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    Contents:
  • Prologue 1
  • Parodos 1
  • Agon 1
  • Choral 1
  • Agon 2
  • Choral 2
  • Episode 1
  • Lyric-scene 1
  • Episode 2
  • Parabasis 1
  • Episode 3
  • Choral 3
  • Episode 4
  • Choral 4
  • Episode 5
  • Exodus 1
  • Aristophanes, Wasps (ed. Eugene O'Neill, Jr.)

    Sosias

    Editions and translations: Greek (ed. F.W. Hall and W.M. Geldart) | English (ed. Eugene O'Neill, Jr.)
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    Xanthias

    [85]  It's mere waste of time, you will not find it out. If you want to know it, keep silence! I will tell your our master's complaint; of all men, it is he who is fondest of the Heliaea. Thus, to be judging is his hobby, and he groans [90]  if he is not sitting on the first seat. He does not close an eye at night, and if he dozes off for an instant his mind flies instantly to the clepsydra. He is so accustomed to hold the balloting pebble, [95] that he awakes with his three fingers pinched together as if he were offering incense to the new moon. If he sees scribbled on some doorway, "How charming is Demos, the son of Pyrilampes!" he will write beneath it, "How charming is Cemos!" [100]  His cock crowed one evening; said he, "He has had money from the accused to awaken me too late. As soon as he rises from supper he bawls for his shoes and away he rushes down there before dawn to sleep beforehand, [105]  glued fast to the column like an oyster. He is a merciless judge, never failing to draw the convicting line and return home with his nails full of wax like a bumble-bee. Fearing he might run short of pebbles [110]  he keeps enough at home to cover a sea-beach, so that he may have the means of recording his sentence. Such is his madness, and all advice is useless; he only judges the more each day. So we keep him under lock and key, to prevent his going out; for his son is broken-hearted over this mania. [115]  At first he tried him with gentleness, wanted to persuade him to wear the cloak no longer, to go out no more; unable to convince him, he had him bathed and purified according to the ritual without any greater success, and then handed him over to the Corybantes; but the old man escaped them, and carrying off the kettledrum, [120]  rushed right into the midst of the Heliasts. As Cybele could do nothing with her rites, his son took him to Aegina and forcibly made him lie one night in the temple of Asclepius, the God of Healing, but before daylight there he was to be seen at the gate of the tribunal. [125]  Since then we let him go out no more, but he escaped us by the drains or by the skylight, so we stuffed up every opening with old rags and made all secure; [130]  then he drove short sticks into the wall and sprang from rung to rung like a magpie. Now we have stretched nets all around the court and we keep watch and ward. The old man's name is Philocleon, it's the best name he could have, and the son is called Bdelycleon, [135] for he is a man very fit to cure an insolent fellow of his boasting.



    There is one comment on or cross reference to this page.

    Cross references from Basil L. Gildersleeve, Pindar: The Olympian and Pythian Odes:
    * [Olympian Odes]: aigialon trephei


    Preferred URL for linking to this page: http://www.perseus.tufts.edu/cgi-bin/ptext?lookup=Aristoph.+Wasps+85

    The Annenberg CPB/Project provided support for entering this text.

    This text is based on the following book(s):
    Aristophanes. Wasps. The Complete Greek Drama, vol. 2. Eugene O'Neill, Jr. New York. Random House. 1938.
    OCLC: 32280428


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