ABOUT THE FILMMAKERS
LEN
WISEMAN’s (Director) experience in the film industry
began in the art department on the blockbuster hits Godzilla,
Stargate, Men In Black and Independence Day. With his natural
visual flair and eye for design, he was soon behind the lens
directing commercials for PlayStation, Time Warner, Oracle,
Intel and Activision, which quickly lead to a career in music
videos. A host of award nominations followed, including Best
Art Direction at the 2002 MTV Video Awards™ for Quarashi’s “Stick ‘Em
Up” and Best Director at the 2002 MVPA Awards for the
Rufus Wainwright video “Across the Universe.” In
addition, Wiseman has directed groundbreaking music videos
for Megadeath, En Vogue, Static X, Paul Oakenfold and Brooke
Allison.
Director Len Wiseman lines up a shot of Bruce Willis on the set of LIVE FREE
OR DIE HARD
With his distinctive style and growing reputation, Wiseman
came to the attention of Skip Williamson, President of Lakeshore
Records, who saw Wiseman at work and made the push for him
to direct his first feature film Underworld.
Wiseman and writer Danny McBride met through their agent,
Nick Reed, at ICM. The two hit it off upon discovering they
had a common love and knowledge of genre films. The screenplay
for Underworld was so well received that Wiseman and McBride
were able to set up another project, tentatively called Black
Chapter, with Antoine Fuqua attached to produce for Disney.
Wiseman went on to direct Underworld: Evolution.
MARK
BOMBACK’s (Screenplay, Story) credits
include Godsend, starring Robert DeNiro and Greg Kinnear,
and The Tourist, now in post-production, starring Hugh Jackman
and Ewan McGregor.
Bomback
is adapting Pulitzer Prize-winning novelist Richard Ford’s
books The Sportswriter, Independence Day and The Lay of the
Land for HBO. In addition, his screenplay Unstoppable is
in development at Twentieth Century Fox.
In 2002, Bomback was selected to participate in the Sundance
Institute's prestigious Filmmakers Lab, where he workshopped
his screenplay for Disturbing the Peace, based on the Richard
Yates novel, with which he hopes to make his directorial debut
this year.
Bomback teaches an annual course in screenwriting at his alma
mater, Wesleyan University.
DAVID
MARCONI (Story) wrote and directed the upcoming film Kaleidoscope,
a gritty geopolitical thriller set in present day Europe.
Inspired by true-life events, Marconi describes the film
as "a character-driven love
story told against the background of political intrigue.”
A native of Highland Park, Illinois, Marconi was passionate
about film making from an early age. After winning several
high-school film making competitions, Marconi was awarded an
alumni merit scholarship to attend the University of Southern
California's film school. Upon graduation, he landed his first
job as Francis Ford Coppola's assistant on The Outsiders. Following
that, Coppola promoted Marconi to production supervisor/2nd
unit on Rumble Fish.
In 1993, Marconi wrote and directed his first feature, The
Harvest, a visually detailed stylish noir starring Miguel Ferrer
and Leilani Sarelle. Shortly thereafter, Simpson/Bruckheimer
commissioned Marconi to write his original screenplay Enemy
of the State starring Will Smith and Gene Hackman. A high-tech
thriller dealing with privacy issues, the film grossed over
250 million dollars worldwide. On the heels of Enemy of the
State, Marconi redeveloped Jerry Bruckheimer's television series
Soldier of Fortune.
Marconi has co-authored with Flint Dille three serialized
novels: Agent 13, The Midnight Avenger, Agent 13 and the Serpentine
Assassins and Agent 13 and the Acolytes of Darkness, all from
Random House. An action-adventure series set in the 30's, the
stories deal with a secret society manipulating the events
leading up to the Second World War, and the one man, Agent
Thirteen, who tries to foil their plans.
