Wednesday, March 08, 2006

ENOUGH IS ENOUGH... IT'S TIME TO MOVE ON

Below is the text of a message I just posted on OscarWatch.com, where supporters of Brokeback Mountain have, since Sunday night, been sharing their anger, frustration, and disenchantment with the Academy's choice of Crash as Best Picture over Brokeback. I have not wanted to fuel the flames of this debate. But too many people have made allegations that the Academy is homophobic for me to stand by any longer. Enough is enough, and I want to carefully, respectfully articulate my response to those whose feelings have been hurt by the Academy's decision. Here is how I responded to one of those individuals, "Lee" (with some additional points also included))...

You're asking Crash supporters to acknowledge that Brokeback lost a few votes to homophobia... fine, I do. But you have no idea how many. How about this: How many votes did Crash lose to racists? It's a really pointless argument because it's unquantifiable, as the Oscars have always been. We don't know why the Academy chose Crash over Brokeback any more than we know why Dances with Wolves beat GoodFellas (or why any number of other close races turned out the way they did). I just really don't like the 'poor loser' approach being adopted by Brokeback fans... I understand and appreciate the fact that this was a movie near and dear to your hearts. It's also a movie that many who did not support it for Best Picture still enjoyed and respected. But by continuing to shove this anger and hatred in people's faces, you really are only tarnishing the way that people will remember the film and making yourselves---and not the film's important message---the story. To me, that's a bigger injustice to Ennis and Jack than the Academy's decision to support another film, which it has the prerogative to do.

The argument will go on---of that, I am certain. But I hope people will choose their words and allegations more responsibly and carefully in the future. In the heat of the moment, it is easy to get carried away with our passions. But one's argument loses effect when it cannot be substantiated.

Read more...
Posted by Editor at 01:46:40 | Permanent Link | Comments (4) |

Saturday, February 18, 2006

A CRASH COURSE IN REALITY
OR WHY THE NOTION THAT BROKEBACK ISN'T STILL OUT FRONT IS HOGWASH

Nobody would love to see Crash win Best Picture over Brokeback Mountain more than I would. I loved the former, but only really respected the latter... I thought many would feel as I do, but the critical and public response to this movie is unlike anything I have ever seen. The Best Picture race appeared to be a total runaway until Crash won the SAG Award for Best Ensemble, which worked out perfectly for those in the mainstream media and at the Academy who want to preserve a little interest in this year's Oscars. That is understandable. But for my colleagues at many Oscar reporting outlets to suddenly play the same game, knowingly or unknowingly (some allege they are even attempting to create a self-fulfilling prophecy by propograting this misinformation), seems to me to merit a response.

What I do--and what other prognosticators are supposed to do---is follow the 'money,' which in the Oscar game is the precursors. And, let's face it, folks. What has Crash actually won, aside from the SAG Award, which most people overestimate anyway? A movie like Crash is the definition of an ensemble (and I was one of the group that predicted it would win that award while still forecasting an overall Brokeback win). With over a dozen equally-principal cast members splitting the screen, you couldn't name a leading performance from that film because everyone is supporting each other. That's why Brokeback (comprised of four main characters---two starring performances and two supporting performances ), didn't win that award. Not that it would matter much if it did anyway---I learned that the hard way last year when the SAG Ensemble Award gave me the confidence to predict a Best Picture upset win for Sideways, reasoning that it had a lot of support and that The Aviator and Million Dollar Baby might split the vote, anyway.

Speaking of which... even if Crash has found a second life, I'm more inclined to believe it could cause a split-vote with the boys of Brokeback, rather than overtake it. What would the implication of that be? Let's just say we might not have been so wrong about Munich all year, after all...

The point is we don't know anything new, and to suddenly claim to Crash or anything else has upended Brokeback goes strongly against the evidence at hand. I talk to voters, and one thing that I know is that many do not see all of the nominated movies. Often, they look and listen to what others (colleagues, the media, and awards/critics groups) are saying and it influences their thinking. When they hear "And the best picture is... Brokeback Mountain!" as many times as they times as they have this year, it's very hard to stand up and say you voted for something else. Many tend not to go against the tide. Just something to keep in mind. Please share your thoughts (in a PG way).
Posted by Editor at 18:26:28 | Permanent Link | Comments (16) |

Saturday, February 11, 2006

WE WANT YOUR "FOR YOUR CONSIDERATION" BLURB

Do you L-O-V-E Brokeback Mountain? Are you crazy for Crash? Are you chillin' for Dillon, quenchin' for a Dench-in, keen for Keener, wise for Weisz, or hurtin' for Hurt? Okay, enough, you get the point...

