Skip to contentSkip to site index

New York Times - Top Stories

Doug Mills/The New York Times
Jonathan Swan
Jonathan Swan
The prosecution played the video Trump recorded in 2016, when he apologized for saying the words on the “Access Hollywood” tape. But soon after being elected, Trump was telling people privately that he thought the tape might be a fake.
Maggie Haberman
Maggie Haberman
Hope Hicks is shown the email that a reporter sent her in 2016, seeking comment about the “Access Hollywood” tape. The email contained a transcript of what was said on it. “I was concerned. Very concerned,” Hicks says.
Jonah Bromwich
Jonah Bromwich
Hicks says that when she shared the email with Trump, one of his initial reactions was to say that his comments about assaulting women “didn’t sound like something he would say.”
Jonathan Swan
Jonathan Swan
Some smiles from jurors when Hicks recalls that Trump told David Pecker that The National Enquirer’s articles were “Pulitzer-worthy.” (These were poorly sourced hit pieces on Trump’s rivals, including Ben Carson and Ted Cruz).
Jonathan Swan
Jonathan Swan
So far in her testimony, Hicks has gone out of her way to praise Trump and signal that she still feels fondly towards him. Earlier she said she “jumped at” the opportunity to work for the Trump Organization.
Kate Christobek
Kate Christobek
Trump has remained attentive to Hicks’s testimony. His lead lawyer, Todd Blanche, has whispered to him several times, but Trump has only offered him brief responses before returning to listening to Hicks.
Jonah Bromwich
Jonah Bromwich
Matthew Colangelo, the prosecutor, has a gentle demeanor and may have been a good choice to question Hope Hicks, an admittedly nervous witness who jurors might feel some sympathy for.
Jonah Bromwich
Jonah Bromwich
Colangelo begins to set Hope Hicks up to testify about having participated in key meetings. Hicks acknowledges that she was frequently involved in meetings, going in and out of Trump’s office.
A portrait of Mr. Barcavage, whose eyes appear to be welling with tears.
Michelle Zimmerman sits on the floor of a ballroom where she used to dance, with a pair of dancing shoes next to her. She wears a dark skirt and a red velvet shirt.
Hannah Yoon for The New York Times; Jovelle Tamayo for The New York Times

Advertisement

SKIP ADVERTISEMENT