Title page for ETD etd-06302005-125300


Type of Document Thesis
Author Donis, Jose Antonio
Author's Email Address donisjose@netscape.net
URN etd-06302005-125300
Title The Musicologist Behind The Composer: The Impact Of Historical Studies Upon The Creative Life In Joaquin Rodrigo's Guitar Compositions
Degree Master of Music
Department Music, College of
Advisory Committee
Advisor Name Title
Charles E. Brewer Committee Chair
Keywords
  • Spanish music 20th century
  • twentieth century music
  • neocasticismo
  • Joaquin Rodrigo
  • guitar concertos
  • concierto de aranjuez
  • fantasia para un gentilhombre
  • concierto madrigal
  • jose donis
  • guitar music 20th century
  • vihuela
  • la vihuela y los vihuelistas en el siglo xvi
  • neoclassicism
Date of Defense 2005-06-09
Availability unrestricted
Abstract
ABSTRACT

The neoclassical movement in France influenced Spanish composers whose classical musical culture had been exhausted and overplayed. The Spanish composers of the early Twentieth Century were looking for new and fresh ideas to include in their musical works. Although some Spanish composers had great success composing in late Romantic and impressionist styles, French neoclassicism was the new concept they needed in order to transform their compositions from having only local significance into works which would have an artistic impact outside of Spain. Joaquín Rodrigo was influenced by this new trend, and, in turn, created his own style of Spanish neoclassicism known as neocasticismo.

Apart from composition, Rodrigo was also interested in musicology, which he studied while in Paris in the mid 1930s. He presented these interests through various media. As a musicologist, he wrote a paper about the vihuela and vihuelist composers of the Sixteenth Century, which he presented in 1936 at an event celebrating the works of the sixteenth-century Spanish composer Luis de Milán. In his music, Rodrigo incorporated in his guitar works the forms and compositional techniques commonly found in Renaissance, Baroque, and Classical music. Moreover, he quoted several works by prominent sixteenth- and seventeenth-century composers.

This thesis illustrates how Joaquín Rodrigo’s interest in musicology influenced what and how he composed for guitar, and demonstrates how Rodrigo contributed to Spanish musicology by revealing the importance of sixteenth-century vihuelist composers. The paper Rodrigo wrote is transcribed in its original Spanish along with an English translation, followed by a brief analysis of the paper. This thesis also elucidates the importance of Rodrigo’s guitar compositions within a musicological and historical context. Finally this research essentially shows how Rodrigo combined his musicological studies and interests along with his knowledge of composition to create guitar works that led him to worldwide fame and popularity. Analysis of three guitar concertos provides evidence of the use of musicological research as a tool, resource, and influence in these works.

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  Filename       Size       Approximate Download Time (Hours:Minutes:Seconds) 
 
 28.8 Modem   56K Modem   ISDN (64 Kb)   ISDN (128 Kb)   Higher-speed Access 
  02_jad_chp2.pdf.pdf 148.36 Kb 00:00:41 00:00:21 00:00:18 00:00:09 < 00:00:01
  abstract.pdf 51.05 Kb 00:00:14 00:00:07 00:00:06 00:00:03 < 00:00:01
  acknowledgementpage.pdf 42.01 Kb 00:00:11 00:00:06 00:00:05 00:00:02 < 00:00:01
  Analysischp4.pdf 102.49 Kb 00:00:28 00:00:14 00:00:12 00:00:06 < 00:00:01
  app,biblio,biosketch.pdf 147.38 Kb 00:00:40 00:00:21 00:00:18 00:00:09 < 00:00:01
  Chp1Intro.pdf 113.40 Kb 00:00:31 00:00:16 00:00:14 00:00:07 < 00:00:01
  Chp3casticismopaper.pdf 189.78 Kb 00:00:52 00:00:27 00:00:23 00:00:11 00:00:01
  Chp4rodrigobiography.pdf 116.73 Kb 00:00:32 00:00:16 00:00:14 00:00:07 < 00:00:01
  Chp4translationvihuela.pdf 89.06 Kb 00:00:24 00:00:12 00:00:11 00:00:05 < 00:00:01
  dedicationpage.pdf 29.65 Kb 00:00:08 00:00:04 00:00:03 00:00:01 < 00:00:01
  listoffigures.pdf 59.14 Kb 00:00:16 00:00:08 00:00:07 00:00:03 < 00:00:01
  listoffigures2.pdf 51.05 Kb 00:00:14 00:00:07 00:00:06 00:00:03 < 00:00:01
  Listoftables.pdf 48.05 Kb 00:00:13 00:00:06 00:00:06 00:00:03 < 00:00:01
  signaturepage.pdf 35.95 Kb 00:00:09 00:00:05 00:00:04 00:00:02 < 00:00:01
  tableofcontents.pdf 58.69 Kb 00:00:16 00:00:08 00:00:07 00:00:03 < 00:00:01
  tableofcontents2.pdf 25.06 Kb 00:00:06 00:00:03 00:00:03 00:00:01 < 00:00:01
  thesisChp5.pdf 704.12 Kb 00:03:15 00:01:40 00:01:28 00:00:44 00:00:03
  titlepage.pdf 39.14 Kb 00:00:10 00:00:05 00:00:04 00:00:02 < 00:00:01

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