censorship in the first amendment, she was really something. Graduation, some big deal congressman saying Senator McCarthy was the greatest American ever. Maggie gets up in front of five hundred people…walks out…couple of people followed her too.

Took a lot of guts.

VADA: Wow, you walked out with my mother?

DARYL: You kidding? <he picks up a picture and shows Vada and Nick>

My parents would have shot me.

I was the president of the young republicans. Nee say second generation…hall monitor. I didn't wanna start World War Three.

NICK: You saved a lot of lives, you should be very proud.

VADA: Umm, I'm trying to find out her greatest achievement.

DARYL: She was the uhh…first girl ever suspended for smoking.

VADA: Suspended from school, my mother??

DARYL: Everyone was really surprised when Maggie was turned in, she got kicked out for two weeks.

NICK: What kind of sleazoid geek would turn her in?

DARYL: I would do it again in a minute.

VADA: You ratted on my mother??

NICK: Who are you? Hitler's hall monitor?

DARYL: Well maybe you should join a hippie commune. But let me tell you something. Sooner or later it's gonna be your turn to take out the garbage.

NICK: What about giving the other guy a break.

DARYL: What about living in the real world pal?

INTERCOM: TANAKA got a minute?

DARYL: I'll be right there. <he gets up and begins to leave>

(to Vada) Oh, ahh, I'd be a little more careful of who I hang around with.

NICK: (to Vada) Care for a smoke?

40:06

[VADA AND NICK ARE WALKING ALONG THE STREET]

VADA: This'll be great in my report, my mother was suspended for smoking.

NICK: I think it's cool.

VADA: You would.

NICK: You'd rather have a mother that's a member of the police state? Rules are made to be broken. (pointing to Nixon on TV in a shop window) Just ask him.

NIXON ON TV: ...about the fact that the president has nothing to hide…in this matter...

40:28

[BUDAPEST AUTO REPAIR, A RED JAGUAR ENTERS WITH A SCREECH AND A MAN GETS OUT AND MOVES OVER TO ROSE]

ROSE: Hello.

MAN: Hi.

ROSE: What can I do for you?

MAN: Ehh…I'm staying at the chateau and the guy who runs the garage there said that you're the best Jag people in town…so uhm.

ROSE: Well Enrique is great and…we are the best.

MAN: Then I have come to the right place.

ROSE: I guess you have.

MAN: I'm Sam Helburn. Sam.

ROSE: Rose.

ROSE: So what's wrong?

SAM: Nothing, nothing at all.

ROSE: I mean…with your car.

SAM: Oh, ahh, oil change, I…ehh…I just drove in from Chicago and uhh…nice hair.

ROSE: Excuse me?

SAM: I was commenting on your hair.

ROSE: Oh, are you a hairdresser?

SAM: I'm a pediatric cardiologist.

ROSE: Oh, you mean you…fix the hearts…of little babies?

SAM: Mostly…little babies, but…not exclusively.

SAM: (laughing)…It’s all in the hands really. You know you have nice hands, you operate?

ROSE: (laughing) Yes, I do.

SAM:…so I guess I’ll always…teach…you know…’cause it makes a good relief from the operating-room, I feel I have an obligation…

PHIL: Hi, Phil Sultenfuss

<Phil goes to shake Sam's hand and then realizes that they are very dirty and

withdraws his hand> Oh sorry. Ahh, some kind of problem here?

ROSE: No, there's no problem, Dr. Helburn just needs to have his oil changed.

PHIL: Oh I see, 'cause usually that doesn't require such a lengthy consultation.

SAM: Well Rose was being very thorough.

PHIL: Was Rose.

ROSE: Ahh, Dr. Helburn, why don't you come in tomorrow-morning at eight o'clock, that's when we open, we'll get you started.

SAM: I'll be here.

PHIL: I look forward to it. <Phil slaps the windscreen of Sam's car, leaving

a huge greasy handprint> Oh, I'm sorry, I'll get that for you in the morning.

<he gets out a rag and wipes the mark, smearing it> Ooooh, made it worse,

Get that for you in the morning. Nice wheels.

SAM: Thanks.

PHIL: What's with the touching, why was he touching you?

ROSE: He wasn't touching me he was just…gesturing...

PHIL: He was caressing.

ROSE: Phil for God sake.

PHIL: God? No I didn't think you'd want to invoke God Rose, because he saw even more than I did.

ROSE: Look Phil, if you want the rights of a husband, you're gonna have to ask me something but if not, you're gonna have to get accustomed to the rights of what you are.

PHIL: Oh…what's that?

ROSE: Right now? An intimate border with…mechanical skills.

PHIL: Hi!

ROSE: Oh, Hi, how's the investigation going?

NICK: Just call us the "dead end kids".

VADA: May I use the phone please.

ROSE: Oh, yeah, sure, help yourself.

PHIL: Anyone with taste, anyone with breeding.... A gentleman, would choose British racing green, with maybe a tan interior…but when you buy a red car, with a black interior and wire wheels, you have one thing on your mind and one thing only and I'm too much of a gentleman to say what that one thing is…in front of the children.

Even if I am just a glorified boarder.