MICHAEL
FOTTRELL (Producer), a graduate of the USC School
of Cinema, has served in various executive and co-producing
roles on the high-profile films You, Me and Dupree, Herbie:
Fully Loaded, 2 Fast 2 Furious, Catwoman, Sweet Home Alabama,
Sorority Boys, The New Guy, Rock Star, Blue Streak, Cruel Intentions
and A Very Brady Sequel.
In addition to his producing credits, Fottrell served as production
manager for Mighty Joe Young, Volcano, Crimson Tide, Gross
Anatomy, Warlock, and Shy People, among others.
His executive production manager credits at Disney include
Father of the Bride, When a Man Loves a Woman, Sister Act,
What About Bob?, and Pretty Woman.
ARNOLD
RIFKIN (Executive Producer) is a partner at Rifkin/Eberts,
LLC, which has a number of films in development at various
studios.
Previously,
he produced film and television projects through Cheyenne
Enterprises LLC. Since the company’s inception
in January 2000, Cheyenne produced such feature films as Bandits,
Hart’s War, The Crocodile Hunter: Collision Course, Tears
of the Sun, Hostage and 16 Blocks.
Before founding Cheyenne Enterprises, Rifkin had been a talent
agent for over 20 years. He started his career at Rifkin-David
and was a founding partner of Triad Artists. In 1992, Triad
Artists was acquired by the William Morris Agency and Rifkin
was named worldwide head of the WMA Motion Picture Department.
In 1996, he became president of the agency where he remained
until September 1999. In January 2000, Rifkin formed Cheyenne
Enterprises, LLC.
In
addition to his work in the creative community, Rifkin sits
on the Board of Directors at the American Cinematheque and
serves as the co-chair of the Producers Program at the UCLA
School of Theatre, Film & Television, where he has
been teaching for 12 years.
WILLIAM
WISHER (Executive Producer) is no stranger to Die
Hard films. In the summer of 1994, Wisher spent two weeks working
on Die Hard With a Vengeance, which had just begun shooting.
Those two weeks turned into five months as Wisher and Bruce
Willis continued to collaborate through the end of production.
When director Len Wiseman and Bruce Willis asked Wisher to
come aboard LIVE FREE OR DIE HARD, he didn't hesitate.
A native of Los Angeles, Wisher attended Catholic School in
Inglewood, and finished High School in Brea, California, and
attended College in nearby Fullerton.
During the past twenty years, Wisher has penned several films,
including more than a few as an uncredited script doctor. His
credits include Terminator 2: Judgment Day, Judge Dredd, and
The 13th Warrior.
SIMON
DUGGAN, ACS (Director of Photography) won the Film Critics
Circle of Australia Award in 1998 for his work on the feature
film The Interview. He was also nominated for an Australian
Film Institute Award and an Australian Cinematographers Society
Award.
Duggan
previously worked with LIVE FREE OR DIE HARD director Len
Wiseman on Underworld: Evolution. Other film credits include
I, Robot and Garage Days with filmmaker Alex Proyas, Allan
White’s Risk, starring Bryan Brown,
and Craig Monahan's The Interview starring Hugo Weaving.
Duggan
has filmed over 2000 national and international television
and cinema commercials. He garnered a first place cinematography
statuette for a Volkswagen spot at this year’s
32nd International Mobius Advertising Awards. He won the
first place award in 2001 for the Ford Global Hello/Goodbye
Millennium Campaign, which was filmed across nine nations.
Other awards include first place at the 28th International
Mobius Advertising Awards for the Philip Morris Adventure
Tours Campaign, and an Outstanding Creativity Award at the
26th International Mobius Advertising Awards for National
Australia Bank.
Duggan makes his home in Sydney, Australia where he has lived
most of his life.
PATRICK
TATOPOULOS’ (Production Designer) designs and creations have influenced the quality and direction
of contemporary cinematography for over a decade. His creative
achievements in Production Design as well as Creature Effects
have left a lasting impression in the Motion Picture industry,
with a unique style that is rich, complex and diverse. His
growing body of work has a distinct visual style that attests
to his boundless imagination.
