| |
Title |
|
Le Roi Carotte (King Carrot) |
Composer |
|
Jacques Offenbach (1819 - 1880) |
Librettist |
|
Victorien Sardou (1831 - 1908) |
Genre |
|
"Opérette-féerie", comic opera (three acts -
eleven tableaux). |
First performance |
|
Théâtre de la Gaîté, Paris, January, 1872. |
Time of
action |
|
19th century. |
Place of action |
|
- a. in front of an inn,
outside the city-wall
b. a room inside a tower
c. the royal palace, or its garden
- a. the wizard Quiribibi's
study
b. the ruins of Pompeii
c. Pompeii before its destruction
d. the royal palace
e. the realm of insects
- a. the royal palace
b. a market-square
c. the royal palace.
|
Main parts |
|
Fridolin XXIV |
tenor or high baritone |
|
|
Truck, necromancer |
bass-baritone (comic) |
|
|
Pipertrunck, Chief of Police |
comic bass |
|
|
Baron Koffre, Minister of
Finance |
2nd tenor |
|
|
Trac, Field Marshall |
tenor |
|
|
Robin-Luron, a genie |
mezzo-soprano (trouser role) |
|
|
Princess Kunigonda |
mezzo-soprano |
|
|
Rosée du Soir |
coloraturo soprano |
|
|
King Carrot |
comic tenor |
Prominence of chorus |
|
Large. |
Orchestra |
|
2 flutes, 2
oboe, 2 clarinets, 2 bassoons, 2
French horns, 2 trumpets, 3 trombone, kettle-drums,
percussion, strings. |
Special demands |
|
A military band on stage (optional). |
Full
score and orchestral parts |
|
Available. |
Level |
|
Not difficult, but see comment. |
Length |
|
3 acts, about 2½ hours. |
Music |
|
This bizarre opera is especially worth
performing for the high quality of Offenbach's music. Highlights: the
finales of course; the first contains a musical fit of sneezing and a chorus
of turnips and cabbages, the second a magnificent number for ants and
other insects, in the third a revolution is musically represented. Then
there is the dreamy aria of Rosée du Soir, the famous Valse des Rayons, a solemn Pompeii quartet and a
hilarious number about railway travel. The revolution chorus has the power
of a real hit. |
Story |
|
It is clear that the main character, the
dissolute monarch Fridolin, stands for emperor Napoleon III. He is deposed
(librettist Sardou had a prophetic mind) and succeeded by a
carrot-become-human and its plebeian followers of carrots and
beet-roots; by these the radicals are meant (radix = root). Guided by his
good genius the exiled prince travels through space and time, visits Pompeii
before it was destroyed by the eruption of Mt. Vesuvius, and learns from the
ants the meaning of hard work. Meanwhile the repulsive Carrot's regime has
proved a hundred times worse than his predecessor's. After another
revolution the prince regains his throne and Carrot and his bunch of
vegetables are swallowed by the earth. |
Costumes |
|
Women: town's women,
girl-friends of students, ladies at court etc.
Men: citizens, courtiers, soldiers, students etc.
Soloists, chorus and extras: Roman costume (Pompeii), turnips, carrots and other
vegetables, insects etc. |
Comment |
|
The work is extravagant in many
ways: eleven settings, dozens of roles, large orchestra, elaborate costumes.
It is only suitable for large groups, perhaps for special festive occasions.
A ballet and/or many figurants are recommended. But a bit of extra work and
organisation will result in a very attractive political-satirical
production. |
|