Australia: Tropical Marine Ecology
Institute on Aging
Marine Center Summer Program
Master Art Workshop
Ceramics Workshop
Master Photography Workshop
Writers' Workshops
| The Australearn Gallery |
We begin in the city of Brisbane and then travel up the coast of Queensland. There are major stays at three different and unique island ecosystems: Stradbroke Island, Orpheus Island and Heron Island (a coral cay located in the Great Barrier Reef). Stops along the Queensland coast include visits to Dreamtime to learn about aboriginal culture and practices, Central Queensland University, the Marineland Aquarium in Townsville, James Cook University, the Australian Institute of Marine Science and the Cape Tribulation Rainforest (a World Heritage Rainforest). The course concludes in the tropical coastal city of Cairns in far north Queensland. There will be ample opportunities for snorkeling, SCUBA diving, reef walking, wildlife observation, nature photography, and hiking.
The course is team taught by Australian faculty from the University of Queensland and Central Queensland University who have been chosen for their knowledge and their genuine interest in specific subject areas. Professor Goldberg from Southampton College leads and coordinates the course. He will also present lectures on marine chemical ecology and venomous marine organisms. He has been to Australia on numerous occasions leading trips. He spent his sabbaticals studying marine biotoxins in Australia. This will be his fifth time leading this course.
Tropical Marine Ecology is offered under the combined auspices of Southampton College of Long Island University and Central Queensland University.
A special application is required.
For a brochure and an application contact (call, write, fax, e-mail) one of the following:
caglioti@southampton.liunet.edu
If you have questions concerning the course, please contact:
Professor Arthur Goldberg
Natural Science Division
Long Island University
Southampton College
239 Montauk Highway
Southampton, New York 11968
(516) 287-8404
E-mail: art@hamptons.com
| The Australearn Gallery |
| Pictures |
Summer by the Sea
|
This summer come to where the artists are... come to Southampton! |
Study in the Heart of the Hamptons Art Community
Drawing from this impressive resource of artists and professionals involved in the arts, the Master Workshop in Art provides a rare and valuable insight into the art world in an intensive yet informal atmosphere. Excursions to participating artists' studios and several regional art institutes provide participants with first-hand experience and information which will be enhanced by lectures, demonstrations, and presentations by visiting artists, scholars, and art professionals.
Participants will have the unique opportunity to study with some of the most prominent and important American artists. Artists in Residence will return weekly to discuss and critique participants' progress in the painting and sculpture studios overlooking Shinnecock Bay.
Two Sessions Offered
Choose from two, two-week sessions. Both sessions include critiques by visiting artists, studio
visits and conversations with gallery directors.
Session I, July 5 - 16 / Session II, July 19 - 30
|
It was beyond my wildest expectations. ...Elisabeth Groenewegen, The Netherlands |
| Pictures |
A series of workshops for beginning to advanced students.
| Room:
WC Building 31   |
Noël Copeland received his BFA and MFA from the Pratt Institute School of Art and Design in New York. He has taught at the Henry Street Settlement, Studio in a School Association, The Brooklyn Museum, Lehman College and Southampton College. His work has been included in the Kiabundo Gallery, Japan; Gallery Annext, New York; June Kelly Gallery, New York; and the Annual African American National Art Exhibition in Atlanta, Georgia. He has done many public installations including "Diversity:" Ceramic Mural, installed at P.S. 346 in Brooklyn, New York; "Musicians on the Beach" installed at Negril Restaurant in New York; and "Peace Dance:" Stage Installation in Central Park Summer Stage, New York. He has won numerous awards including a Metropolitan Transit Authority Grant, the New York Foundation for the Arts Grant, and a Japan Travel Grant.
| Room:
WC Building 31 |
Marc Leuthold has had his work shown in galleries and museums in the U.S., France, New Zealand and Korea. He is represented in the collections of the American Craft Museum, Bemis Center for Contemporary Arts, Brooklyn Museum, Museum of Fine Arts in Boston, the John Michael Kohler Arts Center and Longhouse Foundation. He has received numerous artist-in-residence grants including JINRO International Ceramics Workshop in Seoul, Korea; the Kohler Art/Industry Fellowship; the Empire State Crafts Alliance Artist Grant; the Banff Centre for the Arts Residency Grant; and the La Napoule Foundation Fellowship sponsored by the North Carolina Arts Council. He is a Professor of Fine Art at SUNY Pottsdam.