<Phil changes the radio station from the classical one that Rose has it on,

to a modern one, with some heavy 70's music on it>

<Vada is talking on the phone trying to find the number for another one

of her mother's friends>

VADA: Hi, I would like the number of Stanley Rosenfeld photos, please?

44:02

[IN A BALL ROOM, HUNDREDS OF PEOPLE ARE DANCING TO A SONG BEING PLAYED BY A LIVE BAND, VADA AND NICK ARE WALKING WITH STANLEY ROSENFELD]

STANLEY: You know photography is an art form if you take it seriously enough, which I happen to do. <Stanley sees a couple dancing>

Ester, Ester you gorgeous thing you, smile for the birdie. Hold, hold.

ESTER: Stomach in Harold.

<click>

STANLEY: BEEAAAUUUUUUTIFULLL.

ESTER: Thank you.

STANLEY: Thank YOU.

Your mother was something-special Vada, to tell you the truth, I had quite a crush on her.

VADA: Really?

STANLEY: Who didn't? She could play basketball like Jerry West, she danced like Sid Cherice, then she'd look at you with those big blue eyes, forget about it. I asked her out a couple of times but she always said no.

Lenny, Nancy, you just got married, look happy, look happy, look like you mean it.

<click> BEEAAAUUUUUUTIFULLL.

I remember those days, then we all went off to UCLA and she started hanging round with those drama department types. There was this one guy, Peter Webb he's become a big director in Hollywood now…and the only reason I know him at all is that we were all together in this big poetry class with this crazy guy Albert Boderfelder...

VADA: Beidermeyer?

STANLEY: Beidermeyer that's it, what a mad man.

VADA: He's a great poet.

STANLEY: He is?

VADA: Do you know him?

STANLEY: Everybody did, walk along Citrus between Fountain and Sunset any afternoon.

VADA: He'll remember my mother for sure.

STANLEY: It was a big class Vada and…but…well of course he'll remember, who could forget Maggie?

VADA: Just one more thing. Does this mean anything to you?

STANLEY: No it doesn't but… I…I wish it did.

VADA: Well, thanks for your help Mr. Rosenfeld and I'm sorry my mother wouldn't go out with you, I'm sure she would have had a really great time.

STANLEY: I would have tried to show her a good time. I promised her when she left that I would never forget her and I never did. Stanley Rosenfeld does not forget.

45:57

[VADA AND NICK ARE WALKING DOWN A PAVEMENT, TALKING]

VADA: This is the street he walks down every day. When he needs inspiration…

NICK: Boy, you're really into this.

VADA: He is one of the great poets.

VADA: I think it's him.

VADA: He's writing. Hello?

MAN: If you're selling Girl Scout cookies I'm borderline diabetic.

VADA: You're Alfred Beidermeyer aren't you?

ALFRED: You had to remind me?

VADA: Are you writing a poem?

ALFRED: No, I'm writing to the phone company because they keep charging me for calls to Caracas, Venezuela…do you know any know anybody in Caracas, Venezuela?

VADA & NICK: No.

ALFRED: Neither do I.

Ask not for whom the bell tolls…time for my medication and my nap.

NICK: Here, we'll help you carry your stuff.

ALFRED: I can handle it, I can handle that. Oh well, thank you, I'm in the penthouse. <Vada and Nick begin to climb the stairs> Penthouse A, it's there over on the left.

NICK: If he has a heart attack you're carrying the body down yourself.

VADA: At least it gives you plenty of exercise.

ALFRED: It keeps me young.

VADA: (referring to the table that she is carrying) Umm, where do you want this?

ALFRED: Oh, just put it over there.

VADA: Do you still teach?

ALFRED: No, no, no, I gave it up ten years ago…actually it gave me up.

VADA: My mother took this course with you at UCLA…"The Foundations of Poetic Thought".

ALFRED: UCLA? My cardigan sweater period.

VADA: Her name was Maggie Muldovan.

ALFRED: (completely absentmindedly) Ohhhhh.

NICK: Remember her?

ALFRED: I've been blessed with a very bad memory.

VADA: People said she looked like me.

ALFRED: I was drinking a little in those days. (gets up) I'm drinking a little these days too.

VADA: I'm sure she found your lectures fascinating.

ALFRED: Oh I doubt it…lectures are notoriously boring.

VADA: No they're not. I wanna be a writer, I wanna be just like you.

ALFRED: Humph, meee?? My dear, this is not a country that rewards poetry, this is a country that rewards gas mileage, besides, people don't read poetry anymore, they watch television. Don't be a poet, be a TV repairman.

49:18

[OUTSIDE, NICK AND VADA ARE GOING DOWN STEPS OUTSIDE ALFRED BEIDERMEYER'S FLAT]

NICK: Vada, come on…I got a place I always go when I need cheering up.

49:42

[TAR PITS, VADA AND NICK ARE ON THE VIEWING PLATFORM LOOKING OVER THE EDGE]

VADA: The tar pits? This is where you come to get cheered up?

NICK: Look at it this way, however bad I feel, it isn't as bad as becoming extinct in a bottomless pit of tar.

