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Babes & Belly Buttons: On The Set of Club Jenna's I Dream Of Jenna
The idea of having your very own genie is appealing, if you ask me. With a quick rub of a bottle one could have anything their heart desires – wealth, fame, a candy factory… But something tells me that many, if given the chance, would rub their genie bottle and wish to be here on this Valley-area set for the final day of shooting for a new Jenna Jameson title, I Dream Of Jenna.
Upstairs in the make-up room, Nikita Denise chats about babies (no, she's not pregnant) as she gets her face touched up. Randy Spears arrives early for his group scene, which includes Flick Shagwell, who is decked out in a sheer purple belly-baring number, her footsteps accented with jingles all the way down the hall thanks to a musical belly chain and matching anklets. Veteran cameraman Jack Remy discusses his memories of porn's past, finishing with, "It differs from today… I don't remember everything I shoot. Sometimes it all blends together."
"You remember all of mine," Justin Sterling states with a smile as he walks past in a get-up suited to a genie, complete with stick-on soul patch.
The man wears it with dignity. I'm impressed.
I suppose I shouldn't be, though, as this is Sterling's show, and he's dedicated to the artistic integrity of the shoot. The costuming is straight out of, well, I Dream Of Jeannie, right down to the authentic pink and red Jeannie outfit that Jenna Jameson, the video's lead, gets to wear.
Or not wear, in Denise's case, as she's wandering around wearing a black bra and a leather jacket that barely covers her naked ass.
"You're one of those nudists like Randy," September, the stylist, says, gesturing to Spears. "He hates clothes."
"Oh, me too," Denise says to Spears.
Sterling is back in his street clothes, the soul patch now long gone. I ask him if he's ready to answer a couple questions, and he ushers me into an office.
"It's artsy, but with a really, really, really funny script," he says. "We have Steven St. Croix, Randy Spears and Jenna Jameson, which are three of the best actors in the business, I think. And they were hysterical."
As expected, the script pays homage to a certain similarly named TV show, except it picks up some time after Jameson makes a promise to serve her master, St. Croix.
"A year's time has elapsed and Jeannie is no longer the 'Oh yes, master', soft-spoken submissive Jeannie – she's now the spokeswoman for N.O.W.," Sterling explains. "One of the best lines St. Croix has in the script is, 'Two thousand years of running around in a bikini calling all your men master, and all of a sudden you're the spokeswoman for N.O.W.?'."
But the story gets even more twisted.
Says Sterling, "The conflict is Tommy and Robert are going on set to be consultants on an astronaut movie, and Jeannie really wants to go, but they won't let her. So Jenna says, well, fine, I'm gonna have my sister Katrina [played by Nikita Denise] come in. So she comes in and plants the seed of doubt that all the girls fell for the real astronauts and it gets Jeannie jealous, so they try to go down to the set to ruin everything. So Robert is walking on set and all of a sudden Jenna is the director of the movie, and everything goes haywire – people are having sex. And the whole underlying theme is that Katrina, the sister, wants to get Tommy in bed."
This being the last day of the five-day shoot, Sterling has shot the majority of the sex already. But which scene stands out the best sounds like a toss-up.
"On the first day we had Nikita Denise, Jenna, and Vivid's new contract girl, Autumn, which was great. I mean, Jenna and Nikita in a scene, and then Autumn… it was like tossing her to the wolves," Sterling enthuses. "And then yesterday it was Jenna and Jewel DeNyle. I wanted to flip flop them because Jenna's always dominant with girls, so I wanted Jewel to take over. Jewel just went to town to the point where I was asking Jenna, 'are you okay? Are you knocked out?' It was the most incredible scene.
"And then we had Jay Ashley and Aurora Snow, who did five or six anal positions. It was insane – I was watching the scene coming together, and I was going, wow! This is easy to direct! Every scene has been really good, and hot."
It sounds, though, like fans of porn – and Jameson – won't be disappointed. Sterling notes that there will be at least eight or nine sex scenes in the final product.
"This one has tons of sex," he says. "And there's lots of nasty, hardcore sex, but with really pretty girls, really nice costuming and really nice sets. This next scene is gonna be really cool. It plays with the script."
The scene in question is between Denise and St. Croix, which – in the scheme of the story – takes place while on set for the astronaut movie. Sterling takes me downstairs to see how they've decorated. The first room he takes me to is where Denise and St. Croix will fuck. It looks like a garage with stuff laying all over the place, and shiny, light-throwing mobiles hanging in various places around the space. In the center sits a chair and a metal table with a blanket over top.
We move on to other areas, like the set that is usually the bar scene. Except that the bar isn't there. In its place are bright, rainbow-colored sashes that hang from the ceiling, then are secured where the ceiling meets the wall so they drape down to the floor, hiding everything behind them. Bold, multicolored furniture sits against the back wall to make room for the monitor Sterling will use to peruse the scene he's shooting in the next room.
Further back, another set is similarly decorated, except the sashes are in golds and reds. Large pillows are strewn around the floor.