To our readers, thanks for your amazing support over the first month of tabulating hits to this site---we recorded a remarkable 15,000! To encourage continued participation, here's a little project for those of you who are strongly supporting one film or performance in a certain category:
  • Submit under the comments section a 1 paragraph argument for why your nominated candidate deserves to win. I'll post the best examples along with my own final predictions in the days before the actual ceremony... maybe you can even convince me or other prognosticators to re-think the way we're leaning!
Posted by Editor at 00:08:59 | Permanent Link | Comments (7) |

Wednesday, February 08, 2006

MY OSCAR BALLOT

Hey folks. We have a stretch of just under a month until the Oscars, and so a lot of the coverage until then will be of the predictions/analysis sort, rather than actual news. With that in mind, I feel you are entitled to see who gets my vote for the Academy Award... in other words, what/who I want to win because I think they deserve to, rather than what/who I think will win (though they may sometimes correspond). Here you go:
  • BEST PICTURE Crash
  • BEST DIRECTOR Paul Haggis, Crash
  • BEST ACTOR Joaquin Phoenix, Walk the Line
  • BEST ACTRESS Keira Knightley, Pride and Prejudice
  • BEST SUPPORTING ACTOR Matt Dillon, Crash
  • BEST SUPPORTING ACTRESS Rachel Weisz, The Constant Gardener
  • BEST ORIGINAL SCREENPLAY Noah Baumbach, The Squid and the Whale
  • BEST ADAPTED SCREENPLAY Tony Kusher/Eric Roth, Munich
Posted by Editor at 14:14:51 | Permanent Link | Comments (11) |

Tuesday, January 17, 2006

FOR YOUR CONSIDERATION:
THE PERFORMANCES OF THE YEAR


Rankings are usually subjective and have little real value other than to stir up discussion and debate. Anyone who calls their rankings "definitive" or "indisputable," especially when referring to things as unquantifiable as different motion picture performances, is full of it. The only real purpose they seem to have is to allow their author to express his opinions and to call upon others to respectfully offer their own versions. With Oscar nominations just arond the corner, this is precisely my intention in offering you the performances that---to me---were the best of 2005, regardless of gender or category. I look forward to your responses.

  1. Jeff Daniels (The Squid and the Whale)
  2. Keira Knightley (Pride and Prejudice)
  3. Joaquin Phoenix (Walk the Line)
  4. Philip Seymour Hoffman (Capote)
  5. Russell Crowe (Cinderella Man)
  6. Rachel Weisz (The Constant Gardener)
  7. Reese Witherspoon (Walk the Line)
  8. Heath Ledger (Brokeback Mountain)
  9. Naomi Watts (King Kong)
  10. Matt Dillon (Crash)
  11. Eric Bana (Munich)
  12. Amy Adams (Junebug)
  13. Jonathan Rhys-Meyers (Match Point)
  14. Georgie Henley (The Chronicles of Narnia)
  15. Claire Danes (Shopgirl)
  16. Ralph Fiennes (The Constant Gardener)
  17. Michael Pena (Crash)
  18. Bill Murray (Broken Flowers)
  19. David Strathairn (Good Night, and Good Luck)
  20. Terrence Howard (Crash)
  21. Steve Carell (The 40 Year Old Virgin)
  22. Joan Allen (The Upside of Anger)
  23. Mickey Rourke (Sin City)
  24. Thandie Newton (Crash)
  25. Cillian Murphy (Breakfast on Pluto)
  26. Viggo Mortensen (A History of Violence)
  27. Jeffrey Wright (Syriana)
  28. Clifton Collins Jr. (Capote)
  29. George Clooney (Syriana)
  30. Jake Gyllenhaal (Brokeback Mountain)
  31. Scarlett Johansson (Match Point)
  32. Terrence Howard (Hustle and Flow)
  33. Sarah Silverman (The Aristocrats)
  34. Jesse Eisenberg (The Squid and the Whale)
  35. Vince Vaughn (Wedding Crashers)
  36. Emily Mortimer (Match Point)
  37. Rosario Dawson (Rent)
  38. Reese Witherspoon (Just Like Heaven)
  39. Heath Ledger (Casanova)
  40. Anthony Anderson (Hustle and Flow)
  41. Jodie Foster (Flightplan)
  42. Tracie Thoms (Rent)
  43. Natasha Richardson (The White Countess)
  44. Frances McDormand (North Country)
  45. Paul Giamatti (Cinderella Man)
  46. Gwyneth Paltrow (Proof)
  47. Laura Linney (The Squid and the Whale)
  48. Wanda Sykes (Monster-in-Law)
  49. Oliver Platt (Casanova)
  50. Nicole Kidman (The Interpreter)
Posted by Editor at 01:20:11 | Permanent Link | Comments (1) |