VADA: And I thought I was weird.

NICK: You are weird. Let's just go.

VADA: Oh, no wait, I like that you bought me here.

NICK: Hey what do I care…I mean, consider the sorts, a chick from Pennsylvania, who wears a mood ring.

VADA: This isn't just a mood ring.

NICK: Does it work?

VADA: Well, it doesn't open cans or anything but it…it's sort of a reminder of a friend of mine.

NICK: Boyfriend?

VADA: Well he was a boy, he was my friend...he was my best friend. When we were kids we were gonna…move out here and move to the Brady Bunch.

Then umm, I lost this ring in the woods…and when he went to find it…he got stung by bees and he died.

NICK: Do you think your friend's up in Heaven now, looking down on you and watching you all the time?

VADA: (smiles) Well, I hope he's not watching me all the time.

NICK: Let me see if it changes colors on me.

VADA: ehh…Okay…but be careful, it has a lot of sentimental value.

NICK: Maybe it'll fit my pinkie.

VADA: Don't force it, you'll break it.

NICK: I'm not gonna break it, I just wanna see it change colors.

VADA: I want it back now. I never should have taken it off, I want it back.

NICK: Hey relax, I'm not gonna break it.

VADA: Give it to me!

NICK: Come and get it.

VADA: Just give it to me!!

NICK: Just come and get it…right here!

VADA: DON'T, come on!!!

<Nick has his back against the side of the platform with his arm outstretched,

threatening to drop it>

NICK: Woah, watch it!

VADA: DON’T!!!

NICK: ...(expression suddenly changes)Uh oh....

VADA: What do you mean "Uh Oh"???

NICK: …I dropped it.

VADA: In the tar??

NICK: It was an accident, I'll get you a new one.

NICK: Where are you going???

VADA: Owh...

NICK: Vada wait up!!!!! WAIT!!!!!

<Vada tries to scale the fence to get into the enclosed area to retrieve her

ring, Nick pulls her off>

NICK: What are you doing? You can't go in there!

VADA: Oh no?!?!?!

NICK: It's dangerous!!

VADA: (pushing Nick) Leave me alone!!

That ring is the only thing I have left of Thomas J, I have to get it!!

NICK: You mean, (opens other hand) this ring?

VADA: Jerk! You IDIOT!!!

NICK: You hit pretty good, for a girl!!

52:44

[NIGHT TIME INSIDE THE ZSIGMOND HOUSE, NICK OPENS HIS BEDROOM DOOR AND EMERGES DRESSED IN HIS PAJAMAS]

ROSE: (whispering, from bedroom) Nicholas! What are you doing up?

NICK: I...ahhh...umm…I'm thirsty.

ROSE: There's water in your bathroom.

NICK: (opening fridge) I want juice!

ROSE: Don't wake up Vada.

NICK: I won't.

53:37

[SOME WESTERN MOVIE SET IN HOLLYWOOD, VADA AND NICK ARE WALKING ALONG TALKING TO PETER WEBB]

PETER: I think ahh…Maggie could have been a major glitter. She’d talent, God knows that face was made for close-ups but everything was…magic with Maggie. I remember, we were walking down Hollywood Boulevard, we put our feet in the

stars' footprints, you know like tourists do, Maggie could not believe it, her feet were the same size as Judy Garland. Of course mine matched perfectly with Orson Wells. Hahaha, just kidding.

You should call Hillary Mitchell…Maggie were very close. She's got this funky little clothing store over here on Melrose, I'd call her for you but well we ahh, kinda had this thing you know…got a little messy.

VADA: Thanks. Umm…would you know what this is?

PETER: Well not really. Ahh, could be the date of an opening, an audition…eh…umm…birthday? Not my birthday. I dunno, who…eh…writes dates on paper bags?

VADA: My mom.

PETER: (looks at watch) Woooh, I have got to get to Dailies, gotta break this up.

VADA: Well thanks for your time, I know you're very busy.

PETER: You are Maggie all over…you let me know if you ever wanna be a movie star…you got the face for close-ups too.

VADA: Thanks.

NICK: What a dufus.

55:10

[LIVING ROOM OF ZSIGMOND HOUSE, PHIL AND ROSE ARE READY TO GO OUT, VADA AND NICK ARE SITTING READING MAGAZINES]

PHIL: We may go out for coffee after the meeting so don't expect us before midnight.

ROSE: There's plenty of fruit.

PHIL: You know where the fire extinguisher is.

NICK: If the fruit burst into flames I'll be prepared.

ROSE: (to Nick, whom she gives a kiss on the forehead) You're so clever.

(to Vada) Are you all right honey?

VADA: I'm just tired.

ROSE: All right, well get to bed early and don't let anybody in. Bye.

PHIL: Lock the door.

VADA: Bye.

<Vada looks up expectantly at Nick, who gets up and goes to the door to check

that Rose and Phil have left>

NICK: We have lift off.

55:45

[ON HOLLYWOOD BOULEVARD, NICK AND VADA ARE LOOKING AT ALL THE STARS ON THE PAVEMENT]

VADA: Joan Crawford, oh I love her…there's the Marx Brothers. Carol Lombard, my dad's favorite!

