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Ralph Meeker | ... | Mike Hammer | |
Albert Dekker | ... | Dr. G.E. Soberin | |
Paul Stewart | ... | Carl Evello | |
Juano Hernandez | ... | Eddie Yeager | |
Wesley Addy | ... | Lt. Pat Murphy | |
Marian Carr | ... | Friday | |
Maxine Cooper | ... | Velda | |
Cloris Leachman | ... | Christina Bailey | |
Gaby Rodgers | ... | Gabrielle | |
Nick Dennis | ... | Nick | |
Jack Lambert | ... | Sugar Smallhouse | |
Jack Elam | ... | Charlie Max | |
Jerry Zinneman | ... | Sammy | |
Leigh Snowden | ... | Cheesecake | |
Percy Helton | ... | Doc Kennedy | |
Mady Comfort | ... | Nightclub Singer | |
rest of cast listed alphabetically: | |||
Mort Marshall | ... | Ray Diker | |
Strother Martin | ... | Harvey Wallace | |
Sam Balter | ... | Radio Announcer (voice) (uncredited) | |
Eddie Beal | ... | Sideman (uncredited) | |
Marjorie Bennett | ... | Manager (uncredited) | |
Fortunio Bonanova | ... | Carmen Trivago (uncredited) | |
Leonard Bremen | ... | Man in Parked Car (uncredited) | |
Robert Cornthwaite | ... | FBI agent (uncredited) | |
Yvonne Doughty | ... | Receptionist (uncredited) | |
Jesslyn Fax | ... | Horace's Wife (uncredited) | |
John George | ... | Popcorn Vendor (uncredited) | |
Joe Hernandez | ... | Radio Announcer (voice) (uncredited) | |
Art Loggins | ... | Bartender (uncredited) | |
Mara McAfee | ... | Nurse (uncredited) | |
James McCallion | ... | Horace (uncredited) | |
Silvio Minciotti | ... | Mover (uncredited) | |
Ben Morris | ... | Radio Announcer (uncredited) | |
Leonard Mudie | ... | Athletic Club Clerk (uncredited) | |
Paul Richards | ... | Attacker (uncredited) | |
Bing Russell | ... | Police Detective (uncredited) | |
James Seay | ... | FBI agent (uncredited) | |
Robert Sherman | ... | Gas Station Man (uncredited) | |
Kitty White | ... | Vocalist in club (opening credits) (uncredited) |
Directed by | |||
Robert Aldrich | |||
Writing credits | ||
Mickey Spillane | (novel) | |
A.I. Bezzerides |
Produced by | |||
Robert Aldrich | .... | producer | |
Victor Saville | .... | executive producer | |
Original Music by | |||
Frank De Vol | (as Frank Devol) | ||
Cinematography by | |||
Ernest Laszlo | |||
Film Editing by | |||
Michael Luciano | |||
Casting by | |||
Jack Murton | |||
Art Direction by | |||
William Glasgow | |||
Set Decoration by | |||
Howard Bristol | |||
Makeup Department | |||
Robert J. Schiffer | .... | makeup artist (as Bob Schiffer) | |
Production Management | |||
Jack R. Berne | .... | production supervisor | |
Second Unit Director or Assistant Director | |||
Robert H. Justman | .... | assistant director (as Robert Justman) | |
Mark Sandrich Jr. | .... | assistant director (uncredited) | |
Sound Department | |||
Jack Solomon | .... | sound | |
Other crew | |||
Frank De Vol | .... | conductor | |
Albert Harris | .... | orchestrator | |
Robert Sherman | .... | assistant to producer | |
RALPH MEEKER makes a credible Mike Hammer, even though there are times when I thought what a great role this would have been for either KIRK DOUGLAS or HUMPHREY BOGART. Meeker was a handsome actor who never quite made it in Hollywood after some stage work, notably as the drifter in PICNIC on Broadway in the role that went to William Holden in the film version.
From the very start, this is a fascinating film noir, beginning with the pick-up of CLORIS LEACHMAN (introduced in her film debut) and from there veering into a highly tense detective yarn, some of which is hard to follow when you start asking too many questions. Some pertinent explanations are missing, but the artful B&W photography around San Francisco, up winding alleys and high wooden staircases, keeps the eye fascinated while the story unwinds.
The story itself involves a rather "Pandora's Box" kind of solution--what is the thing that so many have been killed for? And when the solution does come, it's a shocker.
Summing up: Nice film noir, gritty performance by Ralph Meeker and some sharp direction by Robert Aldrich who once again uses Frank DeVol for the background score (as he did for "Hush...Hush, Sweet Charlotte").
Trivia note: WESLEY ADDY has a key supporting role as a law officer, just as he would nine years later in Aldrich's HHSC. And the little man who played the creepy undertaker in that flick (PERCY HELTON), is a greedy morgue attendant here who gets his comeuppance from Hammer.
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