Dhrupad
The DAGAR-Vani
The late Ustad Zia Mohiuddin
Dagar and his brother Ustad Zia Fariduddin
Dagar from the 19th generation of the Dagar
tradition, among the other famous Dagars.
Bade Ustad
Ustad Zia Mohiuddin Dagar
became famous for the special sound of his
Rudra Vina which he modified in cooperation
with Murari Mohan Adhikari, a instrument
maker from Kalkutta who was one of the last
owner of the famous instrument workshop
Kanailal & Brother. His meditative playing
style which reflects his family tradition
was popular especially among a growing western
audience.
He used for his Been bigger gourds (Tumbar)
and a thicker tube for the connecting instrument
neck (Dhandhi). That made the use of stronger
strings possible which together with the
corresponding fine polish of the Javari
produced the soft and deep sound of the
Dagar Vina. Beside the needful change of
the traditional playing posture Ustad Zia
Mohiuddin Dagar also plucked the strings
without the use of any plectrum (mizrab).
Ustad Zia Mohiuddin Dagar,
fondly known as Bade Ustad, built a Gurukul
at Palaspe, near Panvel. Traditionally the
teaching of Dhrupad is closely tied to the
ancient system of guru-shishya parampara.
The students lived in the home of their
Guru and devoted themselves to riyaz (practice).
The lives of the students were focused on
learning music and the teacher could supervise
them at all times.
Bade Ustad had a deep belief
in the oral tradition of learning and an
understanding that music cannot be learnt
through text books only.
The Gurukul continues his
mission under the guidance of his wife Smt.
Pramila Dagar, younger brother Ustad Zia
Fariduddin Dagar (Chhote Ustad) and son
Bahauddin Dagar.
The guru-shishya parampara therefore continues.
As long as there is someone to continue
this oral tradition, this Gayaki that is
thousands of years old, will never disappear.
Chhote
Ustad
Ustad Zia Fariduddin Dagar
represents the musical tradition of a family
that is believed to have preserved and nurtured
Dhrupad music for the last 20 unbroken generations.
He was born in Udaipur, India, where his
father Ustad Ziauddin Khan Dagar was the
court musician fro the Maharajah of Udaipur.
He was taught vocal and instrumental music
(veena & sitar) by his father and later
by his elder brother, Ustad Zia Mohiuddin
Dagar.
Ustad is responsible to a great extent for
popularising Dhrupad music by his numerous
concerts and workshops. He has traveled
and performed widely in India and abroad.
In recognition of his immense contribution
to the classical music of India, Ustad has
been bestowed with many prestigious awards.
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Continue:
• Dhrupad
history & musical structure
• Instruments
• Marianne
Svasek at the Dagar Gurukul
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