NICK: Never heard of her.

VADA: Montgomery Clift, wait 'till I tell Shelly.

NICK: Here's Judy Garland!

VADA: My mother stood on this very spot.

NICK: I'm afraid your feet won't fit in there.

VADA: That's 'cause I was cursed with the "Sultenfuss Bear Claws".

My hands fit.

NICK: Big deal.

<A hippie walks past smoking a joint, and blows a puff of it on Vada, who

smells it and coughs>

VADA: What's he smoking?

NICK: What do you think?

VADA: Really?

<Vada starts off after him, but Nick grabs her arm and pulls her away, they

walk off and then Vada sees a sign saying "Ears Pierced, $5.00">

VADA: Hey look!

NICK: This is a totally barbaric custom.

56:55

[VADA AND NICK STROLLING QUIETLY DOWN A PAVEMENT IN FRONT OF A LARGE WALL MURAL OF MOVIE STARS]

NICK: So if Phil marries my mom, she'd be your Aunt right?

VADA: Right.

NICK: And you'd be my cousin?

VADA: Yeah I guess…sort of.

NICK: But we wouldn't really be related right?

VADA: Oh no, we wouldn't be from the same bloodlines or anything. We'd be like two total strangers who…accidentally had relatives that got married.

NICK: Good. I mean...

VADA: Marriage can really complicate things. So, aren't you gonna say anything about my earrings?

NICK: I already did, it's a totally barbaric custom…but on you, it looks good.

57:47

[BUS PULLS UP TO STOP NEAR BUDAPEST AUTO REPAIRS, NICK AND VADA RUN OFF OF IT AND SPRINT OFF TOWARDS THE DOOR TO NICK'S HOUSE]

VADA: We should’ve called.

NICK: It's not that late!

ROSE: You're grounded 'till you're fifty!

NICK: You're over reacting!

ROSE: Make that sixty and I'm docking your allowance for two weeks.

NICK: MOM!

ROSE: You think this is easy for me? You go out on the town and I get to be the bad guy. Look I don't want you to be some punk hoodlum delinquent but I can't do my job as a parent if you don't do your job as a kid.

VADA: It's not his fault!

NICK: No…it was me. And I'm sorry mom, really, ju…just tell me what to do, I'll do anything.

ROSE: Go to your room. (to Vada) And you…I don't suppose your father gave you permission to pierce your ears, did he?

VADA: Not exactly.

ROSE: Well just don't shave your legs…he'll never let you visit us again if I send you home hairless and full of holes.

58:56

[GARAGE: DAY, DR HELBURN DRIVES IN]

SAM: Good morning.

ROSE: Well maybe for you.

SAM: Something wrong?

ROSE: Well let's just say you're lucky you deal with children who are under anesthesia.

SAM: Well, even without anesthesia I always tell my patients to…eh… to relax.

Look…eh…isn't it time for your coffee break or something? There must be some place we can go…talk?

ROSE: Oh no, I, I…eh…I couldn't.

SAM: You couldn't?

ROSE: Well I'm sort of involved.

SAM: Sort of?

ROSE: Let's just say I…eh…I'm involved.

SAM: Where I come from, involvement…generally calls for a substantial piece of jewelry.

ROSE: Oh, well, I don't wear a lot of jewelry.

SAM: All right, so you don't like jewelry but…eh…you do like…eh…good music. Liszt, one of my favorites.

ROSE: Lizt was my parents’ favorite, they were Hungarian.

SAM: Hungarian. Famous for their beautiful music...and beautiful women.

PHIL: Doctor Helburn, what a surprise. In the last couple of days we've changed your oil, realigned your brakes, balanced and rotated your tires, aligned your front end, and flushed out your entire cooling system, I really didn't expect to be seeing you for another three thousand miles.

SAM: Oh what can I say Phil, it's just that I feel so welcome here.

ROSE: And you are.

SAM: Ahh, why don't I come in first thing in the morning and you can check out that left blinker for me.

ROSE: Oh, sure okay.

SAM: I’ll see you then…I look forward to it.

PHIL: You really oughtta flush out that line of bullshit he's got:

"Hungarian's are famous for their beautiful women".

ROSE: What's wrong with a little flattery? What's wrong with a little appreciation?

PHIL: Wait, are you saying that I don't appreciate?

ROSE: I'm saying he asked me out for coffee, like a real date, when was the last time you did that?

PHIL: Wha…what do you mean? We have a date every night.

ROSE: No, that's not a date, a date is when I don't cook.

PHIL: I do the dishes.

61:37

[VADA AND NICK ARE WALKING DOWN A STREET, THEY STOP AND ENTER A SHOP]

VADA'S THOUGHTS: I'd go to a fortuneteller but they can only predict the future…I need someone who can predict the past.

61:38

[INSIDE SHOP]

LADY: Hi, can I help you?

VADA: Are you the Hillary Mitchell who went to school with Maggie Muldovan?

HILLARY: Maggie Muldovan? Did you…know her?

NICK: She's her daughter, Vada.

