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In Bruges (R)
By Roger Ebert

You may know that Bruges, Belgium, is pronounced "broozh," but I didn't, and the heroes of "In Bruges" certainly don't. They're Dublin hit- men, sent there by their boss for two weeks after a hit goes very wrong. One is a young hothead who sees no reason to be anywhere but Dublin; the other, older, gentler, more curious, buys a guidebook and announces: "Bruges is the best-preserved medieval city in Belgium!"

4 Months, 3 Weeks and 2 Days (No rating)
By Roger Ebert

Gabita is perhaps the most clueless young woman ever to have the lead in a movie about her own pregnancy. Even if you think "Juno" was way too clever, two hours with Gabita will have you buying a ticket to Bucharest for Diablo Cody. This is a powerful film and a stark visual accomplishment, but no thanks to Gabita (Laura Vasiliu). The driving character is her roommate Otilia (Anamaria Marinca), who does all the heavy lifting.

Taxi to the Dark Side (R)
By Roger Ebert

We have to work the dark side.

So said Dick Cheney a few days after 9/11, discussing the war on terror. Is this what he meant?

Over Her Dead Body (PG-13)
By Roger Ebert

Why is nobody utterly in awe of ghosts in "Over Her Dead Body" and so many other ghostcoms? Here is a supernatural manifestation from another realm, and everybody treats it as a plot device. The movie even drags in a Catholic priest, who seems bewilderingly ignorant of his church's beliefs about ghosts (they don't exist) and treats the situation as an opportunity for counseling.

Untraceable (R)
By Roger Ebert

'Untraceable" is a horrifying thriller, smart and tightly told, and merciless. It begins with this premise: A psychopath devises ways to kill people online, in live streaming video. The more hits he gets, the further the process continues, until finally his captive is dead. "You're setting a new record!" he tells one agonized victim, as we see the total growing on a hit counter. Trying to stop him are the Cyber Crimes Division of the FBI and the Portland police.

Q. I just watched "Cloverfield" and found the shaky-cam ruined the movie for me! I know it was supposed to give the feeling of being there, but I felt the director took it WAY too far. As you noted in your review, Hud "couldn't hold it steady or frame a shot if his life depended on it." Not only did it make me ill, but it ruined the whole movie for me.
by Roger Ebert

There may or may not be a spectacular Oscarcast on Feb. 24, but now we know who will or won't win the Oscars. The 2008 nominees, announced Tuesday at the crack of dawn, represent one of the strongest fields in recent years, reflecting the surge of superb films starting in September.

From James Rocchi at The Huffington Post:

Roger Ebert is not, in fact, up in Park City for the Sundance Film Festival right now. I am, screening films and working in the cold, and while there's plenty of old friends and new about -- every press screening at Sundance is like a high school reunion, if only for the A.V. Club -- I was thinking of Ebert this week fairly obvious reasons. I've met Roger often over the years, and for some reason -- some stupid internal mechanism of self-deprecation, I would wager -- I always, always assume he will not remember me, or who I am. He does, of course, because he's a gentleman, but in my mind I tell myself that Ebert's mental file of "white dudes with glasses who are film critics and like to wear sweater vests" must be full to bursting, so I always re-introduce myself when I run into him. But I have friends who know him well enough, and one of them told me a few weeks ago "Ebert won't be at Sundance; he's having surgery on the 24th, for his voice."

Does Hollywood Sell Drugs to Kids?
--Cover headline, Parade Magazine, July 21, 1985

By Roger Ebert (1985)

The Parade article lists the many movies in which drinking and drug use are portrayed as glamorous and acceptable, and the small handful of anti-drug movies. The implication is that Hollywood is a pro-drug town.

These are stories from the New Hollywood:

Sid and Nancy (R)
By Roger Ebert (1986)

His real name was John Simon Ritchie, and his father was a trombone player who left before he was born. His mother wore her hair long and went to all the hippie festivals with the little boy at her side. They lived in London's East End, within the culture of poverty and drugs. When he was fifteen, Ritchie dropped out of school. When he was seventeen, he was one of the most famous people in England, although by then he was known as Sid Vicious of the notorious Sex Pistols.

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