Review of CD with compositions by Khrennikov

Internet Edition compiled by Onno van Rijen

Updated 9 September 2006


Introduction to Symphony No. 1 in B flat minor opus 4


Khrennikov’s Symphony No. 1 is connected with the Russian classical tradition inherent to Miaskovsky – Shebalin School of Art. And this is implied in both - technical solutions and common approach to understanding the symphonic genre. Being a student of the Conservatory, Khrennikov created a composition that appeared to be independent in terms of its concept, expressiveness and rich inward of music.

In his symphony Tikhon Khrennikov used simple but terse and laconic means if expression. He discovered a sociable intonation that provided the composer with an emotional response from wide circles of listeners. The symphony drives the audience away with its full of life and generosity melodious music. The first part is dynamic; the second is melodic with a powerful emotional climax. The final is full of unexpected rhythmical turns and orchestral contrasts that reveal the instant character of the symphony. All this shows the entire world of inspiration and ideas of the composer – a young man of the thirties.

Creating his symphony, Khrennikov tried to avoid dramatic elements and profound psychology which were typical for the symphonies of that period and were sometimes considered to be necessary features of this genre. This kind of concept did not please the author, who lived the life full of vivid pictures and impressions, who was independent in his ideas and strived to enrich the range of symphonic images. There appeared really new opportunities. It is enough to recollect that Khachaturian was composing his first symphony simultaneously with Khrennikov and had his own, quite different idea of how to develop this genre. The power and attractiveness of Khrennikov’s symphony are in its independence and successful implementation of his lively music concept reflecting the true impressions of life. And, if we put together the sophistication of melody, perfect orchestrating and lyrical simplicity of music, we can clearly see the grounds for terrific success and vital power of the Symphony No. 1.

Text to the booklet with the CD: Tikhon Khrennikov - Three Symphonies (Masterpieces of the Soviet music)
Quotations from the books and articles by I. Martynov, O. Levtonova, Y. Kremljov are used in the booklet.


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