HILLARY: Ooh…of course! (hugs Vada) Oh, look at you! Oh it's the eyes mostly and the hair too and now she's gone…she's gone…she’ll never get to see how well you've turned out. Oh… oh my God…Maggie! You poor thing!

VADA: It's okay really, I was just a baby.

HILLARY: I'm sorry, it's just…I've been taking all these seminars to get in touch with my feelings and…sometimes it gets out of hand.

NICK: Here.

HILLARY: Oh, thank you, you're very sweet. So how did you find out where I was?

NICK: Peter Webb told us.

HILLARY: Peter? You saw Peter? Oh God...(begins to cry, and then hugs Nick)

Oh forgive me, I'm making such a scene here. Why don't you have a seat.

VADA: Thanks.

HILLARY: I remember Maggie…and your Dad too, you know we used to all pile into his old 54 Ford pickup. "Chuck the Truck" we used to call it.

It was pitch black, with a red leather interior. Does he still drive that?

VADA: No, but sometimes he drives a hearse.

NICK: He's an undertaker.

HILLARY: You're kidding, Jeffrey Pommeroy's an undertaker?

VADA: His name's Harry Sultenfuss.

HILLARY: Oh. (then it dawns on her) Ohhh?

VADA: What’re you saying?

HILLARY: Ummmmm, look, I...I...

VADA: Are you saying my mother had another husband?

HILLARY: Oh honey, back then…people did crazy things.

VADA: They sure did! They got kicked out of school, they married truck drivers…these are my mother's greatest accomplishments? I'm sure glad I came all the way out here to find them out.

64:33

[OUTSIDE ON SIDEWALK]

NICK: Vada, wait up!

Just because you mother was married before, it…it doesn't mean anything.

VADA: (very near tears) Maybe not…but maybe it does. If no one told me about this, I mean…maybe they're trying to hide something.

NICK: Like what?

VADA: Maybe this Jeffrey guy is…is my real father. I mean…look at me, I have the hair of a dead person and…and my nose, no one in my family has this nose, it could be the nose of…a…of a complete stranger,

<Vada's voice is getting a little hysterical and she is starting to cry>

I mean…I came out here to…to find out about my mother and I…and I found...

NICK: Don't cry…come on…that lady in there looked pretty flaky to me.

How ‘bout Phil, maybe he knows something about all this. At least you should talk to him before you get worked up.

VADA: Before I get worked up? You don't think this is worked up?

<Nick takes Vada by the shoulders and gently turns her around, he then wipes

a tear from her cheek>

NICK: That thing you said about your nose…it was a stranger's nose…well it's not…it’s…I mean…it's yours…you know?

VADA: Nick?

NICK: Yeah?

VADA: This has been a real confusing day.

66:18

[ZSIGMOND DINING ROOM TABLE, VADA, PHIL, NICK AND ROSE ARE SITTING EATING]

VADA: How could Dad let me visit here and find out like this?

VADA: I'm gonna call him…and make him tell me everything.

<Phil knows something that Vada doesn't, and he doesn't want Vada to phone

Harry at the moment>

PHIL: Uhh sweetie, I wou... I wou...I wou…

VADA: Don't worry, I'll do it in my own subtle way.

HARRY: Hello? Sultenfuss Parlor.

VADA: Hi Dad.

HARRY: Hi honey.

VADA: I just called to say that I'm having a really great time.

HARRY: Good! You should go over and watch some Ted Carson.

VADA: Actually, I wanna see Jeffrey Pommeroy.

66:56

[HARRY AND SHELLY'S ROOM BACK IN PENNSYLVANIA, SHELLY IS LYING IN BED LOOKING SICK, HARRY IS SITTING BESIDE HER ON THE PHONE TO VADA]

HARRY: Is he…eh…some kind of a new rock star or something?

[VADA]

VADA: Yeah.

HARRY: Totally groovy huh?

VADA: Totally.

[HARRY]

HARRY: Ask him if he needs a good tuba player.

[VADA]

VADA: I will. How's Shelly?

[HARRY]

HARRY: Oh she's fine…ahh…umm the doctor just…ehh…told her to stay in bed and get a little rest and…’n stay quiet…just…just to make sure that...

[VADA]

VADA: Okay…bye daddy, I love you.

[HARRY]

HARRY: I love you too sweetie, bye.

VADA: Give my love to Shelly.

[VADA]

VADA: Shelly's sick…I have to get to the bottom of this whole thing and get back there.

ROSE: She'll be all right baby.

VADA: Yeah…right, it's pointless to worry.

67:46

[L.A.P.D. AGAIN, VADA AND NICK ARE TALKING TO DARYL TANAKA]

DARYL: I'm not authorized to trace licenses for civilians.

VADA: His name is Jeffrey Pommeroy and he used to drive a 54 Ford pickup, black with red interior. Please?

NICK: Give us a break. All you have to do is make a phone call.

DARYL: (to Vada) I thought I told you to lose this guy.

NICK: Look, sergeant I know I said some things last time that I shouldn't have said at all but…

DARYL: I think the phrase was "Sleazoid Geek".

NICK: I'm sorry okay…we gotta find this guy because…he knew Vada's mom and he could tell her stuff that no one else knows.