"This is the opium den," Sterling tells me as he surveys workmen stapling more fabric to the wall and placing pillows on the floor. This is where the group scene with Spears and Shagwell will take place.
Back upstairs, Sterling asks Denise – now clothed in a black and burgundy version of the Jeannie outfit – and St. Croix to run through their lines, then ushers the players downstairs. They wait as the finishing touches are added to the set: some colored disco lights are turned on, making light dance around the room, and a genie bottle is placed near the doorway. Sterling tells them to get into position and do their lines for real this time. They do so once, twice, three times from varying points of view, and then it's time for St. Croix to doff his street clothes and change into something a little more, uh, comfortable.
A leopard print jockstrap, a leather hat and mirrored sunglasses.
"St. Croix, you look sassy as fuck," Sterling crows. St. Croix smiles and turns his bare ass toward Sterling in response. He then takes his position back in the garage with Denise, who is sitting on the chair in the middle of the room. Someone trips the disco lights, Sterling calls action and St. Croix starts to dance for Denise, who is cheering and stuffing dollar bills in his jockstrap, then spits in her hand and smacks his ass.
"Show me your ass!" Denise demands.
"I'm a person, you know," St. Croix cries, but cracks himself up and has to start over. They shoot his strip show from several points of view before going for the gusto, for which St. Croix takes the initiative. He kneels on the concrete floor and sticks Denise's legs behind her ears. Denise grabs her ankles and holds on, freeing St. Croix's hands for her pussy. He spreads her apart and licks away, making her pink glisten, licks her asshole, eases his fingers into both holes, and then takes them out to feed them to her. Denise licks them off hungrily, and St. Croix slips them back into her ass, spanking a cheek for good measure. The camera merely works around the two, letting their chemistry dictate the scene.
During a pause for stills, Sterling discusses with Denise and St. Croix how the sex will happen.
"Formula sex sucks," he says after telling them to go right into anal reverse cowgirl. "He eats, she eats, two positions – doggie, mish, pop." He then teases Denise about having St. Croix d.p. her with the genie bottle. Hey, it'd fit in her ass, no problem.
Sterling leaves the set again, leaving St. Croix and Denise alone with the camera man, allowing them to make out and do a little warm up anal. Sterling calls action and asks for a clean insertion. Denise hovers over top St. Croix's cock, grinding him before sliding it in again while he reaches around to spank her pussy. Her feet are balancing on his thighs. St. Croix spreads her pussy open again and Denise spits on it. As she rides, the cameraman catches a cool shot of their anal in a mirror beside them. Way cool.
Another set of stills go by and they start up again, this time more frenzied than before.
"Oh fuck," Denise yells.
In the adjacent room with Sterling and Jameson, who had just arrived on set, Spears, who came downstairs to see what was going on, allows mock surprise to fall across his face, saying, "Tell them to watch their language!" The room breaks out into laughter as Spears makes an exit.
Meanwhile, Denise mixes things up a little, hopping off St. Croix's lap to give him a little servicing. She sucks him off expertly, massaging his balls and taking his whole rod down her throat. St. Croix stands from the chair and they do some softcore shots. Denise hides him with her hands, but still, we can see his cock traveling down her gullet.
St. Croix then pulls Denise up to him and kisses her, turns her around and bends her over the chair for a little doggie, taking moments here and there to lick her ass. Denise howls in appreciation. They work in some softcore, then pause for another stills break. I take the break in action as an opportunity to ask Jameson how she's feeling after yesterday's scene.
"Jewel is awesome," she says. "But I'm so used to dominating girls, and she was being forceful with me. So about three or four minutes into the scene I gave in, and I kind of got my ass beat."
It's then that Spears reappears. "Have you guys unloaded your man chowder yet?" he asks loudly, cracking everyone up again. Sterling tersely calls for silence, as Denise and St. Croix are repositioning on the metal table, getting ready for mish. Sterling calls for quiet, then action. St. Croix slowly slides his cock into Denise's pussy.
"Oh God, that's filthy," Spears says with mock shock, but Sterling shoots him a warning look, putting an end to Spears' comedy routine. He smiles, but sits down to watch the action in silence nonetheless.
Back to the fucking, St. Croix props his leg on the table and slams into Denise, then starts to choke her. She allows her eyes to roll back in her head and goes a little limp, relaxing into his grip. They go for some softcore, but St. Croix starts pounding her so hard that the entire table starts to shake.
"Put it in my fucking ass," Denise commands, and St. Croix does as he is told, turning her on her side. He slams into her ass and clutches her breast. They mesh like this for what feels like forever until they go for the fake O, which they cap with a tender kiss. Then they go for the real deal. St. Croix fucks her hard, causing Denise to growl, then pulls out to cum, shooting a huge, geyser-like spurt high into the air that lands on her face.
Bullseye.
Denise and St. Croix wait for Sterling to call cut, then stand from their position on the table, heading upstairs for showers and food. Crew busy themselves with tearing down the set for its lights. With a quick cross of the arms and nod of the head from Sterling, it's on to the next scene.
-- Carly Milne
I Dream Of Jenna will be serving you on July 22.
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