Tatopoulos’ signature style is recognizable in such
noted feature films as Independence Day, I Robot, Underworld:
Evolution, Silent Hill, Dark City, Underworld, Pitch Black,
Stuart Little, Stargate and Godzilla. The environments and
creatures created for these films have resulted from the unique
combination of Tatopoulos’ artistry and his collaboration
with talented, visionary directors.
He
has designed/directed several commercials and music videos
in the past few years in addition to his many other projects.
Three of his most recognized music video designs were done
for the popular rock band Linkin Park; with the first video,
In the End, taking the coveted Best Rock Video award at the
2001 MTV Music Awards™, and the second, PTS. of Authority – Remix,
taking the Favorite Video award at the 2002 MTV Asia Music
Awards.
On
the commercial front, Tatopoulos designed the look in many
ads for such highly branded industry names as Nintendo, Reebok,
Mike’s Hard Lemonade, Cingular
Wireless, Intel Pentium and Footlocker.
Born in Paris, Tatopoulos is of Greek and French heritage.
He studied at the Art Decoratif De Paris, the Art Appliques
De Paris, and the famous Beaux Art De Paris. Prior to moving
to the United States in 1989 to work in the entertainment industry,
Tatopoulos spent several years in Rome and Athens working as
a fine artist and freelance illustrator. Another interest of
his is the mentoring of new and upcoming young artists. In
2001 Tatopoulos was honored to have one of the prized Hellenic
Times Scholarship given in his name.
Tatopoulos
continually strives to discover new challenges in all areas
of the entertainment world. In turn, his efforts, contributions,
and artistic style continue to be sought after. Patrick’s
website, www.tatopoulos.net features drawings and photos
from his many film, TV, and commercial projects.
NICOLAS
de TOTH (Editor) has edited a wide variety of films
including Underworld: Evolution with director Len Wiseman,
as well as Eye of the Storm; Universal Soldier, starring Jean-Claude
Van Damme; the action-packed Hellbound, starring Chuck Norris;
the science fiction adventure Stargate; Street Fighter; Showgirls,
starring Gina Gershon and Elizabeth Berkeley; the dramatic
Moll Flanders, with Robin Wright Penn and Morgan Freeman; The
Edge with Anthony Hopkins and Alec Baldwin; and Stepmom, starring
Julia Roberts and Susan Sarandon.
He was editor on the science fiction fantasy Bicentennial
Man, starring Robin Williams, the comedy Dirk and Betty, starring
Marisa Tomei and Thomas Haden Church, the action thrillers
Along Came a Spider, starring Morgan Freeman, and The Sum of
All Fears starring Ben Affleck. More recently, de Toth edited
the box office hits Terminator 3: Rise of the Machines starring
Arnold Schwarzenegger, and The Covenant directed by Renny Harlin.
Born
in Italy, MARCO BELTRAMI (Music) began his pursuit of music
composition studying in Venice with Italian master Luigi
Nono before entering the Yale School of Music on a scholarship.
Among his most important influences, he counts acclaimed
composers Ennio Morricone and Jerry Goldsmith.
In 1992, Beltrami moved to Los Angeles to undertake a fellowship
with Jerry Goldsmith. While learning the technical aspects
of film scoring, he also completed orchestral compositions
for the Chicago Civic Orchestra, the Sao Paulo State Orchestra
and the Oakland East Bay Symphony. Since then, Beltrami has
tried to balance concert pieces with a film scoring career.
Beginning with a Sony-funded short, The Bicyclist, in 1994,
Beltrami has worked consistently on film and television scoring
projects, including the features The Omen (2006), Captivity,
The Invisible, 3:10 to Yuma (2007), Hellboy 2: The Golden Army,
I, Robot, Terminator 3: Rise of the Machines, The Faculty,
all three of the Scream films, Blade 2: Bloodhunt, The Watcher,
The Dangerous Lives of Altar Boys, XXX 2: The Next Level, Red
Eye, The Three Burials of Melquiades Estrada, and Underworld:
Evolution.
Beltrami’s
work has earned awards from the American Academy of Arts.