DARYL: You're still asking me to break the law.

VADA: No, we're asking you to stand up with Maggie Muldovan like you should have years ago.

DARYL: Yeah, this is Sergeant Tanaka from Holenbeck, I need a current address for a Jeffrey....

VADA: Pommeroy.

DARYL: Pommeroy…he may or may not be driving a black 54 Ford Pickup. (covers phone) Monday.

VADA: (disappointed) I'm leaving Sunday.

DARYL: (into phone) Could you hold on for a second? (quietly, to Vada and Nick)

Look, I can't get priority without a criminal charge.

NICK: So charge him with something…who's gonna know?

DARYL: Me, I'll know!

VADA: Do you wanna be a hall monitor all your life?

DARYL: (into phone) Hello, I'm gonna need this right now…this guy…well we think he might be going after the governor. (pause) Twenty minutes? Fine.

69:34

[BUDAPEST GARAGE, VADA AND PHIL ARE LOOKING AT THE ENGINE OF A CAR]

PHIL: So give him a call, the worst he can do is hang up on you, right?

VADA: I feel like before I can talk to him I have to see his face.

PHIL: How's this for a solution. We'll take a drive over to his place, you can introduce yourself....

VADA: I'd like to see his house but…I don't know if I'd have the nerve to just go up and knock on his door. I don't think I can go through with it.

PHIL: Then we'll keep driving…you'll decide.

70:05

[VADA AND PHIL DRIVING DOWN HIGHWAY, THEY TURN OFF INTO A SIDE ROAD]

PHIL: You're awfully quiet.

VADA: Do you think I should tell my dad about Jeffrey Pommeroy?

PHIL: I don't know, he's got an awful lot on his mind right now.

Maybe some day when the time is right.

VADA: Maybe.

PHIL: Then again, your dad's got his own memories and he's got his own life now…I think this is a secret just between you and your mom.

VADA: A secret, I like that.

70:52

[PHIL'S TRUCK PULLS UP TO A HOUSE]

PHIL: This is it I guess.

VADA: Well, I've come this far…the least I can do is knock on the door.

PHIL: You want me to come with?

VADA: (shakes her head) I should do this myself.

PHIL: Okay…take your time…I'll…I’ll go for a walk around.

VADA: Okay.

<Vada gets out and makes her way up to the front door, petting the dog sitting

on the doorstep, she turns to look back at Phil>

PHIL: (in car, gesturing that she should press the bell) Go ahead honey…go ahead.

MAN: Hi there…can I help you?

VADA: Are you Jeffrey Pommeroy?

JEFFREY: Sure am, who are you?

VADA: I am Vada Margaret Sultenfuss. My mother was...

JEFFREY: Maggie…Maggie's little girl.

JEFFREY: I was hoping I'd get to meet you.

VADA: You mean, you knew about me?

VOICE FROM INSIDE: Who is it honey?

JEFFREY: It's aah…Maggie's little girl, Vada.

WOMAN: Ohh, Oh my.

JEFFREY: This is my wife Emily.

EMILY: Hi.

VADA: Hi.

JEFFREY: Umm…can you come in for a minute?

VADA: I'd like to, thanks.

LITTLE GIRL: Mommy, Daddy, I painted you a rainbow, come and see.

EMILY: (to Katie) This is Vada, (to Vada) Vada this is our little girl Katie.

VADA: Hi.

KATIE: (shy) Hi.

EMILY: Umm…why don't we let Daddy and Vada visit for a little while?

KATIE: Okay.

JEFFREY: Okay.

KATIE: Bye.

VADA: Bye. (Emily and Katie leave) She looks a little like me when I was a little girl.

JEFFREY: Does she?

JEFFREY: I'm glad you're here.

VADA: You are?

JEFFREY: Yeah, come on, let's talk.

74:01

[IN KITCHEN, JEFFREY IS IN FRIDGE GETTING A DRINK]

VADA: We have this school assignment to write about someone we never met and I chose my mother. She was born in Los Angeles and since my uncle Phil moved out here I came in to visit him and then I looked at her high school yearbook and…

and I called a few people and one guy said that she went to UCLA, another guy said that I should call Hillary Mitchell so....

JEFFREY: Hillary Mitchell? How's she?

VADA: Oh she's great…she's a little crazy though. Anyway, Hillary said that you had a black Ford truck and this policeman I know got in touch with Motor Vehicles and…he gave me your address and here I am.

JEFFREY: (laughs)

VADA: I told you it was a long story.

JEFFREY: That's all right, you know what? You sound just sounded just like your mother…she told great stories. Stories with crazy accents and…special effects.

VADA: Special effects?

JEFFREY: Yeah like, switching a lamp on and off when she was talking about lightning…audiences love stuff like that. And your mom knew how to work an audience.

VADA: I don't know very much about her…I was hoping that you could help me.

JEFFREY: I'll try.

VADA: No one else knows what this means.

