The Museum on the Seam is a socio-political contemporary art museum located in Jerusalem. The Museum in its unique way, presents art as a language with no boundaries in order to raise controversial social issues for public discussion. At the center of the changing exhibitions in the Museum stand the national, ethnic and economic seam lines in their local and universal contexts.
The Museum is committed to examining the social reality within our regional conflict, to advancing dialogue in the face of discord and to encouraging social responsibility that is based on what we all have in common rather than what keeps us apart.
Between May 2005 and June 2008 the Museum has presented a series of exhibitions on the theme of human rights. The series was opened with DEAD END that dealt with the threat that violence poses to our social fabric.
The second exhibition in the series EQUAL AND LESS EQUAL opened in September 2006. It dealt with work/slavery and exposed the distressed existence of man in a world of globalization and migration.
In the summer of 2007 BARE LIFE opened at the Museum, the third exhibition and last in the series dealing with human rights. The exhibition, which closed in June 2008, dealt with the disintegrating line between abnormal and normal situations. The exhibit pointed to the dangerous place where a temporary emergency situation can be turned into a legitimized status quo accepted by the silent majority, a situation that can in the end lead to a paranoia of suspicion and to the use of violence to re-establish public order.
Currently the Museum is showing exhibition HEARTQUAKE which is dedicated to exploring anxiety in its local and universal contexts. HeartQuake seeks to expose and to accentuate people’s emotional confrontation with their surroundings, and through the prism of anxiety to examine their responses as injurers and as injured - with the aim of understanding and influencing the dynamics of social and political relations.
The Museum is situated in a building constructed in 1932 by the Arab-Christian architect, Anton Baramki.
While Jerusalem was divided (1948-1967), the building served as a military outpost (the Turjeman Post) which stood on the seam line between Israel and Jordan across from Mandelbaum Gate, the only crossing point between the two sides of the divided city.
The Museum on the Seam was established in 1999 with the generous support of the von Holtzbrinck family of Germany, through the Jerusalem Foundation and by the initiative of the designer and curator of the Museum, Raphie Etgar.