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The Libertine (2004)
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Overview
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Release Date:
10 March 2006 (USA) moreTagline:
He didn't resist temptation. He pursued it.Plot:
The story of John Wilmot, a.k.a. the Earl of Rochester, a 17th century poet who famously drank and debauched his way to an early grave, only to earn posthumous critical acclaim for his life's work. full summary | add synopsisAwards:
1 win & 7 nominations moreNewsDesk:
(6 articles)
24 hours in the life of a drug dealer - Shifty (From QuietEarth. 29 August 2008, 11:19 AM, PDT)
'Pirates' Returns As Top DVD Seller
(From Studio Briefing. 13 July 2006)
User Comments:
A personal synopsis of the Libertine moreCast
(Cast overview, first billed only)Johnny Depp | ... | Rochester | |
Paul Ritter | ... | Chiffinch | |
John Malkovich | ... | Charles II | |
Stanley Townsend | ... | Keown | |
Francesca Annis | ... | Countess | |
Rosamund Pike | ... | Elizabeth Malet | |
Tom Hollander | ... | Etherege | |
Johnny Vegas | ... | Sackville | |
Richard Coyle | ... | Alcock | |
Tom Burke | ... | Vaughan | |
Hugh Sachs | ... | Ratcliffe | |
Rupert Friend | ... | Downs | |
Kelly Reilly | ... | Jane | |
Jack Davenport | ... | Harris | |
Trudi Jackson | ... | Rose |
Additional Details
MPAA:
Rated R for strong sexuality including dialogue, violence and language.Parents Guide:
View content advisory for parentsRuntime:
117 min | USA:130 minCountry:
UKLanguage:
EnglishColor:
ColorAspect Ratio:
2.35 : 1 moreSound Mix:
Dolby DigitalCertification:
UK:18 | Ireland:18 | USA:R | Finland:K-15 | France:U | Singapore:R21 | Portugal:M/16 | Canada:13+ (Quebec) | Iceland:16 | Australia:MA | Netherlands:12 | Italy:VM14 | Sweden:11 | Malaysia:(Banned) | Argentina:16 | Brazil:16 | Hong Kong:IIB | Canada:14A (Ontario) | Spain:18 | South Korea:18 | Japan:R-15MOVIEmeter:
No change since last week why?Fun Stuff
Trivia:
John Malkovich had previously worked with Laurence Dunmore on a commercial, and loved working with him so much he recommended him to the producers. moreGoofs:
Factual errors: In the moments before the King's sheriffs come storming into the poverty-stricken room in East End, to force Wilmot to face the King, Alcock remarks, "We made 80 pounds today." This is a ridiculous sum, even if they were not already hiding in the poorest part of London; 80 British pounds in the late 1670's would be equal, in purchasing power, to over 9,000 British pounds today. (For comparison: Wilmot's wife, an heiress, had an income that is cited at one point in the film as worth 2,500 pounds per year; it is absurd that street entertainers in the worst part of London might take in one-thirtieth of that amount in one day.) moreQuotes:
[first lines]Rochester: Allow me to be frank at the commencement. You will not like me. The gentlemen will be envious and the ladies will be repelled. You will not like me now and you will like me a good deal less as we go on. Ladies, an announcement: I am up for it, all the time...
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The Libertine was a brilliant period piece. It was a tragically realistic yet witty and humorous look at the Restoration period in England, but more specifically depicted the latter stages of the life of the Second Earl Of Rochester, a poet, who endured a short and debauched life. Here was a man so highly intelligent, yet so bored with life that he thrived by consistently pushing his limits and the boundaries of his relationships.
Johnny Depp eloquently and emotionally portrayed the Earl of Wilmot. This has to be by far his most brilliant achievement in a long line of unique and amazing performances. Mr. Depp's portrayal of the Earl showed a range of emotions, incredible nuances and a depth of empathy never before seen on screen, best illustrated during the scene where The Earl addresses parliament - which has to be the most gut wrenching scene, rife with fervor but with credibility. Suffice it to say by the end of this movie I had been reduced to tears and cheers, both at times coinciding. This is definitely an Oscar worthy performance. The golden statue is a must.
The supporting cast was also excellent; most notably, the actor who played the Earl's servant, and who appeared to have a great rapport with Mr. Depp, on screen. Samantha Morton, also superb as Mrs. Barry, gave a lovely and unobtrusive performance as was required for this character.
Laurence Dunmore captured the atmosphere of the period exquisitely with simplicity yet with a keen eye to detail. The reproduction of the 'family' Portrait of the Earl with the monkey is an excellent example. The lighting, the sets, the costumes all added to the reality of the movie. The musical score by Michael Nyman beautifully augmented the spirit of the times and of this production.
The Libertine was a work in progress when I viewed it twice at the Toronto Film Fest. I cannot imagine a scene being cut; even the more risqué dreams are required to impart the true emotional state of the Earl at that time in his life. Before passing judgment on this film I suggest that one see it at least twice so as to appreciate the full impact of the movie to fully identify with the meaning and the thought behind this production.
The Libertine is a wonderful piece of art, representing the true raison d'être of this poet with incredible wit and insight. Congratulations to all who graced the production of the Libertine.