JEFFREY: You see…the thing is, we always wanted to work in a theater, so we drove out to New York, to Broadway where it was...where it was all happening…and…New York was just full of fancy French restaurants and we wanted to get married in one but we were totally broke, so your mom found this little coffee shop…little tables round the back…and real tablecloths on 'em, and a minister who worked cheap…but when we got down to the coffee shop there was a sign on the door that said "Closed by the Board of Health". By that time it had started snowing, so…we just got married…right outside in the snow.

It was freezing but it was wonderful. And for our wedding feast, we had a bag of hot roasted chestnuts. This is the bag.

VADA: And she saved it.

JEFFREY: (nods) Well, we didn't have a camera…so she just wrote the date on the bag and said, "This will be out wedding album, this will be a day we will never forget." We never did.

VADA: Do you have any pictures if her?

JEFFREY: I've got something better.

76:36

[ROOM WITH PROJECTOR SITTING BEHIND COUCH, VADA IS SEATED ON THE COUCH AND JEFFREY IS SITTING BEHIND HER OPERATING IT]

JEFFREY: We called ourselves "The Appearing Nightly Players".

MAGGIE: (on screen, in French accent) Darling, oh where is my chauffeur? You don't want I should walk to the stage? An actress of my overwhelming talent?

VADA: She's beautiful.

JEFFREY: We performed on the beach one summer…ha…everything went wrong.

MAGGIE:

Smile though your heart is aching,

Smile, even though it's breaking,

When there are clouds,

In the sky you'll get by,

If you smile through your fears and sorrows,

Smile and maybe tomorrow,

You'll see the sun come shining through if you,

Light up your face with gladness,

Hide every trace of sadness,

Although a tear may be ever so near,

That's the time you must keep on trying,

Smile, what's the use of crying,

You'll find that life is still worthwhile,

If you just smile.

JEFFREY: She had a…a beautiful voice.

JEFFREY: Would you like…eh…to have these movies?

VADA: (turns around) More than anything in the world.

JEFFREY: (nods) It's good to see Maggie again…and you.

VADA: Umm…didn't you ever wonder about me?

JEFFREY: Well I didn't know about you until after she was gone.

VADA: I thought that…umm…maybe you'd be curious about how I turned out.

JEFFREY: I'd say you turned out just fine.

VADA: I guess what I mean is, my mother married my dad after you…and then I was born, so I thought that…maybe you got divorced because of me.

JEFFREY: Wait…woah…woah...wait a minute...Do you think I'm your father?

VADA: Well...

JEFFREY: Honey I'd be proud to be your father, really. It just isn't so.

JEFFREY: Maggie wanted to have a baby…and…umm…I didn't.

VADA: oh.

JEFFREY: She didn't wanna miss out on anything…especially motherhood…it got to be a real problem with us.

I thought she had plenty of time, she didn't. Anyway…that's why I was grateful when she met your father, he had the sense to love her the way she deserved…and most of all…I was glad that she had you, the baby she always wanted.

I wanted you to know that.

82:08

[BUDAPEST GARAGE, VADA IS TALKING TO NICK, ROSE AND PHIL]

VADA: And I'm gonna use the movies when I give my report. Jeffrey says audiences love special effects.

NICK: You better ace it…you sacrificed our whole vacation.

ROSE: Well it's a wonderful story with a very happy ending.

PHIL: Sorry doc, we close for business at 3 o'clock today.

SAM: Ahh…this isn't business. You know I…I found this wonderful little Hungarian restaurant that makes it's own strudel and I…I thought you might like a taste of the old country. You see there's apple in there and…and cherry and this is the…eh… cheese but I…I gotta say I think that cherry is…is really....

PHIL: Okay, that does it, that does it, the strudel does it, first it’s brakes then.... I mean I am not gonna let some Podiatrist with a Jaguar full of strudel come waltzing in here and....

SAM: I'm not a Podiatrist, I'm a Cardiologist.

PHIL: Who cares? Rose, tell him we have an arrangement.

SAM: Well, wha…what kind of arrangement?

ROSE: Yes, what kind of arrangement? I'd be very interested to know what kind of an arrangement we have.

PHIL: You know exactly…what kind it is. Come on Rose…what do you want from me?

ROSE: I don't want anything you don't wanna give me.

SAM: And you certainly shouldn't settle for anything less that you deserve.

PHIL: You stay out of this, look, if I had a red XK-150 with a black interior, I sure as hell wouldn't be handing out relationship advice.

SAM: I don't think the color of the interior is....

PHIL: Rose this not the place to be having this…

ROSE: I think this place is just fine.

PHIL: You know how I feel about you.

ROSE: You like the way I cook…you think I make out a great invoice.

PHIL: You and Nick and…and this…this garage are my whole life…I love you. Sure you don't have the greatest taste in music…but there's not another woman who could look so sexy in that smock. What I'm try... what I'm trying to sa...

What I mean to say…Rose will you marry me?

ROSE: You really think I look sexy in this smock?

PHIL: Is that a yes?

84:37

[AT AIRPORT, VADA IS ABOUT TO BOARD HER PLANE, ROSE AND PHIL ARE STANDING NEXT TO HER]

VADA: Thanks for everything, you're the best.

PHIL: No, you're the best and I don't want you talking to anybody on the plane.