| Room:
WC Building 31 |
Matt Nolen was awarded an "emerging artist" spotlight at the National Council on Education in the Ceramic Arts Conference in Philadelphia in 1992. He received his Bachelor of Architecture from Auburn University in Alabama. He has had solo exhibitions at the Everson Museum of Art, Syracuse, NY; Garth Clark Gallery, New York; and at Artspace, John Michael Kohler Arts Center, Wisconsin; among others. He has received numerous awards and grants including an NEA and New York Foundation of the Arts fellowships. His work is included in numerous public collections such as The Cooper-Hewitt Museum, NY and the Charles Q. Wustum Museum, WI. He currently lives and maintains a studio in New York City where he is Adjunct Professor of Art at New York University.
| Room:
WC Building 31 |
Phyllis Kudder-Sullivan has exhibited her work nationally and internationally. Her work has been included in the Auchland Museum, New Zealand; the Museo Internazionalle della Ceramique, Italy; and the Chateau Musee de Vallauris, France, where she received the Medaille D'Or in 1994. Her work has been shown at the Nancy Margolis Gallery, New York; the Portchester Clay Art Center; San Angelo Museum; the National Council on Education in the Ceramic Arts exhibition at the San Diego Museum; the Clay Studio in Philadelphia and Lill Street Gallery in Chicago, among others. She is currently on the faculty at Southampton College of Long Island University where she directs the Ceramic Program.
| Room:
WC Building 31 |
| Room:
WC Building 31 |
Roger Baumann has pieces included in many national galleries and private collections. He is also represented by many national and international shops. He has taught at Greenwich House Pottery and is on the faculty at the College of Mount Saint Vincent, New York.
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| Master Photography Exhibition |
Experience the past, the present, and the future of photography in an environment of great natural beauty, while working with some of today's most respected photographers.
This is a workshop for photographers taught by professionals. During each of the four weeks of the workshop, several different aspects of photography will be covered through a series of one-credit courses. Topics for workshops change from year to year. This year's workshops include the following:
Jill Enfield, one of this country's most experienced and respected handcoloring artists, is a fine art, editorial and commercial photographer. She has taught handcoloring and non-silver techniques at Parsons School of Design, The New School, FIT, NYU and ICP in New York, as well as workshops throughout the US and Europe. Her work is in the collections of RJ Reynolds Co., Southeast Banking Corp, Museo de Arte Moderno de Mediellin in Colombia, and the Boca Raton Museum of Art. Jill's commercial clients include Kodak, Hasselbald, Nikon, The Halekulani Hotel, LIFE and The New York Times Magazine. Her work has appeared in Nikon World, Camera and Darkroom Techniques, Archive Books, Step By Step, Shutterbug, and ZOOM. Jill is also a board member for "To Make The World A Better Place."
Cheryl Machat Dorskind is a fine art and portrait photographer whose work has gained national prominence over the past decade. Her images have been published in newspapers, magazines and commissioned as cover art on best-selling novels. In addition, her photography is sought by distinguished collectors throughout the United States.
Ms Dorskind teaches photography and lectures at various institutions and museums. Her first book, The Art of Handpainting Photographs, (Amphoto, a division of Watson-Guptill; New York. (c)1998) is a comprehensive work on the subject. With her husband and two daughters, she lives in Westhampton, New York and is currently working on a second book.
Martin S. Silverman is a fine art photographer who has combined his love of creating images, teaching and writing with a log-standing career in the photographic industry. His photography has been exhibited in galleries and museums around the United States since 1978. Mr. Silverman is also the recipient of several grants from the New York State Council on the Arts. Extensively published, he has also been a contributing editor and writer for numerous publications including the International Center of Photography Encyclopedia of Photography.
Mr. Silverman began teaching photography in 1976, specializing in the application of technique to the philosophy of aesthetics. He has held teaching positions at New York University, The New York Botanical Garden, and Wave Hill Center for Environmental Studies. He continues to be a guest lecturer on subjects of the Zone System and aesthetic issues in developing personal vision at workshops and universities around the United States. Included are the International Center of Photography in New York, The Southampton Master Photography Workshops, the Palm Beach Photographic Workshops as well as the Tuscany Photo Workshops and Cortona Center of Photography in Italy. Currently, he is Vice President of Mamiya America Corporation.
David Gaffga has over twenty-five years of experience as an Architectural Photographer having worked for magazines, architects, and interior designers as well as many other types of commercial clients. Areas of expertise include location lighting, styling interiors and exteriors, and facility with architectural plans and designer comps. Clients have included Cosmopolitan, House Beautiful, Newsweek, The New York Times, Saks Fifth Avenue, World Wide Volkswagen, Pace Gallery, and Sotheby's International Realty.
John Stefanik is a professor of photography at Suffolk Community College. He has taught many courses and workshops on photography. He has had solo and group shows at Nassau County Museum of Fine Arts, The Peconic Gallery, Saxon Gallery, Ashwaugh Hall and was awarded the Robert Raushenberg Fund for Young Artists. His work is in public and private collections.
