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Zora Neale Hurston

  The following is a compilation of all of the known Zora Neale Hurston sound recordings* created while she worked for the WPA in the 1930s.
  Real Audio MP3
1.

Bella Mina

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2. Crow Dance
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3.

Dat Old Black Gal

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4. Ever Been Down ListenMusic MP3Music
5. Gonna See My Long Haired Babe ListenMusic MP3Music
6. Halimuhfack ListenMusic MP3Music
7. John B. Sails ListenMusic MP3Music
8. Let the Deal Go Down ListenMusic MP3Music
8. Let's Shake It ListenMusic MP3Music
10. Mama Don't Want No Peas, No Rice ListenMusic MP3Music
11. Mule on the Mountain ListenMusic MP3Music
12. Oh Mr. Brown ListenMusic MP3Music
13. Oh the Buford Boat Done Come ListenMusic MP3Music
14. Po' Gal ListenMusic MP3Music
15. Shove it Over ListenMusic MP3Music
16. Tampa ListenMusic MP3Music
17. Tilly, Lend Me Your Pigeon ListenMusic MP3Music
18. Wake Up Jacob ListenMusic MP3Music
       
 

Above is a compilation of all of the known Zora Neale Hurston sound recordings* created while she worked for the WPA in the 1930s. Today, the original recordings are housed at the Library of Congress. Hurston worked for the WPA in 1935 and again in 1939.

Today, Hurston is better known as a major literary figure, but she was also a trained anthropologist, including studying under Franz Boaz. A native of Eatonville, Florida, Hurston fell upon hard times during the Great Depression and eventually sought out relief work with the Federal Writer’s Project (FWP). Having already conducted fieldwork for her own studies, Hurston worked with Herbert Halpert and Stetson Kennedy in the FWP. Her work on Florida’s turpentine camps is still considered authoritative. For more on Hurston and her fieldwork, go to the Florida Memory Project: http://www.floridamemory.com/OnlineClassroom/zora_hurston/

The Works Progress Administration (WPA) – after 1939, the Works Projects Administration – was a work-relief program created in 1935 by the President Franklin Roosevelt’s Administration that had employed over 8.5 million people by its demise in 1943. One of its programs was the Federal Writers Project (FWP), which included a Folklore Section. This section conducted fieldwork, recording songs, traditions, and stories across the nation. Originally created to gather material for the American Guide Series, later emphasis was placed upon fieldwork for the preservation of folk traditions for future generations.

In Florida, the FWP was based out of Jacksonville, and directed by historian Carita Doggett Corse. Folklorist Stetson Kennedy directed the Florida Folklife section. Seven fieldwork recording expeditions were conducted in Florida. Two were conducted between 1935 and 1937, before the creation of the Florida Folklore Section: one by Alan Lomax and Zora Neale Hurston, and the other by John and Ruby Lomax. After 1939, five more were conducted by Florida’s FWP staff: Kennedy, Hurston, Robert Cook, Alton Morris, Corse, Robert Cornwell, John Filareton, and Herbert Halpert (of the Joint Committee on Folk Art’s Southern Recording Expedition.)

Recording equipment was loaned to Florida’s WPA program by the Library of Congress’ Archive of the American Folk Song (later the American Folklife Center). The field recordings were made on acetate disks, usually recorded at 78 rpm (although occasionally at 33 rpm). Because these disks were shipped from Washington DC to Florida, then to the recording site, and then back to Washington, they often were not of the highest sonic quality. Several had surface scratches and many had various recording speeds. In 1986, the Florida Folklife Program staff made copies of many of these recordings onto reel to reels for inclusion in the Florida Folklife Archive.

Many of these recordings are also available online at the Library of Congress’ American Memrory Project at http://memory.loc.gov/ammem/flwpahtml/flwpahome.html

 

*With one exception. The track “Uncle Bud” was not included on this page due to subject matter and mature language

   


 


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