VADA: Dad already gave me this lecture. He's gonna meet me at the airport, then we'll go for some pizza, then we'll have dinner in bed with Shelly.

PHIL: Sounds great, well you give 'em both one of these for me.

VADA: Bye Aunt Rose.

ROSE: Bye Niece, Vada.

VADA: Thanks. Well, bye.

VADA: …umm…Listen, I'm sorry…you had to sacrifice your entire vacation.

NICK: Some sacrifices are worth it.

VADA: You mean…it wasn't that terrible?

NICK: I wouldn't say it was terrible…it was…kind of...

VADA: An adventure?

NICK: (smiling) Part adventure…part miracle.

NICK: Write me a poem?

VADA: (shakes her head smiling)

NICK: No?

VADA: I'll write you ten poems. (PA springs to life informing people to board NOW) Bye.

NICK: Good-bye, look in your backpack.

VADA: Okay.

87:00

[INSIDE PLANE, VADA IN HER SEAT, SHE REMOVES HER SEATBELT AND OPENS HER BACKPACK]

VADA'S THOUGHTS: (reading note) In memory of barbaric customs, Love Nick.

VADA'S THOUGHTS: Life is full of barbaric customs, I just hope they all end with a kiss like that.

VADA: Arthur, where's my dad?

ARTHUR: He took Shelly to the hospital.

VADA: Is she okay?

ARTHUR: Well, she was making a lot of noise.

88:15

[OUTSIDE THE HOSPITAL, ARTHUR PULLS UP AND LETS VADA OUT]

VADA: Dad!

VADA: What happened to Shelly?

HARRY: She just had a baby that's all.

VADA: (excited) We have a baby?

HARRY: Uh huh, a boy, you've got a new brother.

VADA: Can I see him?

HARRY: You can do anything you want. You're his sister.

Hey, what's on your ear?

88:51

[VADA ENTERS THE ROOM WHERE SHELLY IS LYING HOLDING THE BABY]

VADA: Shelly?

SHELLY: Hey! Oh look.

VADA: He's so tiny.

SHELLY: I know, look at his little hands.

HARRY: I'm sorry I couldn't come pick you up honey.

SHELLY: I was pushing as fast as I could.

VADA: Did it hurt a lot?

SHELLY: You have no idea.

BABY: WAAAAAAAAAAH!!!

SHELLY: Shhhh.

VADA: Let me hold him.

SHELLY: O.K.

SHELLY: Maybe he's wet?

HARRY: Maybe he's hungry.

VADA: He's okay…you just have to sing to him.

Smile though your heart is aching,

Smile, even though it's breaking,

Although a tear may be ever so near,

That's the time you must keep on trying,

Smile, what's the use of crying,

You'll find that life is still worthwhile,

If you just smile.

90:26

[OUTSIDE, HARRY SHELLY VADA AND BABY (IN PRAM) ARE TAKING A WALK]

VADA'S THOUGHTS: Things haven't exactly calmed down around here, I got an A+ on the report, Dad's getting used to my pierced ears and Nick's coming to visit this summer. Other than that I'm busy being a big sister. I'd like to tell my brother about my mom, how I got to meet her friends and find out how special she was, I mean…she may not have her footprints in cement but she definitely left her imprint on the world…and I told them that even though it sounds conceited…her greatest achievement was me.

<Vada, Harry, Shelly and the baby cross the road and walk off down the sidewalk as the camera rises and the song "My Girl" begins to play and the credits roll>

CAST

Harry Sultenfuss Dan Aykroyd

Shelly Sultenfuss Jamie Lee Curtis

Vada Sultenfuss Anna Chlumsky

Nick Zsigmond Austin O’Brien

Phil Sultenfuss Richard Masur

Rose Zsigmond Christine Ebersole

Jeffrey Pommeroy John David Souther

Maggie Muldovan Angeline Ball

Alfred Beidermeyer Aubrey Morris

Dr. Sam Helburn Gerrit Graham

Arthur Anthony R. Jones

Stanley Rosefeld Ben Stein

Darlyl Tanaka Keone Young

Peter Webb Richard Beymer

Hillary Mitchell Jodie Markell

Mr. Owett David Purdham

Julio Kevin Sifuentes

Judy Lauren Ashley

Kevin Roland Thomson

Rich Boy Devon Gummersall

Hari Krishma Dan Hildebrand

Cab Driver Charles Fleisher

Gnarly Old Man George D. Wallace

Katie Lisa Bradley

Acting Troupe Brendan Cowles

Alex Donnelley

Misa Koprava

Mark Jupiter

Mary Elizabeth Murphy

Alex Nevil

Esther Cindy Benson

Harold Bart Summer

Lenny James Parkes

Nancy Rachel Wagner

Kevin’s Gang Ryan Olson

Beau Richardson

Beverly Hills Matron Renée Wedel

Revised and rewritten by Olaf van Houten

The author of The Anna Chlumsky Website (Gerard Kroon) likes to thank

Olaf van Houten for rewriting/revising this script.

End of Script.

This page is hosted by Get your own Free Home Page Last updated: 05 January 2001 11:24 CET (C) Buster Productions Limited / (P) 2001