Harvey Stein is a professional photographer, teacher, and author living in New York City. He currently teaches at the International Center of Photography, The New School for Social Research, and Drew University. Stein had a book of photographs, Parallels: A Look at Twins, published by E.P. Dutton in 1978. Stein's second book, Artists Observed, was published by Harry Abrams, Inc. in 1986. His newest book, Coney Island, was published by W.W. Norton in 1998. Stein's photographs have been widely exhibited in the United States and Europe -- 44 one-person and 80 group shows to date. His photographs have been published in such periodicals as Time, Life, Psychology Today, Glamour, Connoisseur, Playboy, People, Forbes, Art News, Der Spiegel, Esquire, American Artist, Harpers, The New York Times, Smithsonian, New York and in all the major photo magazines.
Daniel Jones, currently residing on the North Fork of Eastern Long Island, earned his B.A. at California State University, Northridge. He studied illustration and design.
While pursuing a career in illustration, Daniel's interest turned to photography. Extensive travel and many long hours of darkroom work created a foundation for his current success.
Daniel is drawn to the power of straightforward description to reveal the essence of his subjects. Photographing with a large format camera allows him to achieve the clarity and tonality that he demands. Daniel is well-known for his finely crafted prints which possess a luminous three-dimensional quality.
Respected art critics have given Daniel's work positive attention. "His classic topographical studies combine a strong sense of place with nuances of mood and atmosphere that win out over objectivity," writes Helen Harrison of the New York Times. Robert Long of the Southampton Press writes, "The pictures have a great formal beauty."
Renate Pfleiderer is a German-born advertising photographer with a studio in Sag Harbor, New York. She has shown and lectured extensively in Germany and the United States and has won numerous prizes, including two prestigious BOLI awards for outstanding achievement in advertising. Recently, she was honored by the Professional Photographers Society of New York and was named photographer of the year. Renate is one of the foremost artists in hand-colored Polaroid image transfers. However, the portrait is one of her favorite endeavors. Her unique portraitures of families, children, and weddings as well as family pets, have given her the reputation of creating works that will become priceless family heirlooms.
To ensure a quality experience for each participant, enrollment will be strictly limited. Students
should have a portfolio of work available for review at the first class session. A working knowledge of
35mm cameras and darkroom techniques is required.
Southampton College is one of the
few schools in the country to offer
an
undergraduate program in
Marine Science. The excellence of
the program is nationally
recognized. The College was
selected from more than 1,500
institutions nationwide to be
included in the 1996 edition
of the Peterson's Guide Book,
Top Colleges for Science.
Literally on the doorstep of the
Atlantic, the College is within
walking distance of Shinnecock
Bay and less than a mile from the
Atlantic Ocean. A fully equipped
Marine Station on Shinnecock Bay,
which includes a fleet of research
vessels and running sea water,
facilitates hands-on research and
explorations of the surrounding
marine environment.
Southampton College of Long Island University is pleased to announce the 24th annual Summer Writers Conference. The college is located in the heart of the Hamptons, a magnificent resort with a teeming arts community and scores of renowned writers. Tapping this local resource, the Conference provides a forum for writers of all genres to study and discuss writing. The Writers Conference will offer a READING/LECTURE series, where distinguished authors present their insights on the craft of writing, as well as eight-day WORKSHOPS with prominent writers of Fiction, Nonfiction, and Poetry. This year the reading and lecture series of the conference will focus on the topic, "What's Wrong with American Writing?" Mornings are free to write or explore the pristine beaches and seaside towns.
SUMMER CONFERENCE WORKSHOPS
Orientation:
Billy Collins is the author of six books of poetry including Picnic, Lightning (Univ. of Pittsburgh Press, 1997), The Art of Drowning (Univ. of Pittsburgh Press, 1995), The Apple that Astonished Paris (Univ. of Arkansas Press, 1988), and Questions About Angels (William Morrow, 1991), which was selected by Edward Hirsch for the National Poetry Series. Collins' poetry has appeared in anthologies, textbooks, and periodicals including The American Poetry Review, Harper's, The Paris Review, and The New Yorker. His work has been selected for The Best American Poetry in 1992, 1993, and 1997. He is the recipient of numerous awards, including the New York Foundation for the Arts, The National Endowment of the Arts, and the Guggenheim Foundation.
Nahid Rachlin is the critically acclaimed author of the novels Foreigner, Married to a Stranger, and The Heart's Desire, as well as a collection of short stories, Veil. She teaches at the New School for Social Research and is the recipient of a National Endowment for the Arts grant and numerous other awards.
Robin Hemley's short fiction has won prizes including The Chicago Tribune's Nelson Algren Award, two Pushcart Prizes, Story Magazine's Humor Award, and the George Garrett Award for Fiction. He is author of three short story collections: All You Can Eat (Atlantic Monthly Press), The Mouse Town (Word Beat Press), and The Big Ear (Blair). He is also the author of a novel, The Last Studebaker (Graywolf Press), and a book on form widely used in Fiction workshops, Turning Life into Fiction (Story Press).
Stephen O'Connor is the author of the non-fiction book Will My Name be Shouted Out? Reaching Inner City Students Through the Power of Writing (Simon & Schuster). He is also the author of Rescue (Harmony), a collection of short fiction and poetry. His new book, The Orphan Trains: Charles Loring Brace and the Migration of America's Poorest Children; an examination of poverty and child welfare policy in 19th century America, is forthcoming from Houghton Mifflin. His work has appeared in many publications, including The New York Times, The Nation, and Partisan Review.
June 30 Panel Discussion, moderated by Roger Rosenblatt Visiting Authors Include:
Summer Office
Long Island University
Southampton College
Southampton, NY 11968-4198
(516) 287-8349
(516) 287-8427
Diane Vahradian, Assistant Director
Master Photography
Exhibition
The Marine Science Center at Southampton College presents Marine Studies in the ultimate marine
environment. Courses include the following.
Marine Science Center Summer Program
Top College for Marine Science
Send e-mail to Professor Sandy Shumway
(
BIOL/MS 209 Marine Invertebrate Zoology
BIOL/MS 341 Marine Ecology
BIOL/MS 344 Marine Mammals
MS 390 Marine Operations & Research
AMS 225 Traditional Maritime Culture
ARTS 350 Underwater Photography
sshumway@sunburn.liunet.edu),
or to the Summer Office
( caglioti@southampton.liunet.edu),
or call (516) 287-8349 for details.
Summer Writers Conference
Wednesday June 30 - Friday July 8, 1999
24th Annual Writers Conference at Southampton
Barbeque and reception, Wednesday, June 30, 5:30 p.m.
Courses
The premise: writing poetry cannot be taught, but rewriting can. The poems of participants will be discussed and changes will be suggested. Focus will be on new work, early drafts whose final direction may yet to be determined.
2:30-4:40P
COLLINS
Special Session: June 30 - July 8 (Register for Session 16)
Finding your own voice and particular style are important aspects of fiction writing. Often students who haven't had much experience as writers try to decide where they fit among all the writers they have read: Faulkner, Hemmingway? But soon they grow restless for their own unique expression. In this course I will encourage the students to try to experiment with a variety of voices and styles until they find the best ways they can express a certain story or a novel. The class sessions will be devoted mainly to students' own work -- stories or chapters of novels -- which will be read ahead of time and then commented on in class. The criticism will be constructive. We will point out strengths as well as weaknesses and make suggestions for improvement. Throughout the course we will have casual discussions about the publishing aspect of writing -- how to go about getting agents, a publisher.
12:15-2:25P
RACHLIN
Special Session: June 30 - July 8 (Register for Session 16)
A workshop on voice, point of view, and the well-developed scene within the short story. If there is interest, special time will be dedicated to the "short-short," a favorite subgenre of the author's, for which there is a large literary market. Tips will also be offered on how to submit short stories for publication.
12:15 - 2:25P p.m.
HEMLEY
Special Session: June 30 - July 8 (Register for Session 16)
A workshop for writers of memoirs, essays, "New Journalism," and other forms of nonfiction. Students may be given reading and writing assignments, with the bulk of class time devoted to critiques of their already completed work.
2:30 - 4:40P
O'CONNOR
Special Session: June 30 - July 8 (Register for Session 16)
WRITERS ON WRITING
Writers on Writing readings and lectures will be held June 30 - July 8 at 8:00 p.m., in the Ocean View Lounge of Southampton College.
READING AND LECTURE SERIES:
What's Wrong with American Writing?
July 1-3 Three lectures, one each night
July 4 Barbeque
July 5-6 Two lectures
July 7 Student readings and responses
July 8 Panel discussion
George Plimpton, author and editor
Roger Rosenblatt, essayist and television commentator
Spalding Gray, monologist
Walter Bernstein, screenwriter
Kaylie Jones, novelist
Billy Collins, poet
Nahid Rachlin, novelist
Stephen O'Connor, non-fiction writer
Kit Hathaway, poet
Robin Hemley, short story writer
Robert Reeves, novelist
Cost
All workshop students are automatically entitled to participate in
the Writers on Writing series.
Students who take more than one workshop will be permitted to take the additional credits at a discounted
rate. Visitors who do not wish to enroll for a workshop but would like to participate in the Writers on
Writing series may pay a flat fee for admission to all talks or may
pay individually for each separate event.
One Workshop $550.00 Additional Workshop, per workshop $330.00 Housing $220.00 (to share a room)
SUMMER HOME
